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Since its inception in the 1970s, the Millennium Film Journal has documented the multiple transformations of the cinematic in the hands of artists, giving a voice to a community that tended toward marginality.

29/12/2025

🔬 Here’s ‘s glitch art 🔴⚪️⚫️

📹 Moving Dots, Circles, and Rectangles, mkgratif (2025). Courtesy the artist. ⁠
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THURSDAY December 11th, we’re collaborating with the launch of MFJ no. 82 “Real Life” with a screening at in Paris!Tic...
09/12/2025

THURSDAY December 11th, we’re collaborating with the launch of MFJ no. 82 “Real Life” with a screening at in Paris!

Ticket link in bio.

With a program consisting of works discussed in the issue, these films and their accompanying texts are attempts to understand an increasingly convoluted world, in which images are not just a reflection of reality, but part of its very substance.

Programmed by Grahame Weinbren, Vince Warne, and Jonathan Ellis.

Samy Benammar adieu ugarit (2024, 15’, 16mm-to-digital) 
Claudia Hart Memory Theater 2 (2022-25, 5’, digital)
Riccardo Giacconi Diteggiatura (Fingerpicking) [2021, 17, digital]
Mike Hoolboom Rain (2025, 3’, digital)
Mike Hoolboom White Harlem (2024, 10’, digital)
Tomonari Nishikawa sound of a million insects, light of a thousand stars (2014, 2’, 35mm-to-digital)
Undertime Slopper Selected works (2025, 5’, digital)
John Smith Being John Smith (2024, 27’, digital)

PIC: “BEING JOHN SMITH” (2024). Courtesy the artist.

08/12/2025

🔬 Here’s recorded.motion ‘s card deck moving image ♠️♥️♣️♦️

📹 001 Card Deck, Michaela Leitner (2025). Courtesy the artist. ⁠
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“The shorts featured in Currents 5, aptly titled Fields of Vision, gesture at the tactile origins of cinema. Whether fil...
03/12/2025

“The shorts featured in Currents 5, aptly titled Fields of Vision, gesture at the tactile origins of cinema. Whether filmed on celluloid, in collage animation, or with 3D and digital cameras, these films push forward ways of perception and broaden their roots in structural cinema.”

Read on Currents Program 5

Image from Lover, Lovers, Loving, Love(2025) courtesy of Film at Lincoln Center

link in bio
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THURSDAY December 4th, we’re celebrating the launch of MFJ no. 82 “Real Life” with a screening at in London! Featuring ...
28/11/2025

THURSDAY December 4th, we’re celebrating the launch of MFJ no. 82 “Real Life” with a screening at in London! Featuring the special interactive cinema piece Repeat After Me (2024) by

Ticket link in bio.

With a program consisting of works discussed in the issue, these films and their accompanying texts are attempts to understand an increasingly convoluted world, in which images are not just a reflection of reality, but part of its very substance.

Programmed by Grahame Weinbren, Vince Warne, and Jonathan Ellis.

Ken Jacobs LITTLE STABS AT HAPPINESS (1959-63, 15’, 16mm-to-digital)
Samy Benammar ADIEU UGARIT (2024, 15’, 16mm-to-digital)
Claudia Hart MEMORY THEATER 2 (2022-25, 5’, digital)
Mike Hoolboom RAIN (2025, 3’, digital)
Mike Hoolboom WHITE HARLEM (2024, 10’, digital)
Tomonari Nishikawa SOUND OF A MILLION INSECTS LIGHT OF A THOUSAND STARS (2014, 2’, 35mm)
Undertime Slopper SELECTED WORKS (2025, 2’, digital)
Open Group REPEAT AFTER ME (2024, 17’, digital)

PIC: “REPEAT AFTER ME” (2024). Courtesy the artist.

Thank you to everyone who came out to last week’s screening at . We are grateful to Anthology, all the filmmakers and w...
24/11/2025

Thank you to everyone who came out to last week’s screening at . We are grateful to Anthology, all the filmmakers and writers, and the all the participants in the interactive media piece Repeat After Me by

We have more screenings coming up in December, see you soon in London and Paris!

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24/11/2025

🔬 Today we are sharing ‘s moving glitch art 📺⚡️👁️

📹 Out of Sight, Out of Mind, Chromatic Artifacts (2025). Courtesy the artist. ⁠
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🧿 WEDNESDAY November 19th at 7:30pm, we’re celebrating the launch of MFJ no. 82 “Real Life” with a screening at in NYC!...
16/11/2025

🧿 WEDNESDAY November 19th at 7:30pm, we’re celebrating the launch of MFJ no. 82 “Real Life” with a screening at in NYC!

Ticket link in bio.

With a program consisting of works discussed in the issue, these films and their accompanying texts are attempts to understand an increasingly convoluted world, in which images are not just a reflection of reality, but part of its very substance.

Programmed by Grahame Weinbren, Vince Warne, and Jonathan Ellis.

Tomonari Nishikawa sound of million insects, light of a thousand stars (2014, 2’, 35mm)
Samy Benammar Adieu Ugarit (2024, 15’, 16mm-to-digital)
Claudia Hart Memory Theater 2 (2022-25, 5’, digital)
Mike Hoolboom Rain (2025, 3’, digital)
Mike Hoolboom White Harlem (2024, 10’, digital)
Undertime Slopper Selected works (2025, 2’, digital)
John Smith Being John Smith (2024, 27’, digital)
Open Group Repeat After Me (2024, 17’, digital)

📷: “Being John Smith” (2024). Courtesy the artist.

“If the world ends twice—first materially, then linguistically—Mare’s Nest lingers in the second death.”Read on Mare’s ...
13/11/2025

“If the world ends twice—first materially, then linguistically—Mare’s Nest lingers in the second death.”

Read on Mare’s Nest by at Currents

Image from Mare’s Nest (2025) courtesy of Film at Lincoln Center

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“The filmmakers make the bet that all of us, regardless of what part of the political or social spectrum we land on, are...
11/11/2025

“The filmmakers make the bet that all of us, regardless of what part of the political or social spectrum we land on, are susceptible to this exact kind of advertising—that we are conditioned, by virtue of living in the United States, to think in the terms of corporate iconography and don’t recognize it as propaganda at all.”

Read Soham Gadre on Currents Program 3

Image from Give It Back: Crimes Against Reality (2025) courtesy of New Red Order

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10/11/2025

🔬 Here’s ‘s screendance. 📹💃🎞️🎬

📹 Untitled, Rie Tashiro (2024). Courtesy the artist. ⁠
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“However pared down from his earlier narrative-driven legacy, what resurfaces, consistent with his broader body of work,...
03/11/2025

“However pared down from his earlier narrative-driven legacy, what resurfaces, consistent with his broader body of work, is the idea of an outsider with a home that is neither in the flesh nor a space.”

Read on Tsai Ming-Liang’s Back Home at Currents

Image from Back Home (2025) courtesy of Film at Lincoln Center

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MFJ No. 68

This issue includes reviews of recent exhibitions, festivals and screenings, articles on the Berlin Biennale and filmmaker Ivan Ladislav Galeta, artist pages by Rose Lowder, and a visit to Dustin Grella’s studio in the South Bronx. Our launch screening is at Anthology Film Archives on November 14th at 7:30. Copies of the issue can be purchased at mfj-online.org