Filmmaker U

Filmmaker U Filmmaker U is an online education series showcasing the best craftspeople in the film & TV business.

06/20/2025

https://www.filmmakeru.com/, Contact [email protected] for information and inquiries.

"Daredevil: Born Again" Cinematographer Hillary Fyfe Spera shares how techniques like rehearsals and pre-visualization are used, and discusses the differences between digital and film shooting. She goes over how strategic camera angles and lighting enhance character representation in the show. The visual style reflects New York's essence, blending nostalgia with grit, influenced by classic films and street photography.

Hillary Fyfe Spera is a TV and film cinematographer with 20 years of professional experience. Most recently, she served as the lead cinematographer on season 1 of Marvel's "Daredevil: Born Again" and is currently shooting season 2.

Her other TV credits include Showtime's highest watched series, "Dexter: New Blood," "The Flight Attendant" starring Kaley Cuoco, HBO's documentary series "Heaven's Gate: The Cult of Cults," pilot of Starz's "P-Valley," Netflix's popular show "YOU," and the pilot for Warner Bros."The Lost Boys."

Beyond her TV work, her feature credits include Lionsgate feature "Run"; the Sony Pictures' reboot of "The Craft: Legacy;" "Lister-Jones' Band-Aid"; Miguel Arteta's "Duck Butter;" Craig Johnson's "Alex Strangelove"; and Netflix feature "The Package," produced by Ben Stiller. Hillary's film credits include diverse work across genres, including Katie Aselton's thriller "Black Rock"; Alaskan adventure drama "Wildlike," which had a highly successful festival run including three Best Cinematography awards and 57 total awards; Olivia Milch's dramedy "Dude," Damon Cardasis' musical "Saturday Church"; and thriller "Submission" starring Stanley Tucci.

Her documentary work includes Emmy award-winning film After Tiller, winner of the Audience Award at SXSW, Darkon, SXSW Audience award winner Maidentrip, SXSW Grand Jury award nominee Breaking a Monster, and winner of the Best Director Award at Tribeca Film Festival.

Hillary is based in Red Hook, Brooklyn, NY. In 2021, she was named one of the ASC's Rising Stars of Cinematography.

0-5.jpg
--

Filmmaker U Chats is sponsored by Manhattan Edit Workshop

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest-quality education for filmmakers and editors, focusing on the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Please go to https://www.mewshop.com for more information.

Every week, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest, or watch our vast catalog of a talented lineup of past interviewees on our YouTube page or page.

Go to https://www.filmmakeru.com for more information on our courses and past interviews.

Follow, like, and share on Social Media
https://www.linkedin.com/company/filmmaker-u
https://www.facebook.com/FilmmakerU/
https://www.instagram.com/filmmaker_u/
https://www.twitter.com/filmmaker_u
https://www.youtube.com/FilmmakerU

06/20/2025

https://www.filmmakeru.com/, Contact [email protected] for information and inquiries.

Production Designer Michael Shaw shares experiences from "Daredevil: Born Again," focusing on location choices and visual effects. Michael discusses how the evolution of characters in "Born Again" is accompanied by unique design choices that cater to the original series. He describes the ex*****on of murals and graffiti highlights, and collaboration with comic book artists. The psychology of space is examined, showing how design reflects character emotions.

Michael Shaw is a TV and film production designer with over 30 years of experience. Most recently, his work can be seen in Marvel's newest show, "Daredevil: Born Again. "

He also served as production designer on HBO's acclaimed limited series "The Staircase," starring Colin Firth and Sophie Turner, and was the originating production designer on many hit shows, including AMC series "Lodge 49," "Billions" for Showtime, "Orange is the New Black" for Netflix and "The Big C" for Showtime. Michael's feature film credits include the award-winning "Boys Don't Cry," "You Can Count on Me" starring Laura Linney and Mark Ruffalo, "A Home At The End Of The World" based on a book by Pulitzer prize-winning author, Grammy and Oscar-nominated "August Rush," and "The English Teacher" starring Julianne Moore.

After one of Michael's first design projects, a short film, "The Room," won top prizes at Cannes, Sundance, and MOMA, he realized production design was the perfect career to mold all his creative interests under one roof.

Michael lives in Brooklyn, New York, with his dog Wilson. He settled in New York City after studying painting, sculpture, & film at the Rhode Island School of Design (BFA). He approaches every project as an artist

--

Filmmaker U Chats is sponsored by Manhattan Edit Workshop

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest-quality education for filmmakers and editors, focusing on the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Please go to https://www.mewshop.com for more information.

Every week, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest, or watch our vast catalog of a talented lineup of past interviewees on our YouTube page or page.

Go to https://www.filmmakeru.com for more information on our courses and past interviews.

Follow, like, and share on Social Media
https://www.linkedin.com/company/filmmaker-u
https://www.facebook.com/FilmmakerU/
https://www.instagram.com/filmmaker_u/
https://www.twitter.com/filmmaker_u
https://www.youtube.com/FilmmakerU

06/20/2025

https://www.filmmakeru.com/, Contact [email protected] for information and inquiries.

Editor Nicole Brick shares her experiences working on projects like 'No Good Deed'. She highlights the editing process, stressing the need for script access and collaboration. Balancing humor and drama is crucial, especially when exploring serious themes. Nicole discusses her techniques, pacing in comedies, and the evolution from script to final edit, while also revealing her love for reality TV.

--

Filmmaker U Chats is sponsored by Manhattan Edit Workshop

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest-quality education for filmmakers and editors, focusing on the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Please go to https://www.mewshop.com for more information.

Every week, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest, or watch our vast catalog of a talented lineup of past interviewees on our YouTube page or page.

Go to https://www.filmmakeru.com for more information on our courses and past interviews.

Follow, like and share on Social Media
https://www.linkedin.com/company/filmmaker-u
https://www.facebook.com/FilmmakerU/
https://www.instagram.com/filmmaker_u/
https://www.twitter.com/filmmaker_u
https://www.youtube.com/FilmmakerU

06/20/2025

https://www.filmmakeru.com/, Contact [email protected] for information and inquiries.

Set Designer Claire Kaufman discusses furniture creation and historical influences in "The Studio." The visual language of characters' homes is compared, highlighting distinct aesthetics. She notes how collaboration is essential for cohesive designs and challenges in set decoration for the Golden Globes. Claire also discusses the differences in creative freedom between television and film, along with advice for aspiring decorators.

Claire Kaufman is a talented Set Decorator with deep roots in Southern California. Raised in the vibrant heart of the state, she went on to study Graphic Arts at UCSD, but it was a move to Los Angeles that opened up a world of new creative possibilities.

Immersed in the high-energy world of music videos and commercials, Claire discovered a whole new creative outlet, ultimately leading her to the realms of film and television design. Throughout her career, Claire has earned the trust of visionary directors and production designers, collaborating on a diverse array of projects that showcase her inventive approach and unmatched attention to detail. Known for seamlessly blending history and modernity, her designs captivate audiences with their imaginative flair and meticulous craftsmanship.

Claire’s notable contributions can be seen in critically acclaimed films like "Oppenheimer," "Little Women," and "White Noise," as well as in iconic television sets for shows like "The Studio," "Perfect Couple," and "American Horror Story." Her ability to tell a story through decoration has earned her recognition across the industry, including Oscar and BAFTA nominations, multiple wins at the ADG Awards, and an Emmy nomination for her work on "American Horror Story."

Claire enjoys decorating today as much as the first time she stepped on set and hopes to create many other memorable worlds.

--

Filmmaker U Chats is sponsored by Manhattan Edit Workshop

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest-quality education for filmmakers and editors, focusing on the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Please go to https://www.mewshop.com for more information.

Every week, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest, or watch our vast catalog of a talented lineup of past interviewees on our YouTube page or page.

Go to https://www.filmmakeru.com for more information on our courses and past interviews.

Follow, like, and share on Social Media
https://www.linkedin.com/company/filmmaker-u
https://www.facebook.com/FilmmakerU/
https://www.instagram.com/filmmaker_u/
https://www.twitter.com/filmmaker_u
https://www.youtube.com/FilmmakerU


06/20/2025

https://www.filmmakeru.com/, Contact [email protected] for information and inquiries.

"The Studio" Editor Eric Kissack, ACE, discusses the importance of pacing and rhythm in comedy, the impact of ad-libbing, and the technical challenges of editing long takes. Eric also notes insights into character development and aesthetic choices, especially regarding luxury portrayal. He recalls how the editing process of the pilot episode revealed necessary adjustments for clarity, concluding with reflections on production challenges and viewer engagement.

This video also explores how Robert Altman's film, "The Player," influenced techniques in television, particularly the masterful use of the long take film. The discussion highlights how the film's approach to filmmaking and camera movement served as inspiration. It's considered one of the best movies about Hollywood.

Born and raised in New York City, Eric Kissack fell in love with movies when he went to see "The Empire Strikes Back" at the tender age of 4, a questionable parenting decision but a pivotal career moment. He spent every free moment after that watching films and went on to study film at Brown University. He has enjoyed working on "Role Models," "Brüno," "Cedar Rapids," "The Dictator," "Horrible Bosses 2," "Daddy’s Home," "Instant Family," "Barb & Star Go to Vista Del Mar and Bottoms." In 2016, Eric decided to spend more time in television. He edited "Black Monday," "Rutherford Falls," and "Pam & Tommy," among other shows. He was nominated for an Emmy for his work editing Veep and an ACE Award for his work editing "The Good Place."

--

Filmmaker U Chats is sponsored by Manhattan Edit Workshop

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest-quality education for filmmakers and editors, focusing on the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Please go to https://www.mewshop.com for more information.

Every week, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest, or watch our vast catalog of a talented lineup of past interviewees on our YouTube page or page.

Go to https://www.filmmakeru.com for more information on our courses and past interviews.

Follow, like, and share on Social Media
https://www.linkedin.com/company/filmmaker-u
https://www.facebook.com/FilmmakerU/
https://www.instagram.com/filmmaker_u/
https://www.twitter.com/filmmaker_u
https://www.youtube.com/FilmmakerU

06/20/2025

https://www.filmmakeru.com/, Contact [email protected] for information and inquiries.

"High Potential" Showrunner Todd Harthan shares his experiences adapting a French series for American audiences, focusing on tonal adjustments and character depth. The script development emphasizes complex crime narratives and collaborative character development influenced by actor input. Todd highlights memorable moments from the season and reflects on his favorite nostalgic shows, revealing personal connections to classic television.

Todd Harthan is currently executive producer/showrunner on ABC’s “High Potential.” In recent years, he has been executive producer on the Disney+ series “Crossover,” ABC’s “The Company You Keep,” and FBC’s “The Resident.” He was the creator, executive producer, and writer of FBC’s “Rosewood.” Harthan and James Roday Rodriguez co-wrote “Treehouse” as a part of the Hulu/Blumhouse anthology series ”Into the Dark” and the cult horror-comedy “Gravy.” Previously, he was a writer and producer for “Psych,” “The Kill Point,” “Crash,” and “Dominion.”

--

Filmmaker U Chats is sponsored by Manhattan Edit Workshop

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest-quality education for filmmakers and editors, focusing on the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Please go to https://www.mewshop.com for more information.

Every week, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest, or watch our vast catalog of a talented lineup of past interviewees on our YouTube page or page.

Go to https://www.filmmakeru.com for more information on our courses and past interviews.

Follow, like, and share on Social Media
https://www.linkedin.com/company/filmmaker-u
https://www.facebook.com/FilmmakerU/
https://www.instagram.com/filmmaker_u/
https://www.twitter.com/filmmaker_u
https://www.youtube.com/FilmmakerU

06/16/2025

https://www.filmmakeru.com/, Contact [email protected] for information and inquiries.

"Beast Games" Editor Mack Hopkins juggles editing and co-hosting in a high-pressure production environment. He notes how pre-production is crucial for adapting to contestant behaviors in reality TV. Mack highlights the importance of emotional responses in storytelling.

Chapters:
00:56 Filmmaker U Overview
02:10 Production Insights
06:30 Reality TV Dynamics
32:00 Film Influences
34:32 Closing and Technical Notes

--

Mack Hopkins is a co-host, creative force, and the lead editor, behind “Beast Games”. Over the past five years, he’s been a key player in some of YouTube’s biggest successes—including the billions of views and hundreds of millions of subscribers tied to the MrBeast brand. On Beast Games, Mack’s role extends far beyond being on camera. He works closely with Jimmy Donaldson to shape on-camera dialogue, collaborates with Tyler Conklin to direct scenes, and leads the creative direction of post-production. Every episode is either personally edited by Mack or editorially creatively overseen by him, including music choice, VFX, Graphics, Storyline, and all of Jimmy’s voice overs/challenge descriptions.

Filmmaker U Chats is sponsored by Manhattan Edit Workshop

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest-quality education for filmmakers and editors, focusing on the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Please go to https://www.mewshop.com for more information.

Every week, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest, or watch our vast catalog of a talented lineup of past interviewees on our YouTube page or page.

Go to https://www.filmmakeru.com for more information on our courses and past interviews.

Follow, like and share on Social Media
https://www.linkedin.com/company/filmmaker-u
https://www.facebook.com/FilmmakerU/
https://www.instagram.com/filmmaker_u/
https://www.twitter.com/filmmaker_u
https://www.youtube.com/FilmmakerU

06/16/2025

https://www.filmmakeru.com/, Contact [email protected] for information and inquiries.

"Étoile" Editors Tim Streeto, ACE & Zana Bochar discuss how the show focuses on its modern context and the blend of dance, language, and dialogue. They note how the casting process for dancers emphasizes authenticity, but also requires them to have skills as an actor. The editors talk about the challenges of strikes, made scheduling issues impact production. They also touch on comedic editing and balancing humor and drama for a Palladino-produced series.

CHAPTERS:
00:00 Setting and Music
00:55 Production and Attraction
02:01 Pacing and Dance
10:41Comedy and Language
15:41 Career and Editing

Zana Bochar is very excited and honored to have edited on Étoile alongside Tim Streeto. They first worked together on "The Marvelous Mrs. Maisel," where Zana assisted Tim on all five seasons. They co-edited two episodes, and her first solo television editing credit came on the penultimate episode of the series. Zana’s first feature editing opportunity was “Muppet Guys Talking,” a documentary directed by Frank Oz. When not working, Zana volunteers at her local animal shelter and spends time at home in Queens, NY, with her husband and dog.

Tim Streeto, ACE, is a three-time Emmy-nominated editor whose recent credits include "Étoile," "The Marvelous Mrs. Maisel" (Prime Video), "Riff Raff" (Lionsgate), "The White Tiger" (Netflix), "Extrapolations" (Apple TV+), "Fosse/Verdon" (FX), and "Maniac" (Netflix) among others.

--

Filmmaker U Chats is sponsored by Manhattan Edit Workshop

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest-quality education for filmmakers and editors, focusing on the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Please go to https://www.mewshop.com for more information.

Every week, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest, or watch our vast catalog of a talented lineup of past interviewees on our YouTube page or page.

Go to https://www.filmmakeru.com for more information on our courses and past interviews.

Follow, like and share on Social Media
https://www.linkedin.com/company/filmmaker-u
https://www.facebook.com/FilmmakerU/
https://www.instagram.com/filmmaker_u/
https://www.twitter.com/filmmaker_u
https://www.youtube.com/FilmmakerU

06/16/2025

https://www.filmmakeru.com/, Contact [email protected] for information and inquiries.

"The Bondsman" Editor Geofrey Hildrew, ACE, shares insights on his editing work, favorite books, and the impact of literature on film. He discusses the use of deep POV techniques in "The Bondsman" character development and pacing in episode six. Music's role in editing the show is highlighted, along with the balance of practical effects and CGI. Geofrey also addresses streaming challenges, reflects on favorite scenes, and explores blending genres like horror and comedy.

CHAPTERS:
00:13 Filmmaker U & Editor Geofrey Hildrew Intro
00:45 Literature & Editing Impact
06:29 Music & Effects in Editing
11:05 Performance & Editing Changes
19:01 Genre Blending & Influences

Geofrey Hildrew, ACE, is a highly accomplished film and television editor/director who hails from Hershey, Pennsylvania. He holds a Bachelor’s degree in English Literature from Columbia University and a Master’s degree in Film and TV Production from the University of Southern California.

During his time in New York, Geofrey worked as a development intern at Cappa Productions, under the mentorship of Barbara DeFina and Martin Scorsese. Subsequently, he relocated to Los Angeles to pursue his graduate studies and continued to excel in development at The Steve Tisch Company. As part of his studies at USC, Geofrey directed and edited his thesis film, "Big Time," which made its debut at USC's First Look Film Festival in 2004 and garnered recognition throughout the festival circuit.

In 2014, Geofrey was honored with admission into the prestigious American Cinema Editors (ACE). Recently, he achieved a remarkable milestone in his career by completing his 100th hour of scripted television editing. Noteworthy credits in his portfolio encompass a diverse range of projects, including" Dirty Sexy Money" (ABC), V(WB/ABC), "Extant" (Amblin/CBS), "The Tick" (Amazon), "For the People" (Shondaland/ABC), Amazing Stories (Amblin/AppleTV+), "Carnival Row" (Amazon), "The Walking Dead" (AMC), "True Story" (Netflix), and "Painkiller" (Netflix). Notably, Geofrey played a pivotal role in editing all seven seasons of ABC's popular fantasy drama, "Once Upon a Time," and also showcased his directorial talent in three acclaimed episodes.

While Geofrey thrives in the realm of television, he also finds great satisfaction in working on independent feature films. He served as editor and executive producer for the film "Things Never Said," collaborating with the esteemed Writer/Director Charles Murray. Additionally, he edited the gripping thrillers "Careful What You Wish For" and his second collaboration with Charles Murray, "The Devil You Know."

At present, Geofrey Hildrew is collaborating with Ryan Murphy on a (currently untitled) series about Aaron Hernandez. He resides in Los Angeles, where he continues to make significant contributions to the world of film and television.

--

Filmmaker U Chats is sponsored by Manhattan Edit Workshop

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest-quality education for filmmakers and editors, focusing on the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Please go to https://www.mewshop.com for more information.

Every week, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest, or watch our vast catalog of a talented lineup of past interviewees on our YouTube page or page.

Go to https://www.filmmakeru.com for more information on our courses and past interviews.

Follow, like and share on Social Media
https://www.linkedin.com/company/filmmaker-u
https://www.facebook.com/FilmmakerU/
https://www.instagram.com/filmmaker_u/
https://www.twitter.com/filmmaker_u
https://www.youtube.com/FilmmakerU

06/16/2025

https://www.filmmakeru.com/, Contact [email protected] for information and inquiries.

The series "Cross" features a forensic psychologist navigating complex cases and personal challenges. Editor Steven Lang, ACE, discusses editing workflows that focus on organizing footage and refining performances to create a cohesive narrative. He notes that emotional depth is highlighted through character relationships, especially between Alex and his son. Steven also emphasizes the importance of character development in the editing process.

Chapters:
01:42 Editing & Collaboration
05:48 Character & Editing Focus
25:05 Guilty Pleasures & Reflections

Steven Lang was born and raised in Stony Brook, New York, on Long Island. He graduated with a Bachelor of Science in Business Management from the State University of New York at Stony Brook in 1992. But his real education began years earlier—during the six years he spent working at a local video store from the age of sixteen to twenty-one. It was there that his love of movies took root, planting the seed that would grow into a lifelong passion for storytelling and the entertainment industry.

With nearly thirty years in the business, Steven has edited approximately 200 hours of television, collaborating with some of the industry’s top writers, producers, directors, and creators—including David E. Kelley, Billy Crystal, McG, David Milch, Steven Bochco, Ridley & Tony Scott, Jerry Bruckheimer, Ray McKinnon, Larry Charles, Ben Watkins, Matt Nix, and Albert Hughes. His work spans a wide range of genres—from half-hour comedies to one-hour dramas and feature films—demonstrating both versatility and a deep understanding of storytelling across formats.

In recognition of his work, Steven was invited to join American Cinema Editors (ACE) in 2019—an honor reserved for editors who have demonstrated exceptional skill and commitment to the craft.

Most recently, he completed the final season of "Cobra Kai" for Netflix and Season 2 of "Cross" for Amazon. He’s now beginning work on the pilot and first season of "The Greatest" for Amazon, a new series about the life of Muhammad Ali, continuing his relationship with Ben Watkins and the "Cross" team.

--

Filmmaker U Chats is sponsored by Manhattan Edit Workshop

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest-quality education for filmmakers and editors, focusing on the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Please go to https://www.mewshop.com for more information.

Every week, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest, or watch our vast catalog of a talented lineup of past interviewees on our YouTube page or page.

Go to https://www.filmmakeru.com for more information on our courses and past interviews.

Follow, like and share on Social Media
https://www.linkedin.com/company/filmmaker-u
https://www.facebook.com/FilmmakerU/
https://www.instagram.com/filmmaker_u/
https://www.twitter.com/filmmaker_u
https://www.youtube.com/FilmmakerU

Address

New York, NY

Telephone

(212) 414-9570

Website

Alerts

Be the first to know and let us send you an email when Filmmaker U posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Filmmaker U:

Shortcuts

Share

Category