Spencer Lawncare

Spencer Lawncare Steve McQueen.

In the 1970s and 1980s, Peter Fonda took on a variety of roles, both in film and television, although his career didn’t ...
03/11/2025

In the 1970s and 1980s, Peter Fonda took on a variety of roles, both in film and television, although his career didn’t maintain the same level of cultural relevance as in the late 1960s. He appeared in films such as Dirty Mary, Crazy Larry (1974), a fast-paced action movie, and The Last Movie (1971), directed by Dennis Hopper. Fonda also appeared in Randle P. McMurphy in the 1975 film One Flew Over the Cuckoo's Nest, following the footsteps of his father Henry Fonda. Peter Fonda began his career as a major Hollywood film icon during the 1960

GREGORY PECK in TO KILL A MOCKINGBIRD back in THEATRES! Peck plays ATTICUS FINCH in the movie based on the much-loved no...
03/11/2025

GREGORY PECK in TO KILL A MOCKINGBIRD back in THEATRES! Peck plays ATTICUS FINCH in the movie based on the much-loved novel. The actor called his Oscar-winning role "a gift" from the book's author HARPER LEE. Don't miss To Kill a Mockingbird on the BIG SCREEN Sunday Feb 16 & Wednesday Feb 19. Go to FlashbackCinema.net for locations.

Peter Fonda, Roger Vadim and Jane Fonda at the Venice Film Festival
03/11/2025

Peter Fonda, Roger Vadim and Jane Fonda at the Venice Film Festival

Brock Peters started to cry while filming his testifying scenes in "To Kill a Mockingbird" (1962), without rehearsing it...
03/11/2025

Brock Peters started to cry while filming his testifying scenes in "To Kill a Mockingbird" (1962), without rehearsing it this way, and Gregory Peck said that he looked past him, instead of looking at him in the eye, to avoid choking up himself. According to Peters, the producers were reluctant to cast him, because he had been typecast as a villain.
A product of NYC's famed Music and Arts High School, Peters (born George Fisher) initially fielded more odd jobs than acting jobs as he worked his way up from Harlem poverty. Landing a stage role in "Porgy and Bess" in 1949, he quit physical education studies at CCNY and went on tour with the acclaimed musical. His film debut came in "Carmen Jones" (1954).
Despite the novel's winning the Pulitzer Prize, the studios were not interested in securing the film rights, since they felt that it lacked action and romance (with the absence of a love story), and that the villain does not get a big comeuppance. Producer Alan J. Pakula disagreed, however, and persuaded director Robert Mulligan, his producing partner at that time, that it would make a good film for their Pakula-Mulligan Productions. Together, they were able to convince Gregory Peck, who readily agreed to the role.
Peck journeyed to Monroeville, Alabama with Mulligan and Pakula to meet Harper Lee's ailing father. True to the story, Amasa Lee really had been a widower who raised his children by himself, and at the same time was ready to defend a black man falsely accused of crimes he did not commit. The experience of meeting the actual man aided Peck's performance immeasurably.
Peters delivered Peck's eulogy on the date of his funeral and burial in 2003. (IMDb)

There’s a great story about Peter Fonda, John Wayne, and Henry Fonda at the Beverly Hilton Hotel that perfectly captures...
03/11/2025

There’s a great story about Peter Fonda, John Wayne, and Henry Fonda at the Beverly Hilton Hotel that perfectly captures the generational and cultural divide between them.
Peter Fonda, the counterculture star of Easy Rider, was worlds apart from John Wayne, the ultimate symbol of old-school Hollywood masculinity. Henry Fonda, Peter’s father and Wayne’s longtime friend, was somewhere in between, respected by both men.
At a Hollywood event at the Beverly Hilton, Peter Fonda, dressed in his usual ‘60s hippie fashion, ran into John Wayne, who was never shy about expressing his conservative views. Wayne eyed Peter’s long hair and rebellious look, then grumbled, “Jesus Christ, Henry, can’t you get your kid a haircut?”
Without missing a beat, Peter shot back, “Well, Duke, if I cut my hair, you’ll never get into Easy Rider 2.”
Henry Fonda just laughed, knowing his son and old friend would never see eye to eye. But despite their differences, Wayne actually had a soft spot for Peter and later admitted he respected Easy Rider for its impact, even if it wasn’t his kind of movie.

Gregory Peck and Ingrid Bergman on the set of Spellbound. I don't know why Hitchcock didn't cast Peck in more of his fil...
03/11/2025

Gregory Peck and Ingrid Bergman on the set of Spellbound. I don't know why Hitchcock didn't cast Peck in more of his films. He fits the archetype of the "everyman" caught up in extraordinary circumstances beyond his control. Maybe he thought Peck was too handsome, LOL.

On August 16, 2019, Peter Fonda, the acclaimed actor known for his role in "Easy Rider," died at the age of 79 after bat...
03/11/2025

On August 16, 2019, Peter Fonda, the acclaimed actor known for his role in "Easy Rider," died at the age of 79 after battling lung cancer. His death marked the end of a turbulent chapter for the Fonda family, particularly for his sister, actress Jane Fonda. The relationship between Jane and Peter was complex, shaped by both deep love and significant differences over the years, making his passing an especially poignant and difficult experience for her.
Peter Fonda was born on February 23, 1940, to Henry Fonda and Frances Ford Seymour. Coming from a family with a deep-rooted history in Hollywood, Peter carved out his own legacy. Known for his rebellious spirit, Peter rose to fame with the 1969 film "Easy Rider," in which he co-wrote and starred alongside Dennis Hopper. The film became a cultural touchstone, cementing his place in film history and setting the tone for a career often defined by its countercultural themes. But while Peter’s professional life took off, his personal life was marked by turmoil, especially his relationships with family members.
Peter’s father, Henry Fonda, was known for his stern and distant demeanor, a trait that influenced Peter’s upbringing. Their relationship was strained for many years, and Peter later admitted to feeling neglected by his father. He once said that Henry was "a man of few words, but those words were always very important." This lack of emotional warmth left Peter with a complicated view of family dynamics. As for his sister Jane, she and Peter had a close but fraught bond. Though they shared the same father, their relationship was often overshadowed by their different ways of navigating life in the public eye.
Throughout their careers, Jane and Peter found themselves on divergent paths. Jane, despite her own battles with fame, developed a strong sense of activism, advocating for social and political causes, while Peter was seen as more of an outsider in Hollywood, often struggling with substance abuse and personal demons. Despite these differences, the siblings always maintained a sense of shared history and love, even if unspoken. Peter’s death, therefore, not only marked the loss of a brother but also the end of a complicated relationship that had endured for decades.
In the aftermath of Peter’s passing, Jane publicly expressed her grief. In a statement, she referred to her brother as a "man of great intelligence and spirit" and acknowledged the lasting impact of his work. Jane also shared that his death had reminded her of the complexities of family, especially in how it shapes one’s identity and legacy. This loss brought to light the often-hidden emotional struggles that come with fame, especially for those in the Fonda family, who had to live under the long shadow of their parents.
The death of Peter Fonda also shed light on the emotional toll that such a public loss can take on family members. Jane, who was known for her public advocacy and activism, had always been open about her struggles, including her battles with eating disorders, depression, and her own complicated relationship with her father. Yet the loss of her brother, who had been a significant part of her life, left her with a sense of personal devastation that was deeply private. Her grief, however, did not just come from the death of her brother but from the realization that their complicated relationship had never been fully resolved.
Despite their differences, Jane and Peter shared a deep respect for each other’s work and contributions to the arts. After Peter’s death, Jane continued to honor his memory, speaking about him with fondness in interviews and on social media. She remarked on the emotional depth of his performances and his ability to portray raw, vulnerable characters that resonated with audiences. In these moments, Jane acknowledged that the sibling rivalry that once defined their relationship had faded into a shared history of love, admiration, and respect.
Peter’s death also sparked a reflection on the Fonda family’s complicated history, especially with their father Henry. Both Jane and Peter had experienced a strained relationship with him, and the loss of Peter seemed to mark the final chapter in a saga of familial tensions and unspoken emotions. The passing of Peter Fonda brought a deep sense of loss, but it also underscored the strength of family ties, even when they are fraught with complexity.
In the wake of her brother’s death, Jane Fonda’s life was forever changed. The loss was a reminder that even those who live in the public eye are not immune to the challenges of family and personal grief. She continued her activism and her work in Hollywood, but the pain of losing Peter was something she would carry with her. While the bond between the Fonda siblings was marked by differences, the depth of their connection was undeniable, making Peter’s passing a deeply emotional moment in Jane’s life.

"Gregory Peck," one of Hollywood’s most revered leading men, was known not only for his powerful performances but also f...
03/11/2025

"Gregory Peck," one of Hollywood’s most revered leading men, was known not only for his powerful performances but also for his deep devotion to his family. Despite his immense success in films such as "To Kill a Mockingbird" (1962) and "Roman Holiday" (1953), he always prioritized his role as a husband and father.
Peck married "Greta Kukkonen" in 1942, and together they had three sons: "Jonathan," "Stephen," and "Carey." The couple raised their children away from the Hollywood spotlight, focusing on a grounded upbringing. Jonathan Peck, the eldest, pursued journalism but tragically passed away in 1975, a loss that deeply affected Gregory for the rest of his life. Despite his grief, Peck remained dedicated to his family and continued his humanitarian work.
After divorcing Greta in 1955, Peck married "Veronique Passani" in 1955, a French journalist he met while on a press tour. Their love story lasted for nearly five decades, and they had two children together: "Anthony" and "Cecilia." Veronique and Gregory’s marriage was one of Hollywood’s most enduring, built on mutual respect and deep affection.
Throughout his life, Peck was often photographed in candid moments with his children, whether on family vacations, at home, or during public appearances. These images reveal a softer, more personal side of the actor, showcasing his warmth and devotion. Unlike many of his Hollywood peers, Peck maintained a strong presence in his children’s lives, valuing fatherhood as one of his greatest achievements.
His children later honored his legacy, with Anthony Peck following in his footsteps as an actor. Cecilia Peck became a documentary filmmaker, preserving her father’s impact both on-screen and off. Until his passing in 2003, Gregory Peck remained a symbol of integrity, both in Hollywood and within his family, leaving behind a lasting legacy of love and devotion.

Unlawful  Entry (1992) is a psychological thriller that became a cult favorite,  thanks in part to its gripping plot and...
03/11/2025

Unlawful Entry (1992) is a psychological thriller that became a cult favorite, thanks in part to its gripping plot and strong performances from the talented trio of Ray Liotta, Madeline Stowe, and Kurt Russell. The film, directed by Jonathan Kaplan, centers around a couple, played by Stowe and Russell, who become the victims of a police officer, portrayed by Liotta, who crosses the line between duty and obsession. The story delves deep into themes of trust, power, and the dangers of unchecked authority, with Liotta’s portrayal of the increasingly unhinged cop delivering a chilling performance that would become one of his career-defining roles.
Set against the backdrop of Los Angeles, the film is notable for its intense atmosphere and psychological tension. The chemistry between Stowe and Russell as a couple trying to survive the ordeal adds emotional depth, while Liotta’s sinister presence builds the suspense throughout. The film’s plot weaves through moments of manipulation and power dynamics, offering a gripping exploration of how vulnerability can lead to a dangerous spiral when authority figures exploit their position. Released during a time when psychological thrillers were experiencing a boom, Unlawful Entry struck a chord with audiences who were drawn to its raw exploration of fear and control.
Unlawful Entry was part of a wave of 1990s thrillers that explored moral gray areas and the breakdown of trust, with films like The Hand That Rocks the Cradle and Sleeping with the Enemy coming out around the same time. Although the film didn’t earn major box office success, it remains a significant title for fans of crime dramas and psychological thrillers, often praised for its performances and taut direction. The collaboration between Liotta, Stowe, and Russell brought a sense of realism and emotional complexity to the story, making Unlawful Entry a memorable and underrated gem in the thriller genre.

Born On This Day Feb 23 1940 Peter Fonda, American actor (Easy Rider, Ulee's Gold), born in New York City (d. 2019)
03/04/2025

Born On This Day Feb 23 1940 Peter Fonda, American actor (Easy Rider, Ulee's Gold), born in New York City (d. 2019)

Gregory Peck, one of the most revered actors of Hollywood’s Golden Age, was born in 1916 in La Jolla, California. His jo...
03/04/2025

Gregory Peck, one of the most revered actors of Hollywood’s Golden Age, was born in 1916 in La Jolla, California. His journey into acting began at the University of California, Berkeley, where he developed a passion for the stage. After studying at the Neighborhood Playhouse in New York, he transitioned to Broadway before making his Hollywood debut in "Days of Glory" (1944). His deep voice, towering presence, and effortless charm quickly made him a leading man in Hollywood.
Peck became a household name with his powerful performances in classics such as "The Yearling" (1946), "Gentleman’s Agreement" (1947), and "Roman Holiday" (1953). However, his most iconic role was as Atticus Finch in "To Kill a Mockingbird" (1962), for which he won an Academy Award for Best Actor. His portrayal of the morally upright lawyer defending an innocent Black man in the racially charged American South remains one of cinema’s greatest performances. Peck's dedication to socially relevant roles showcased his commitment to meaningful storytelling.
Beyond his film career, Peck was an advocate for humanitarian causes and served as a president of the Academy of Motion Picture Arts and Sciences. He was awarded the Presidential Medal of Freedom in recognition of his contributions to the arts and society. His legacy as a dignified, principled actor endures, influencing generations of performers and filmmakers.

changing the gearing for a muddy day Appalachia lake WV D-5 one of my favorite  Tracks back in the day 1974 CZ 250 B-cla...
03/04/2025

changing the gearing for a muddy day Appalachia lake WV D-5 one of my favorite Tracks back in the day 1974 CZ 250 B-class Tape was on the seat to keep the cover on

🎬🎥 Basic Instinct (1992) is a neo-noir erotic thriller directed by Paul Verhoeven and starring Michael Douglas and Sharo...
03/04/2025

🎬🎥 Basic Instinct (1992) is a neo-noir erotic thriller directed by Paul Verhoeven and starring Michael Douglas and Sharon Stone. The film follows detective Nick Curran (Douglas) as he investigates the brutal murder of a rock musician. His prime suspect is the seductive and mysterious writer Catherine Tramell (Stone), whose novels eerily mirror real-life crimes.
The movie became famous for its provocative themes, intense psychological tension, and a controversial interrogation scene featuring Stone. It was a major box office success and remains a landmark in the erotic thriller genre. Its screenplay, written by Joe Eszterhas, was one of the most expensive ever sold at the time.

Patrick Swayze, born on August 18, 1952, in Houston, Texas, was an actor, dancer, and singer whose career spanned multip...
03/04/2025

Patrick Swayze, born on August 18, 1952, in Houston, Texas, was an actor, dancer, and singer whose career spanned multiple decades and genres. With a background in ballet, Swayze’s early years were marked by rigorous dance training under his mother, Patsy Swayze, a well-respected choreographer. His athleticism and charisma led him to early roles in Broadway productions such as Grease, before transitioning into film and television. His breakthrough came in 1983 when he played the role of Darrel Curtis in The Outsiders, which introduced him to mainstream audiences. However, it was Dirty Dancing (1987) that made him a cultural icon. Playing Johnny Castle, a dance instructor with a rebellious streak, Swayze captured the hearts of millions and showcased his impressive dancing skills. The film became a global sensation, with the song "(I've Had) The Time of My Life" immortalizing its most famous scene.
Following Dirty Dancing, Swayze continued to prove his versatility with a mix of action, drama, and romance. His role in Ghost (1990), alongside Demi Moore and Whoopi Goldberg, further solidified his leading man status. The film, blending romance and the supernatural, became one of the highest-grossing movies of its time, earning him a Golden Globe nomination. In contrast, he embraced action-packed roles in films like Point Break (1991), where he played the charismatic and philosophical surfer Bodhi, and Road House (1989), a cult classic that showcased his tough-guy persona. Throughout the 1990s and early 2000s, he took on more character-driven roles, such as in To Wong Foo, Thanks for Everything! Julie Newmar (1995), where he played a drag queen with grace and dignity, demonstrating his willingness to defy Hollywood stereotypes.
Swayze’s later years were marked by his courageous battle with pancreatic cancer, which he publicly fought with resilience and dignity. Despite his diagnosis in 2008, he continued to work, starring in the television series The Beast while undergoing treatment. He passed away on September 14, 2009, but his legacy lives on through his memorable performances and undeniable impact on pop culture. Patrick Swayze remains an enduring figure of strength, talent, and passion in Hollywood history.

Released in 1998, Meet Joe Black is a romantic fantasy film directed by Martin Brest. The film stars Brad Pitt as Joe Bl...
03/04/2025

Released in 1998, Meet Joe Black is a romantic fantasy film directed by Martin Brest. The film stars Brad Pitt as Joe Black, a personification of death who comes to Earth to experience life, and Claire Forlani as Susan Parrish, the daughter of a wealthy media mogul. The movie explores themes of life, death, love, and destiny, with a central focus on the intense romantic relationship that develops between Joe and Susan. The film is known for its philosophical dialogue, reflective tone, and its emotional depth, especially when it comes to the idea of true love and its transformative power.
Brad Pitt’s portrayal of Joe Black was a departure from his previous roles, showcasing his ability to delve into more complex and nuanced characters. While the film is often remembered for its philosophical explorations of mortality, it also remains iconic for its romantic elements. Pitt’s performance captured the delicate balance between his character’s ethereal, otherworldly nature and the intense, passionate love he developed for Susan. The chemistry between Pitt and Claire Forlani was palpable, making their relationship the heart of the movie, and their iconic scenes—especially the moment where they confess their love—are etched in cinematic history.
The film also reflects a particular moment in the late 1990s where Hollywood was producing films that dealt with deep existential themes in a mainstream setting. The movie’s emphasis on following one’s heart and experiencing love in its truest form resonated with audiences, despite its somewhat melancholic atmosphere. While Meet Joe Black didn’t achieve massive commercial success, it has garnered a lasting legacy, particularly in the romance genre, for its unique blend of love, mortality, and the chance to live fully. Brad Pitt and Claire Forlani’s heartfelt performances have ensured the movie remains a beloved part of the late 90s cinematic landscape.

This picture is from the episode “ The Mission”
03/04/2025

This picture is from the episode “ The Mission”

Elizabeth Taylor and Paul Newman headline the 1958 film "Cat on a Hot Tin Roof," an intense screen adaptation of Tenness...
03/04/2025

Elizabeth Taylor and Paul Newman headline the 1958 film "Cat on a Hot Tin Roof," an intense screen adaptation of Tennessee Williams' Pulitzer Prize-winning play. Directed by Richard Brooks, this American drama delves deep into themes of family tension, emotional estrangement, and the tangled web of guilt, desire, and love. Alongside Taylor and Newman, the movie features stellar performances by Burl Ives, Jack Carson, and Judith Anderson, and is regarded as one of MGM's landmark films in American cinema history.
The plot centers around Brick Pollitt (played by Newman), a former athlete who has turned to alcohol to cope with the emotional fallout from the death of his close friend, Skipper. His wife, Maggie (Taylor), is desperate to bridge the growing distance between them. As Maggie struggles to reclaim Brick’s love, the couple’s fractured relationship plays out against the backdrop of a family gathering at the Pollitt estate, where Brick’s father, Big Daddy (Burl Ives), is celebrating his birthday.
One of the film’s most gripping moments occurs in a confrontation between Brick and Big Daddy, set in the family’s cellar. Here, Brick begins to confront his buried emotions, leading to an explosive exchange about life’s failures and disappointments. The scene is laden with tension, as the cellar, filled with relics of the Pollitt family's history, becomes a symbolic battleground where father and son face the painful truths of their relationship.
Taylor's portrayal of Maggie is a standout, blending vulnerability with fierce determination as she fights for her husband’s affection. Her performance earned her an Academy Award nomination for Best Actress, while Newman’s depiction of Brick—marked by his brooding intensity and inner conflict—earned him an Oscar nod as well. The chemistry between the two actors creates a palpable tension, further elevating their performances.
Behind the scenes, the film's production was marked by tragedy. Elizabeth Taylor’s husband, Mike Todd, died in a plane crash during filming, halting production as she mourned. When filming resumed, Taylor's personal loss brought an added depth to her portrayal of Maggie, heightening the emotional stakes of the character’s struggles.
The movie also made some notable adjustments to Williams' original play, particularly in downplaying the nature of Brick’s relationship with Skipper, due to the censorship restrictions of the time. The film shifts the focus more toward Brick's guilt and his troubled marriage with Maggie, yet still retains the intense emotional weight that drew audiences in.
"Cat on a Hot Tin Roof" became a major success, receiving six Academy Award nominations, including Best Picture, Best Director, and acting nominations for both Taylor and Newman. Though it did not win any Oscars, the film solidified its status as a cinematic classic, praised for its powerful performances and faithful adaptation of Williams’ emotionally charged play.
The combination of Taylor’s and Newman’s electric performances, along with Burl Ives' commanding role as Big Daddy, creates a gripping exploration of unresolved emotions, the complexity of human relationships, and the burden of unspoken truths. The film's themes continue to resonate with audiences, ensuring its lasting impact on American cinema.

John Wayne and James Arness on the set Hondo, 1953.
03/04/2025

John Wayne and James Arness on the set Hondo, 1953.

Address

Hot Springs, AR, Arkansas City, AR
New York, NY

Website

Alerts

Be the first to know and let us send you an email when Spencer Lawncare posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Spencer Lawncare:

Videos

Share