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Today we remember Graham Greene — a man whose spirit walked tall, whose voice carried the strength of our ancestors into...
09/26/2025

Today we remember Graham Greene — a man whose spirit walked tall, whose voice carried the strength of our ancestors into the halls of Hollywood, and whose presence on screen opened doors that had been shut too long for our people. Born in Ohsweken, Six Nations territory, he journeyed from odd jobs and humble stages to the bright lights of the world, never forgetting where he came from, never forgetting who he was.
When he stepped into the role of Kicking Bird in Dances with Wolves, he did more than act — he carved a path. He showed the world that our stories are not relics, not shadows, but living, breathing truths carried in the dignity of our languages, our humor, our grief, and our resilience. From Thunderheart to Wind River, from Longmire to Reservation Dogs, he kept building that bridge, brick by brick, for every Indigenous actor who would come after.
But beyond the lights and cameras, he was remembered as a man of morals, of character, of deep laughter and quiet strength. He carried his people with him. And now, as his spirit travels on, we give thanks that he did not just play roles — he made space for nations to be seen.
Let us honor him not only with our words, but with our actions: by telling our stories boldly, by holding our languages close, by encouraging our children to dream without boundaries. Graham Greene’s legacy is not just in awards or stars on the walk of fame. It is in the fire he tended, the fire we now carry forward.
Journey well, brother. Your work here is done. The ancestors welcome you home.
—Kanipawit Maskwa
John Gonzalez

In a sandstone-carved plateau of South Dakota during the 1970s Native rights movement, 33-year-old Winona "Sandstone" Re...
09/26/2025

In a sandstone-carved plateau of South Dakota during the 1970s Native rights movement, 33-year-old Winona "Sandstone" Red Feather led her Lakota family in reclaiming cultural practices amid protests and poverty. They carved sandstone for ceremonial pipes and grew corn and sunflowers in sandy soil, raised dogs for fur and meat, and built a sandstone-lined hogan. Winona preserved corn in ash and wove dog fur into mittens, while her husband, Chaska, crafted sandstone beads. Their children gathered chokecherries for syrup and traded pipes with activists for supplies, enduring land disputes and harsh winters. Winona taught: “The sandstone sings our story, and our hands keep it alive.”

Devils Tower National Monument in Wyoming 😲😍
09/26/2025

Devils Tower National Monument in Wyoming 😲😍

If you see me at a Powwow, don’t be afraid to say hi or get a Selfie…just like Nai’Elly did.😎🥰
09/25/2025

If you see me at a Powwow, don’t be afraid to say hi or get a Selfie…just like Nai’Elly did.
😎🥰

Monument Valley in Arizona 😲😍
09/25/2025

Monument Valley in Arizona 😲😍

Bryce Canyon National Park in Utah 😍
09/25/2025

Bryce Canyon National Park in Utah 😍

Under the Turtle’s ShieldUpon the shell of the ancient one,the children place their hands—black, red, yellow, white—all ...
09/25/2025

Under the Turtle’s Shield

Upon the shell of the ancient one,
the children place their hands—
black, red, yellow, white—
all colors of the Earth’s breath.

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The Turtle listens,
its heart as old as the first dawn,
its back strong as the mountains,
its spirit wide as the oceans.

“Do not fear,” it whispers,
“I carry you across rivers of sorrow,
I shelter you beneath feathers of peace,
I guard your dreams beneath the stars.”

Every child matters—
each laugh a sacred song,
each tear a seed of tomorrow.

And the Turtle, eternal,
walks on,
with the weight of the world
and the lightness of children’s hope
safe upon its back.
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When Crazy Horse was stabbed at Fort Robinson in 1877, his first cousin, Touch the Cloud, was by his side. Along with a ...
09/24/2025

When Crazy Horse was stabbed at Fort Robinson in 1877, his first cousin, Touch the Cloud, was by his side. Along with a few others, he carried the great Lakota warrior into the adjutant’s office so he could die with dignity, surrounded by his people instead of abandoned on the ground.
But what happened next is one of the most remarkable acts of quiet resistance in Lakota memory. That night, under the watchful eyes of soldiers, Touch the Cloud lifted Crazy Horse’s body on his shoulder, wrapped in a buffalo robe. Elders had prepared a decoy: the body of a deer, cut to resemble Crazy Horse and wrapped the same way, left behind to fool the guards.
The soldiers believed they still held his body. In truth, Crazy Horse had already been carried away to the mourning of his people — his spirit honored in private, not caged by those who tried to silence him.
The Army’s mistake gave the Lakota one last gift: the right to grieve their greatest warrior in their own way. And through oral history, the memory of that night ceremony endures.

The Buffalo DreamOn the snow where silence stays,A spirit moves in timeless ways.A child with braids, so still, so small...
09/24/2025

The Buffalo Dream
On the snow where silence stays,
A spirit moves in timeless ways.
A child with braids, so still, so small,
Meets the Great One, who guides us all.
Mountains rise within his chest,
The prairies sleep in his gentle rest.
A thousand herds move strong and free,
Their thunder rolls across the sea.
The tipi stands, its fire bright,
Protected by ancestors’ guiding light.
The circle turns, the path is near,
The spirit world feels warm, so clear.
O Buffalo, so strong, so wise,
Keeper of earth and endless skies,
In her young eyes, your truth is shown:
The land is living, not just stone.
And in that gaze, both brave and kind,
She carries the hopes of all mankind.
Where child and spirit stand as one,
The sacred song of life is sung.
Message for Native People:
Never forget the bond with the land, the buffalo, and the ancestors. Their spirit lives within you. Protect it, honor it, and pass it on—because you are the voice of your people, and the heartbeat of this Earth.

ten-year-old Wicasa, son of a Lakota hunter, was taken from his mother’s lodge near the Black Hills. Soldiers told her i...
09/24/2025

ten-year-old Wicasa, son of a Lakota hunter, was taken from his mother’s lodge near the Black Hills. Soldiers told her it was “to make him civilized.” His long braids were cut, his buckskin clothes burned, and a stiff wool uniform was given in their place. His new name became James Little, but in his heart, he was still Wicasa.
They thought they had taken everything. But hidden inside the sole of his moccasin, stitched there by his mother’s loving hands, was a small downy feather — the one thing they didn’t see.
At the government boarding school, speaking Lakota was forbidden. Only English was allowed. Wicasa was punished for singing, for whispering, even for remembering. One night, he spoke his sister’s name in his sleep, and by morning he was made to scrub floors in the cold darkness.
Yet he did not forget. He traced buffalo horns in the frost on his window. He whispered the old stories into his pillow. At night, when the halls were quiet, he taught younger boys the Lakota words for fire, sky, and heart. Always in secret. Always with care.
Years later, he returned to his people — older, quieter, but unbroken. He became a teacher, guiding the next generation. On the wall of his small schoolhouse hung that same faded feather, a silent witness to his journey.
“They took my name,” he once told his students, “but not my language.”
What this story reminds us: even when the world tries to erase who we are, the soul holds on to its roots — sometimes in ways so small, yet so powerful, that they can outlast a lifetime.

𝐂𝐡𝐢𝐞𝐟 𝐃𝐚𝐧 𝐆𝐞𝐨𝐫𝐠𝐞, whose real name is Geswanouth Slahoot, was a Canadian actor, poet, and writer of Indigenous descent. H...
09/24/2025

𝐂𝐡𝐢𝐞𝐟 𝐃𝐚𝐧 𝐆𝐞𝐨𝐫𝐠𝐞, whose real name is Geswanouth Slahoot, was a Canadian actor, poet, and writer of Indigenous descent. He was born on July 24, 1899, belonging to the Tsleil-Waututh (Salish) tribe, in a settlement near North Vancouver, British Columbia, Canada. He became widely known for his acting career, especially in films portraying Indigenous characters.
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Chief Dan George gained further prominence after his role in the classic film "Little Big Man" (1970), where he portrayed a wise, philosophical elder named Old Lodge Skins. This role earned him an Academy Award nomination for Best Supporting Actor, making him the first Canadian Indigenous person to receive such a nomination.
In addition to his acting career, Chief Dan George was renowned for his writing and poetry, expressing his love and reverence for Indigenous culture. His cultural contributions extended to writing books and essays, helping to spread and preserve the cultural heritage of the Tsleil-Waututh and other Indigenous peoples.
Chief Dan George was also a prominent social activist, advocating for the honoring and protection of Indigenous rights. He worked tirelessly to raise awareness on issues such as Indigenous leadership, environmental conservation, and fair treatment of Indigenous peoples in society.
Beyond his artistic career and social activism, Chief Dan George was also known as a speaker and spiritual leader for the Indigenous community. He often participated in events, workshops, and discussions to share knowledge, inspire others, and encourage confidence and pride within his community.
Chief Dan George also contributed to promoting education and community development among Indigenous peoples. He supported various educational and cultural projects, providing opportunities for younger generations to learn and thrive. He frequently engaged in educational activities and programs to foster understanding and respect for Indigenous culture and history.
To this day, Chief Dan George's legacy lives on through his artistic works, literature, and community activities, continuing to influence and inspire future generations about the importance of cultural diversity and the significance of protecting and respecting the rights of Indigenous communities.
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Flathead dancers before a dance. Montana. Early 1900s. Photo by N.A. Forsyth. Source - Montana Historical Society.
09/23/2025

Flathead dancers before a dance. Montana. Early 1900s. Photo by N.A. Forsyth. Source - Montana Historical Society.

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