The African American Folklorist Newspaper

The African American Folklorist Newspaper From musicians and historians to community scholars and academics, we provide a platform for diverse voices deeply rooted in the Black experience.

The African American Folklorist is a multimedia platform and magazine dedicated to preserving, showcasing, and empowering Black cultural expression through storytelling, research, fieldwork, and community-led documentation of folklore and tradition. Owned, Trademarked, Operated, and Founded by Lamont & Denise Pearley, The African American Folklorist (AAF) is more than a quarterly magazine—it’s a m

ovement to honor, preserve, and document the deep-rooted cultural traditions, music, beliefs, and lived experiences of Black people in America. Distributed through the Jack Dappa Blues Heritage Preservation Foundation (a 501(c)(3) Private Foundation), AAF is dedicated to tracing the ancestral threads of the Blues People—bringing forward stories told by those living them. We believe that cultural preservation starts at home. Through education, mentorship, and accessible workshops, we encourage independent research, community archiving, and storytelling that captures the rich and powerful legacy of our people. As Editor-in-Chief Lamont Jack Pearley says:
“We aim to put the story of the blues people in the proper context—told by blues people. We appreciate the works done in the past, we are only making sure our story isn’t determined by others!”

Join us as we document tradition, empower the next generation of culture keepers, and build an ever-growing archive that reflects the soul, sound, and story of Black America.

Not only check out our website, but also watch the video that our publisher and founder shares! It is an invitation to t...
11/16/2025

Not only check out our website, but also watch the video that our publisher and founder shares!

It is an invitation to the blues people to take control of the documentation and dissemination of our narrative!!


https://theafricanamericanfolklorist.com/the-team

11/14/2025

A reminder that the application due date for the 41st annual Traditional Arts Apprenticeship Program is one week from today--Wednesday, November 19, 2025.

Visit our website for the guidelines, blank application, and staff contact information. Link in the first comment. ⬇️

Apply!
11/14/2025

Apply!

A reminder that the application due date for the 41st annual Traditional Arts Apprenticeship Program is one week from today--Wednesday, November 19, 2025.

Visit our website for the guidelines, blank application, and staff contact information. Link in the first comment. ⬇️

10/24/2025
Exhibiting our work at the ’s   in
10/19/2025

Exhibiting our work at the ’s in

10/13/2025

SEM is excited for this year’s keynote lecture in Atlanta, Georgia, with Jacqueline Cogdell DjeDje on Saturday, October 25: “The Fiddle/Violin in African American Culture: Meanings and Associations.” The culmination of her work to bridge the west African fiddle to some of its diasporic offshoots west of the Atlantic was published this year. _Fiddling is My Joy: The Fiddle in African American Culture_ and its 241-page resource companion _Fiddling Is My Joy Companion_. (University of Mississippi Press) is an ethnomusicological tour de force. Her work provides a thorough story of early folk and commercial music contributions of Black fiddle players and violinists to musics of the United States. Dr. DjeDje will be introduced by Dr. Birgitta J. Johnson of the University of South Carolina. Check out the current version of the SEM 2025 preliminary program. We have a fabulous schedule of presentations and special events and opportunities to meet with your colleagues from around the world. Please visit the conference website for information on all aspects of the meeting.

Check out this featured article by guest author Kesi Neblett!
10/10/2025

Check out this featured article by guest author Kesi Neblett!

The question of roles within a power couple cannot be asked in isolation. Who takes care of the kids? Is the woman only prominent as a byproduct of the man’s prominence? If the man’s role is critical to society, should the woman simply accept the position of support for the greater good? Is the ...

Boots on the Ground is more than a viral moment — it’s a cultural reclamation.Written by contributing author and communi...
10/09/2025

Boots on the Ground is more than a viral moment — it’s a cultural reclamation.
Written by contributing author and community-rooted cultural worker Johnae De Felicis, this piece traces the line dance movement not just as entertainment, but as Black Southern resistance, Afro-Indigenous lineage, and a radical act of joy.

From the rural South to the global stage, line dancing, born from ring shouts, stomp dances, and blues migrations, has always been ours. But too often, it’s been erased, appropriated, and commercialized.

In this piece, Johnae spotlights how 803Fresh and Tre Little reignite ancestral rhythms with the hit “Boots on the Ground,” where fans snap and boots clap in sync — a new kind of protest, rooted in the old ways.

What if healing looked like synchronized joy? What if protest felt like rhythm shared in communion?

THIS ISN'T ABOUT ACADEMICS, THIS IS RECONNECTING TRIBES

Read the whole piece and reflect on how movement — in all its forms — helps us remember who we are.

https://theafricanamericanfolklorist.com/arts-media/boots-on-the-ground-the-viral-black-line-dance-movement-seen-amp-heard-round-the-world

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