Maestra Productions

Maestra Productions Films about art, education & social justice / Cine de arte, educación & movimiento social
(1)

11/20/2025
11/19/2025
¡"La Aurora": Un Monólogo Épico que Iluminó La Habana! ✨Tuvimos la fortuna de vivir un momento único en Cuba: la present...
11/19/2025

¡"La Aurora": Un Monólogo Épico que Iluminó La Habana! ✨

Tuvimos la fortuna de vivir un momento único en Cuba: la presentación especial de la Aurora", el primer solo de la talentosa Julie Wetzel, dirigido por Patricia Barros y Lyvian Sena.

Nuestra querida compañera Norma Rita Guillard fue testigo de este encuentro cultural y, con mucha generosidad y calidez, ¡nos compartió estas imágenes y videos para que todos lo disfrutemos! ❤️

Esta obra es una clase magistral de teatro épico que nos sumerge en la erradicación del analfabetismo en dos historias paralelas: Cuba (1961) y Brasil (1964).

Julie Wetzel es increíble, encarnando personajes que narran fragmentos históricos cruciales:

Brasil (Actual): La dolorosa realidad de 9 millones de brasileños con escolarización incompleta.

Cuba (1961): La épica campaña del "Año de la Educación", inspirada en el libro "A Revolução de Anita".

La sala vibró con una energía poderosa; el público se unió en coros de canciones libertadoras, demostrando que el espíritu de la lucha educativa sigue más vivo que nunca.

"La Aurora" conmueve, invita a la reflexión y a la acción, recordándonos lo que la organización popular pudo y puede lograr.

Actriz: Julie Wetzel

Dirección: Patricia Barros y Lyvian Sena

Compañía: Cia Burlesca

➡️ ¡Desliza para ver las fotos y videos que nos compartió Norma!


11/19/2025

In 1993, a historian gave a name to something that had been stealing from women scientists for centuries—and in doing so, she named it after another woman history had tried to erase.
For hundreds of years, women made discoveries that changed the world.
They mapped the stars. Discovered elements. Invented technologies that saved millions. Unlocked the secrets of DNA, nuclear fission, and the composition of the universe itself.
And then their names disappeared.
Their work was credited to male colleagues. Their contributions were footnoted, minimized, or erased entirely. History books wrote them out. Textbooks forgot they existed.
It wasn't accidental. It was systematic.
Until Margaret W. Rossiter decided to write them all back in.
Margaret was a historian of science at Cornell University. And she was noticing a pattern that no one had formally named.
Women scientists kept vanishing from history.
Not because their work wasn't important. Not because they hadn't made discoveries. But because the system was designed to erase them.
In 1993, Margaret gave this phenomenon a name: the Matilda Effect.
The systematic denial of credit to women scientists, whose work was attributed to their male colleagues or simply forgotten.
But here's the brilliant part: she named it after Matilda Joslyn Gage, a suffragist and abolitionist who had raised this exact alarm back in 1883.
Gage had written that women's scientific achievements were routinely stolen or ignored. She'd documented it. Called it out. Demanded change.
And then history forgot about Matilda Gage too.
So Margaret named the phenomenon after her. A woman who'd identified the erasure of women was herself erased—until another woman made sure her name would be remembered for recognizing what the world refused to see.
It was an act of historical justice wrapped in an academic term.
Margaret W. Rossiter was born in 1944, growing up fascinated by both science and history—two worlds that rarely acknowledged women's contributions to either field.
She earned her PhD in the history of science from Yale in 1971. This was a time when women historians were rare, and women studying the history of women in science were nearly nonexistent.
But Margaret saw something massive that everyone else was missing.
Where were the women?
She knew they'd been there. She'd seen their names in footnotes, in acknowledgments, in the backgrounds of laboratory photographs. But their stories weren't being told. Their contributions weren't being taught.
Someone had to find them.
So Margaret set out on what would become a 40-year mission to restore women scientists to history.
Her research method was painstaking.
She combed through university archives, scientific journals, personal letters, institutional records, looking for women whose names had been buried in the footnotes of history.
And she found them. Hundreds of them.
She found Rosalind Franklin, whose X-ray crystallography was critical to discovering the structure of DNA, but who was largely overlooked while James Watson and Francis Crick received the Nobel Prize.
She found Lise Meitner, who co-discovered nuclear fission but was excluded from the Nobel Prize, which went only to her male colleague Otto Hahn.
She found Nettie Stevens, who discovered that s*x is determined by chromosomes, but whose work was overshadowed by her male colleague Thomas Hunt Morgan.
She found Cecilia Payne-Gaposchkin, who discovered what stars are made of—one of the most important discoveries in astronomy—but whose findings were initially dismissed and later credited to a male astronomer.
She found Chien-Shiung Wu, who conducted the experiment that disproved a fundamental law of physics, but whose male colleagues received the Nobel Prize while she was ignored.
And she found hundreds more.
Women who had worked in labs without titles, without salaries, often as "assistants" to their husbands or male colleagues, doing the intellectual heavy lifting while men took the credit and the recognition.
But Margaret didn't just document individual stories.
She analyzed the patterns. She showed that this wasn't a series of unfortunate coincidences or isolated incidents.
It was systemic. It was structural. It was deliberate.
Women were excluded from academic positions. When they were hired, they were paid less or not at all. Their discoveries were published under men's names. Their Nobel nominations were ignored. Their obituaries mentioned their husbands but not their work.
This wasn't because women were less capable.
It was because the system was designed to keep them invisible.
Margaret called it the Matilda Effect, and the name stuck.
It entered academic discourse, feminist scholarship, and eventually the broader culture. Now there was a term for what had been happening in the shadows for centuries.
But naming the problem wasn't enough for Margaret. She wanted to fix it.
Between 1982 and 2012, Margaret published her three-volume masterwork: Women Scientists in America.
Volume 1: Struggles and Strategies to 1940 (1982) – Documented how women fought for access to education and scientific careers in the 19th and early 20th centuries.
Volume 2: Before Affirmative Action, 1940–1972 (1995) – Chronicled the post-WWII period, when women's contributions were especially ignored despite their critical roles during the war.
Volume 3: Forging a New World Since 1972 (2012) – Examined the impact of affirmative action, Title IX, and feminist movements on women's participation in science.
Together, these volumes restored thousands of women to the historical record.
They became essential texts in the history of science, women's studies, and the fight for gender equity in STEM fields.
But Margaret's work didn't just stay in academic journals and university libraries.
It sparked real change.
Universities began reviewing their own histories, acknowledging women scientists they had overlooked. Scientific institutions started programs to ensure women received proper credit for their work. Awards and fellowships were created to honor women scientists, both past and present.
Textbooks were rewritten. Course curricula changed. The names that had been erased were written back in.
For her work, Margaret received some of the highest honors in academia:

The Sarton Medal – the highest honor in the history of science
A MacArthur Fellowship (the "Genius Grant")
A Guggenheim Fellowship

And in 2020, the History of Science Society created the Margaret W. Rossiter History of Women in Science Prize, awarded annually to scholars continuing her mission.
But perhaps the greatest tribute was seeing her work cited, built upon, and expanded by a new generation of scholars determined to ensure that women's contributions would never again be erased.
Margaret W. Rossiter is now in her eighties. She spent over 40 years researching, writing, and teaching about women in science.
She didn't just uncover forgotten names.
She changed how history is written.
She forced institutions to confront their complicity in erasing women.
She gave a name—the Matilda Effect—to a phenomenon that had been invisible for centuries.
And she made sure the world could never again claim ignorance.
Because now, when a woman scientist's work is overlooked, we have a name for it. We can call it out. We can recognize the pattern. We can fight it.
Think about what Margaret accomplished:
She took centuries of systematic erasure and made it visible.
She found the women history had hidden and brought them back into the light.
She named the problem after another woman who'd been forgotten for identifying the same problem—creating a recursive act of historical justice.
She spent four decades digging through archives so that today's women in STEM would have role models, predecessors, proof that they belong in these fields.
She didn't just study history. She corrected it.
And here's what matters most:
Every time a young woman in a science class learns about Rosalind Franklin now, that's Margaret's work.
Every time an institution reviews its hiring practices to ensure women get credit for their research, that's the Matilda Effect being fought.
Every time a woman scientist's name appears in a textbook alongside the discovery she made, that's Margaret Rossiter's legacy.
She gave voice to the voiceless.
She made visible what had been deliberately hidden.
She ensured that the women who discovered the structure of DNA, who split the atom, who mapped the stars, who changed the world—would finally be remembered for it.
Margaret W. Rossiter didn't just document history.
She rewrote it.
She took the erasure of women scientists—something that had been happening for centuries but had never been formally recognized—and she gave it a name that couldn't be ignored.
The Matilda Effect.
Named after a woman who'd been erased for calling out erasure.
It's brilliant. It's justice. It's a middle finger to every institution that thought women's contributions could be quietly stolen.
And it's a reminder that sometimes the most revolutionary act is simply refusing to let history forget.
Margaret spent 40 years making sure the world would never again claim ignorance about what had been stolen from women scientists.
She found them. She named the theft. She demanded recognition.
And she won.
Today, when we talk about Rosalind Franklin and DNA, when we acknowledge Lise Meitner's role in nuclear fission, when we teach about Cecilia Payne-Gaposchkin discovering what stars are made of—
That's Margaret W. Rossiter's victory.
The women who changed the world but were written out of history?
She wrote them back in.
And made damn sure they'd stay there
By
https://www.facebook.com/Neeivalo888

11/19/2025
11/18/2025

The online application for the Schomburg-Mellon Humanities Summer Institute is now available! https://ow.ly/vsSK50Xsf2n

The Schomburg Center and the Andrew W. Mellon Foundation created the Schomburg-Mellon Humanities Summer Institute to encourage students of color and others with interests in African-American, African, and African Diaspora Studies to pursue PhDs in the humanities.

Rising college seniors, who are eligible to apply, receive housing, meals, and a stipend during the four-week in-person program, hosted from June 1 to 26. Deadline to apply is February 6, 2026.

Photo: Lisa Herndon

11/17/2025

Susana Trimarco disguised herself as a madam and walked into brothels across northern Argentina, searching for her missing daughter among women trapped in s*xual slavery -- and in the process, she sparked a movement that would free over 3,000 s*x trafficking victims. It began in April 2002, when her 23-year-old daughter, María de los Ángeles Verón, left for a doctor's appointment in their city of San Miguel de Tucumán and never returned home. Frustrated by a police investigation she believed was deliberately sabotaged by corruption, Trimarco obtained the names of known pimps and s*x traffickers from police files and launched her own search.

She posed as a buyer interested in purchasing the captive women and girls -- some as young as 14, who could be traded for about $800. One r**e victim told her she had seen María drugged, with swollen eyes, in a trafficker's home that doubled as a holding place for newly abducted women. But by the time Trimarco could follow the lead, her daughter had been moved. Though María was never found, Trimarco's relentless pursuit transformed her into one of Argentina's most powerful human rights activists and forced s*x trafficking onto the national agenda. "The desperation of a mother blinds you," she says. "It makes you fearless."

Through this dangerous work, Trimarco discovered the full scope of s*x trafficking and the corruption within the police and judiciary that kept women trapped in forced prostitution. "The police would hand [the trafficked women] back to the criminals," she recalls. "They used to say: 'Don't leave me. Take me with you.'" Trimarco ended up becoming the personal guardian to 129 survivors of s*x trafficking, sheltering them in her home and helping them reunite with their families.

Trimarco's relentless advocacy forced change at the highest levels. Her work helped lead to the first law, passed in 2008, making human trafficking a federal crime; the subsequent reforms have led to thousands of people being rescued from s*x traffickers. These successes, however, have come with a high personal cost to Trimarco: she has suffered many reprisals over the years including countless death threats, having her house set on fire, and several attempts to run her over in the street.

As more trafficking survivors and families of trafficking victims reached out to her for help, Trimarco says, "It came to a point where I just did not have the capacity to help them all. That is when I decided to open a foundation." In 2007, she founded Fundación María de los Ángeles, a non-governmental organization focused on helping people escape from trafficking and lobbying for legislation to prevent it. Her efforts focused on her daughter's disappearance eventually resulted in trials for 13 people, including several police officers, in 2012; all 13 were acquitted, a ruling that prompted outrage by many and led to impeachment proceedings against three judges.

In December 2013, the Tucumán Supreme Court reversed the acquittals and convicted ten of the defendants, who received sentences ranging from 10 to 22 years in April 2014. But despite it all, Trimarco still hasn't found out what she wants to know most: what happened to her daughter. Some witnesses say she was murdered -- although her body has never been found -- and others say she was taken overseas.

Twenty-three years later, Trimarco's work continues in her daughter's name and for all survivors. Her foundation remains at the forefront of the country's fight against human trafficking, recently helping to dismantle trafficking rings in 2024 and 2025. In recent years, the foundation has expanded its role as a legal plaintiff in trafficking cases, ensuring survivors have representation throughout the judicial process. Now in her seventies, Trimarco remains internationally recognized for her work, though her search for answers about María's fate has never ceased. "Every woman I help somehow helps María," she reflects. "They represent hope in this new life of mine."

To learn more about her foundation, Fundación María de los Ángeles, visit https://fundacionmariadelosangeles.net/

For a new memoir by a victim of the Epstein s*x trafficking ring, we highly recommend "Nobody’s Girl: A Memoir of Surviving Abuse and Fighting for Justice," visit https://amzn.to/4nZbSAZ (Amazon) and https://bookshop.org/a/8011/9780593493120 (Bookshop)

For an eye-opening book about an American teen girl who becomes trapped in the underworld of human trafficking, we highly recommend "The Life I'm In" for ages 14 and up at https://www.amightygirl.com/the-life-i-m-in

For a moving memoir by a woman dedicated to ending the trafficking of girls in the U.S. as the founder of Girls Are Not For Sale, who herself is a survivor, check out “Girls Like Us: Fighting for a World Where Girls Are Not for Sale” at https://www.amightygirl.com/girls-like-us-for-sale

For an excellent though challenging novel about one Nepalese girl's experience being trafficked into prostitution, we recommend "Sold" for readers 14 and up at https://www.amightygirl.com/sold

For a powerful book for teen readers about how girls and women are fighting against child marriage, s*x trafficking, and gender discrimination around the world, we highly recommend "Girl Rising: Changing the World One Girl at a Time," for ages 13 and up, visit https://www.amightygirl.com/girl-rising-book

For two inspiring books for young readers filled with practical advice on how to make change on issues they care about, we recommend "Start Now! You Can Make a Difference!" for ages 7 to 11 (https://www.amightygirl.com/start-now) and "It's Your World! Get Informed, Get Inspired, & Get Going!" for ages 10 and up (https://www.amightygirl.com/it-s-your-world)

Para La Habanaaaa! 🇨🇺LENDO O MUNDO esta en camino para el amado  !!
11/16/2025

Para La Habanaaaa! 🇨🇺

LENDO O MUNDO esta en camino para el amado !!

11/15/2025

65 years ago today, 6-year-old Ruby Bridges walked through a wall of hate to integrate the all-white William Frantz Elementary in New Orleans—becoming the first Black child to do so in the South. Surrounded by U.S. Marshals, she carried the weight of a nation on her small shoulders.

Her courage shattered barriers and forced America to confront its inequities. We honor her legacy by continuing the fight for truly inclusive education—because, like Ruby, we know one brave soul can change the world.

Estamos  profundamente felices y agradecidas que nuestro documental «Leyendo al Mundo» fue elegido como selección oficia...
11/14/2025

Estamos profundamente felices y agradecidas que nuestro documental «Leyendo al Mundo» fue elegido como selección oficial del Festival Internacional del Nuevo Cine Latinoamericano de La Habana, uno de los eventos cinematográficos más emblemáticos de la región, que reconoce obras sobresalientes del cinema Latinoamericano actual.

«Leyendo al Mundo Paulo Freire, mostrando uno de sus primeros proyectos de alfabetización en los años 60 en Angicos, Rio Grande do Norte, en el Nordeste brasileño transformó no solo la educación, sino también la conciencia crítica, la democracia participativa y la esperanza de miles de personas. Esta selección es un homenaje al poder de la educación popular y a la vigencia del mensaje freireano en el mundo actual. 🌍📖

📽️ Leyendo al Mundo (2025 | Brasil–EEUU)
Una co-producción de Maestra Productions y el Instituto Paulo Freire, con apoyo de diversas organizaciones comprometidas con los derechos humanos, la cultura y la pedagogía liberadora.

Equipo creativo y técnico

Dirección:
• Catherine Murphy .la.murphy
• Iris de Oliveira

Producción:
• Micaela Ovelar
• Carina Aparecida
• Rachel Dickson

Coproductora:
• Instituto Paulo Freire

Guión & Montaje:
• Iris de Oliveira
• Renato Maia
• Luis Dechtiar
• Mara Wollong

Productores de campo:
• Silvana Pacheco
• Gustavo Correia

Productores asociados:
• Passos Jr
• Talaya Grimes
• Miranda Montenegro

Fotografía:
• Carina Aparecida
• Oto Cartaxo
• Caio Castor
• Renato Maia
• Eduardo Mendonça

Sonido:
• Felipe Mago Andrade
• Valney Damacena
• Alban Henriquez

Investigación de archivo:
• Micaela Ovelar
• Stephanie Temoteo

Productora de impacto:
• Erika Hoffgen – Vivá Projetos

Productores consultantes:
• Maria Luisa Mendonça

Consultantes creativas:
• Denise Zmekhol
• Tracey Quezada
• Lucy Massie Phenix

Consultantes de conteudo:
• Socrates Magno Torres

Productores ejecutivos:
• Petra Costa
• Kit Miller
• T.M. Scruggs

Música:
• Chico César
• Bia Ferreira
•Cláudio Rabeca
• Quinteto da Paraiba

Supervisor Musical
• Fernando Dourado
Para más información: lendoomundo.com

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Mount Rainier, MD
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