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Sculpture magazine, the official publication of the International Sculpture Center (ISC), is the premier source in the field of contemporary sculpture.
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Sculpture magazine, the official publication of the International Sculpture Center (ISC), is the premiere source in the field of contemporary sculpture. Published 10x a year, Sculpture offers exceptional editorial coverage, striking pictorial layouts and a forum for reaching an exclusive and engaged audience. Sculpture readers are a focused group of artists, collectors, curators, dealers, educators, enthusiasts and other art professionals who are devoted to keeping pace with the rapidly changing art world. www.sculpture.org

Mission: The International Sculpture Center (ISC) is a member-supported, nonprofit organization founded in 1960 to champion the creation and understanding of sculpture and its unique, vital contribution to society. Members include sculptors, collectors, patrons, architects, developers, journalists, curators, historians, critics, educators, foundries, galleries, and museums—anyone with an interest in and commitment to the field of sculpture. Mission The mission of the International Sculpture Center is to: Expand public understanding and appreciation of sculpture internationally Demonstrate the power of sculpture to educate and effect social change Engage artists and arts professionals in a dialogue to advance the art form Promote a supportive environment for sculpture and sculptors Vision The International Sculpture Center champions the creation and understanding of sculpture and its unique and vital contribution to society. Values At the core of every service provided by the International Sculpture Center, we value: Our constituents - Sculptors, Institutions, and Patrons Dialogue - as the catalyst to innovation and understanding Education - as fundamental to personal, professional, and societal growth Community - as a place for encouragement and opportunity

Operating as usual

01/19/2021

Martin Bradley, The Chess-set, 1992. Glass, dimensions variable. Photo: Guido Baviera. #martinbradley #thechessset #glass #glasssculpture

01/13/2021

Maria Lai, Fairies’ Honey, 1991. Fabric and thread, 18 x 14 x 2.5 cm. Photo: Object Studies, Courtesy Archivio Maria Lai and Marianne Boesky Gallery, NY and Aspen. #marialai #fairieshoney #fabric #thread #sculpture

01/11/2021

Thaddeus Mosley, Inclination, 2003. Walnut, 56 x 67 x 36 in. Photo: Courtesy the artist and Karma, New York.
@karmakarma9 #thaddeusmosley #sculpture #contemporarysculpture

01/08/2021

“I’ve been thinking a lot about the interior space of the bells being a way of thinking about interior space, both interior space in general and the interior space in your mind," Davina Semo told Kim Beil on a recent virtual studio visit. To read more about Semo's sculptural practice, including her ongoing exploration of bells, click the link in our bio.

Reverberation, Semo's installation of five cast bronze bells for @publicartfund, is on view at Brooklyn Bridge Park in New York through April 18, 2021.

Image: Reverberation, 2020. Patinated cast bronze bells, UV-protected, 2-stage catalyzed urethane automotive finish, galvanized steel chain and hardware, and clapper, installation view. Photo: Nicholas Knight, Courtesy the artist, Jessica Silverman, San Francisco, and Public Art Fund, NY

01/06/2021

Chung Hyun, Untitled, 2009. Railroad ties, 15 pieces, 300 x 75 x 25 cm. each. View of installation at Leyoung Contemporary Art Museum, Korea. Photo: Courtesy the artist. #chunghyun #untitled #installation #contemporaryart

01/04/2021

Tishan Hsu, installation view of “Liquid Circuit,” 2020.
Photo: Kyle Knodell. #tishanhsu #sculpture #contemporarysculpture

01/01/2021

Wishing you a safe, happy and healthy new year from Sculpture magazine and the International Sculpture Center.

On the January/February 2021 cover: Paloma Varga Weisz, Bumpman, 2002. Polychromed limewood and wood, 70 x 26 x 45 cm. Photo: Stefan Hostettler. #palomavargaweisz #bumpman #wood #sculpture #contemporarysculpture

12/30/2020

Frances Richardson, Because the two parts don’t quite touch, 2019. Correx and ceramic, dimensions variable. Photo: Courtesy the artist and Royal Society of Sculptors. #francesrichardson #correx #ceramic #sculpture #contemporarysculpture

12/28/2020

Martand Khosla, Inventory of the Possible, 2012. Brick dust and Perspex, 12 x 12 x 10 ft. Photo: Courtesy the artist. @naturemorte_delhi @martandkhosla #sculpture #contemporarysculpture

12/27/2020

Support free content at sculpturemagazine.art. Give to the ISC today. Donate to the Fundraiser on their profile International Sculpture Center or visit sculpture.org/donations/ for more information.

Image: Graham Hudson, Made in Illusion, 2019. Bamboo scaffold, site lights, and found materials, 370 x 250 x 250 cm. Photo: Courtesy WAVELENGTH EXHIBITION, China, via https://sculpturemagazine.art/a-conversation-with-graham-hudson/
#grahamhudson #madeinillusion #bamboo #foundmaterials #sculpture #contemporarysculpture

12/25/2020

Repost International Sculpture Center

Louise Bourgeois, recipient of the ISC's first Lifetime Achievement Award in 1991, was born on this day in 1911 in Paris, France. Best known for her large scale sculptures, Bourgeois was also a printmaker and painter. Pictured here is a portrait of the artist with a sculpture in progress from 2009 by Alex Van Gelder. Image: Minke Wagenaar via flickr. #louisebourgeois #contemporaryart #alexvangelder

12/22/2020

Support the work of great sculptors internationally. Subscribe to Sculpture magazine today at sculpture.org/store.

Image: From "Pura Intuición: Una Conversación con Valerie Rey," Valerie Rey, CARBON 14, 2020. Wood, 24k silver leaf, and glass, 23 x 35 x 33 cm. Photo: @lucarey.costarica via https://sculpturemagazine.art/pura-intuicion-una-conversacion-con-valerie-rey/
#sculpture #contemporarysculpture #valerierey #carbon #wood #silver

12/21/2020

Monica Coyne, Bird Djinn (detail), 2020. Mild steel, 60 x 15 x 20 in. Photo: Courtesy the artist.
#monicacoyne #sculpture #contemporarysculpture

12/20/2020

Repost International Sculpture Center

"As for attitudes toward art and art-making, it’s like after man went to the moon: there are no more boundaries in space or on earth," 2013 ISC Lifetime Achievement Award recipient Beverly Pepper stated in a 2013 conversation with Sculpture Magazine. On this day in 1922 Pepper was born in New York City. Learn more about her work on the magazine's website: https://sculpturemagazine.art/space-is-a-living-thing-a-conversation-with-beverly-pepper/

Image: The Todi Columns, 1979. Fabricated steel, 8.7–10.9 meters high. Photo: Bill Pepper #beverlypepper #todicolumns #steel #sculpture

12/19/2020

Support Sculpture online with a donation to the International Sculpture Center. Use the Fundraiser on their profile or visit sculpture.org/donations to give a gift.

Image: Shahzia Sikander, The Perennial Gaze, 2018. Glass mosaic mounted on plywood in brass frame, 70.25 x 43.25 in. Photo: Jason Wyche, New York, © Shahzia Sikander, Courtesy Sean Kelly, New York, via https://sculpturemagazine.art/a-conversation-with-shahzia-sikander/
#shahziasikander #perennialgaze #sculpture #contemporarysculpture #contemporaryart #mosiac

12/18/2020

Karen LaMonte, Reclining Nocturne 4, 2019. Glass, 147 x 58.5 x 53 cm. Photo: Francesco Allegretto.

LaMonte's work is currently on view in "Unbreakable: Women in Glass" at the Fondazione Berengo in Murano, Italy. To read Thea Hawlin's feature on Adriano Berengo, founder of the Berengo Studio and Fondazione Berengo, and the studio's unique collaborative process with contemporary artists, visit the link in our bio.

@fondazioneberengo @berengostudio #sculpture #contemporarysculpture #glass

12/17/2020

Help us continue to showcase emerging artists. Subscribe to Sculpture magazine today: https://sculpture.org/store/ListProducts.aspx?catid=752555

Image, from "Acting on Impossibility: A Conversation with Ignacio Unrrein": Intento dibujar y re dibujar una línea (ReLine Attempt), 2018. Indelible ink on skin (tattoo), 15 x 10 cm. Photo: Lucas Sarmiento, via https://sculpturemagazine.art/acting-on-impossibility-a-conversation-with-ignacio-unrrein/

#ignaciounrrein #relineattempt #contemporaryart #sculpture

12/16/2020

Sculptor Graham Hudson began his Instagram account @physical_culture_philosophy as a means of critical exploration around ideas of the "well body," or in his own words, as "a kind of stream of consciousness of associations and coincidences, where art and fitness collide."

Read the full conversation between Hudson and Editor-in-Chief Daniel Kunitz on our website (link in bio).

Image: A Title Something like; The Power of Love., 2020. Steel tubing and plastic, 310 x 580 x 580 cm. Photo: Courtesy WAVELENGTH EXHIBITION, China

12/15/2020

Support great arts journalism. Subscribe to Sculpture magazine.

https://sculpture.org/store/ListProducts.aspx?catid=752555

Image: Paloma Varga Weisz, Bumpman on a Tree Trunk, 2018. Bronze, installation view outside the Henry Moore Institute, Leeds, U.K. Photo: Stefan Hostettler, Courtesy of the artist and Gladstone Gallery, New York and Brussels, viahttps://sculpturemagazine.art/just-a-small-piece-of-wood-and-a-knife-a-conversation-with-paloma-varga-weisz/
#palomavargaweisz #bumpbanonatreetrunk #henrymooreinstitute #bronze #sculpture

12/14/2020

Duane Paxson, works from the “Mors Eloquentiae” series, 2020. Steel, fiberglass, and resin, installation view. Photo: Courtesy Mike Moseley.
#duanepaxson #sculpture #contemporarysculpture

12/14/2020

Dahlia Elsayed and Andrew Demirjian, Souvenirs from a Borderless Future, 2020. Mixed media, with works by Aiham Dib, Sayran Barzani, Negar Ahkami, Linda Ganjian, Tarek Bouraque, Samira Abassy, Anahita Vossoughi, and Suzan Batu. Photo: © Elysayed/Demirjian, Courtesy the artists and Transformer DC. #dahliaelsayed #andrewdemirjian #souvenirsfromaborderlessfuture #mixedmedia

SFMOMA San Francisco Museum of Modern Art have announced a range of contemporary arts exhibitions this upcoming spring, ...

12/11/2020

Discover Stories by SFMOMA

SFMOMA San Francisco Museum of Modern Art have announced a range of contemporary arts exhibitions this upcoming spring, including "Nam June Paik," the U.S. exclusive presentation of the artist’s radical and experimental art. This exhibition, highlighting the 2001 recipient of the International Sculpture Center Lifetime Achievement Award, will be on view from April 24 through October 3, 2021.

For more information, visit: https://www.sfmoma.org/press-release/sfmoma-presents-u-s-exclusive-retrospective-of-visionary-artist-nam-june-paik/

Bringing you closer to the art, artists, and ideas of today through quick reads, online interactives, and multimedia features.

12/10/2020

Sean Scully, Wall Dale Cubed, 2018. Yorkshire stone, 3 sections, each: 4 x 8 x 6 m., overall: 4 x 28 x 6 m. Photo: © Jonty Wilde, © Sean Scully, Courtesy the artist and YSP.
#seanscully #sculpture #contemporarysculpture

12/08/2020

Nathan Coley, You Imagine What You Desire, 2015. Illuminated text and scaffolding, 5 x 5 x 2.5 m. View of installation at St Nicholas of Myra Church, Brighton, 2015. Photo: Nigel Green, © studio Nathan Coley, Courtesy Parafin, London. @parafinlondon #nathancoley #sculpture #contemporarysculpture

12/07/2020

“Point Cloud (ASU)” is a newly commissioned artwork by Leo Villareal designed for the Arizona State University Art Museum. Using 3D scan technology, Villareal mapped both the inside and outside of the building, creating over 200,000,000 data points. The artist then manipulated the data points with his own custom software to create this public artwork. Visit their website for more information: https://asuartmuseum.asu.edu/

Image: Leo Villareal, “Point Cloud (ASU),” 2020, 12’ 10” x 3’ 3” x 1’ 1”, LEDs, custom software, electrical hardware, steel. Image courtesy of the artist, via https://asuevents.asu.edu/content/leo-villareal-%E2%80%9Cpoint-cloud-asu%E2%80%9D #leovillareal #pointcloud #publicart

12/06/2020

Nicole Eisenman, Sleeping Frat Guy, 2013. Plaster, ceramic, and leather string, 31 x 28 x 20.5 in. Photo: Colin Doyle, © Nicole Eisenman, Courtesy the artist and Vielmetter Los Angeles. #nicoleeisenman #sleepingfratguy #plaster #ceramic #contemporaryart #contemporarysculpture

12/05/2020

Support great art writing. Today there are fewer and fewer venues that showcase art criticism and features on contemporary sculpture. Join the International Sculpture Center to support Sculpture magazine: https://sculpture.org/page/member-benefits

Image: Hew Locke, The Tourists, 2015. View of mixed-media intervention in 27 cabins throughout the museum-ship HMS Belfast, London. Photo: Charlie Littlewood, Courtesy Imperial War Museum, London. #hewlocke #thetourists #mixedmedia #sculpture #contemporarysculpture #contemporary art

12/04/2020

Candice Lin, Future Sarcophagus, 2020. Ceramic, soil, worms, maize, rice, wheat, sugarcane, opium poppy, potato, ginger, and pepper, 50.75 x 72 x 35.75 in. Photo: Ruben Diaz.
@pitzerartgalleries #candicelin #sculpture #contemporarysculpture

12/03/2020

For anyone missing out on their favorite museums or galleries, Sculpture magazine is the next best thing. It’s the perfect gift for the sculpture lovers on your list. One that’s easy to give and will keep them inspired and thinking of you all year long. Now $35 for an annual subscription or $60 for two! Learn more at https://sculpture.org/store/ListProducts.aspx?catid=752555

#sculpture #contemporarysculpture #contemporaryart

12/02/2020

Adam Silverman, installation view of “Occupation,” Friedman Benda, New York, 2018. Photo: Daniel Kukla, Courtesy Friedman Benda and Adam Silverman. @adamsilvermanstudio #sculpture #ceramics #contemporarysculpture

12/02/2020

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12/01/2020

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11/30/2020

Ignacio Unrrein, Tapiar Balvanera (Lavalle 3052), 2017. Ceramic and brickwork, 83 x 66 x 3 cm. Photo: Lucas Sarmiento. @nachounrrein #sculpture #contemporarysculpture

11/27/2020

Martand Khosla, In the Other Rooms 1, 2012. Brick dust and Perspex, 10 vitrines, 4 x 4 x 4 in. each. Photo: Courtesy the artist. #martandkhosla #inotherrooms #brick #perspex #sculpture #contemporarysculpture

11/26/2020

Martin Di Girolamo, Ahed (Palestina), 2019. Epoxi, 150 x 240 x 169 cm. Foto: Cortesía el artista.
#escultura #esculturacontemporánea

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