Shariyka Romero

08/25/2026

I'm building a creator-first permanent asset platform designed to move fluidly across the permaweb - not live inside a single silo.

PermawebOS for user-controlled access.
BazAR for open marketplace interoperability.
Arweave for permanent data.
HyperBEAM for AO compute and state.
ArDrive-hosted assets as part of the same permanent asset universe.

The goal is simple: creators, collectors, and institutions should be able to preserve, verify, access, and exchange assets across the ecosystem without being locked to one gateway, marketplace, or interface.

One permanent asset. Many ways to access it. One interoperable permaweb. ............. — 'Weavie Wonder'

08/16/2026

Tune in now at https://live365.com/station/DRTYBSMNT-RADIO-a18985

08/15/2026

08/13/2026

Follow Haus of Romero to see more works like "The Lake Van Gogh."

We tend to think of a television as something we turn on when we want to watch something. But what if the screen became part of the room?

"The Lake Van Gogh" is digital artwork designed to be experienced on a screen.

That changes the relationship between the artwork and the space around it. Instead of hanging on one wall, the work can become part of the en

Your living room.
Your office.
Your bedroom.

A space where you want to experience something other than a blank screen.

Would you display digital art on your TV?

08/12/2026

08/05/2026

A limited piece stays limited. Not because scarcity is trendy.

Because every work has a beginning and an end. That matters.

Owning original art means owning a moment that won't be repeated.

Have you ever come across a piece you still think about because you waited too long?

07/27/2026

What happens when art refuses to stay on the wall?