Moreland Interactive

04/02/2026

03/23/2026

02/28/2026

Anything for the shot. 💪🏾 🎥

02/20/2026

I enabled Sidecarbon my MacBook started using my iPad Pro as a graphics table to draw a mandala for a product for brand Morning Heavy

02/12/2026

I created this logo for an avid roller skater using Adobe Illustrator. The main graphic is a silhouette of a picture of skater roller skating. During this project I learned how to tailor font for a more stylized and dramatic look. For that I learned more about using the Path tools and the Pathfinder tools.

Also, this sounds simple but, the white sticking on the letter 8 was something I just learned. For that I just had to make the stoke a dashed line and change the stroke end cap to rounded...very simple.

I created the silhouette using Google Gemini's Nano Banana tool since that was not something I anticipating needed to tailor or customize in the future. The shadow and the outline for the silhouette were done in illustrator.

02/12/2026

I recently created t-shirt graphics for brand Brew and Feed for their Quality Assurance line of apparel. The project was created using a combination of Google Gemini for the main illustration and Adobe Illustrator for all of the other elements.

01/27/2026

Doing website and social media setup for a new wellness brand called Morning Heavy.

01/18/2026

I am noodling with a Afro Futurism/Dystopian sci-fi comic strip. Here's the premise: In a future where science and media are banned and the population is disenfranchised, a group of self-taught teens discovers an ancient podcast by an astrophysicist named Trebor E. Cleveland. Using his teachings on the cosmos, science and history, they weaponize an approaching asteroid to overthrow the tyrannical world government.

01/09/2026

It’s official: I’ve added a 360° camera to my production kit! 🎥 ✨

In this video of me riding my bike I demonstrate how camera angles can be changed during post production editing. The camera remained stationary on my handle bars as it recorded 360 degrees. During editing I was able to use key framing to change the camera angle...WOW.

While the creative possibilities are incredible (hello, impossible angles!), I’m quickly learning that 360° isn’t just a new lens—it’s a complete paradigm shift for the entire video production workflow. It has ramifications at every single stage:

Pre-Production: You can’t just plan a frame; you have to plan an environment.

Production: There is no "behind the camera" anymore. Lighting, audio gear, and even the crew have to vanish or blend in. It’s a constant game of hide-and-seek.

Post-Production: This is the beast. Stitching, stabilization, and the art of "reframing" in post means the edit bay is where the camera direction actually happens.

It’s a steeper learning curve, but the ability to "shoot first, point later" is a game-changer for dynamic storytelling.

Has anyone else integrated 360 into a traditional workflow? I’d love to hear how you handle the data management!

12/02/2025

11/06/2025