The Right Eye, Inc

The Right Eye, Inc The Right Eye is a creative agency representing an array of experienced Cinematographers, Editors, Production Designers, Directors and Producers.

Welcome to The Right Eye | Located on Union Square in New York City, The Right Eye is a creative agency representing an array of experienced Directors of Photography, Editors, Production Designers, Stylists and Costume Designers. We are especially happy to introduce our new category for Directors and Producers. We believe our unique vision and branding abilities coupled with our diverse roster enables us to find the perfect talent for your next production.

05/15/2019

The Artist, shot by Petros Antoniadis, features the new ECOS detergent in a playful way.

AND THE WINNER IS -- (opening the envelope)..... The Garden Left Behind. YES, we won the Best of the Fest award at Bento...
05/14/2019

AND THE WINNER IS -- (opening the envelope)..... The Garden Left Behind. YES, we won the Best of the Fest award at Bentonville Film Festival. -- Shot by our DP Koshi Kiyokawa! -- Congratulations to the whole team!!!

Our Director/DP Petros Antoniadis says:"While always keeping the eyes open for 'happy accidents' on set, #previsualizati...
05/13/2019

Our Director/DP Petros Antoniadis says:
"While always keeping the eyes open for 'happy accidents' on set, #previsualization is the pick of a great pre-production! And a great pre-production is the key to a successful shoot!
Working with #cinedesigner allows me as a DP to express myself, pre-plan my lighting and camera work to the point, while as a director helped me to communicate my aesthetic goals and vision. It’s a powerful collaborating tool!"
Attached you can find a before & after, of his new commercial for ECOS! Enjoy!

05/12/2019

'Castrol Edge', shot by our DP Mario Montero! Happy Sunday!

Some beautiful stills from the latest commercial for ECOS, shot by our DP Petros Antoniadis!
05/11/2019

Some beautiful stills from the latest commercial for ECOS, shot by our DP Petros Antoniadis!

05/10/2019

Guest of Honor, shot by our talented Cinematographer Alex Walker, premiered at Newport Beach Film Festival last week, sponsored by the Texas Organ Sharing Alliance.

BECTU
05/10/2019
BECTU

BECTU

Join us on our #eyeshalfshut campaign and help us stamp out long hours for workers in UK film and TV industries. The reality of the film industry doesn’t have to be the future.
Sign our petition now and make your mark: http://ow.ly/WCys50u3gAl

05/09/2019

Happy Birthday to our President and Founder Thomas Turley!!!
🥳🥳🥳

05/08/2019

"Closure" directed by our Director Tamara Hansen, and shot by our DP Frank Sun will be screening tonight at Refilmery Spring Festival at 79 Madison Avenue. Join us if you like!

Some beautiful stills from "Guest of Honor,” an incredible touching short film, shot by our DP Alex Walker!
05/07/2019

Some beautiful stills from "Guest of Honor,” an incredible touching short film, shot by our DP Alex Walker!

05/05/2019

Flickering Souls Set Alight shot by our DP Petros Antoniadis, will be premiering at the 2019 Los Angeles Greek Film Festival, which will take place at the Egyptian Theater in Hollywood from June 3d until June 9th 2019!

The film has received three awards so far (even though it's premiere is yet to come)
- Best Short Film Cinematography | European Cinematography Awards
- Best Cinematography on a Short Film | Asian Cinematography Awards
- Best Film of the Month (March, 2019) | Asian Cinematography Awards

Our DP Petros Antoniadis won Best Cinematography for Flickering Souls Set Alight!!
05/03/2019

Our DP Petros Antoniadis won Best Cinematography for Flickering Souls Set Alight!!

Tonight on PBS - American Spring LIVE - Production Supervisor is our Sarah Barker! If you have the chance to watch it, f...
05/01/2019

Tonight on PBS - American Spring LIVE - Production Supervisor is our Sarah Barker! If you have the chance to watch it, feel free to leave a comment below. :)

05/01/2019
Nature | PBS

Did you watch American Spring LIVE yet? ✨ Production Supervisor on this show is our Sarah Barker!✨ Congratulations to everyone involved.

Have you ever seen a batnado? Follow the scientists who track the journeys of animals from winter refuge to spring nesting grounds.

* Editor's Note: In a segment of this episode, we mistakenly identified a Wilson’s Snipe bird as a Dowitcher, due to a camera switch to the wrong camera from the control room. Birdwatching is fun and sometimes tricky, especially during a live show! We wanted to clarify this mistake and thank all our viewers who helped make this identification correction.

American Cinematographer
04/11/2019

American Cinematographer

Flashback: The Shining — In this archival interview, cinematographer John Alcott, BSC details his collaborations with Stanley Kubrick and Garrett Brown while making the classic 1980 horror yarn. bit.ly/acshining #TBT

The Shining is also included on the ASC’s list of 100 Milestone Films in Cinematography of the 20th Century: bit.ly/asc100films

#TheASC
#ASC100
ascmag.com

Panavision
04/05/2019
Panavision

Panavision

Darren Lew who shot Netflix #Maniac with director Cary Fukunaga chose the Panavision #DXL with customized C and E Series, followed by post Light Iron. See what he had to say to SHOOTonline #roadtoEmmy https://pvlink.net/2IbFxGr

04/03/2019

Social media addict Rachel definitely needs an intervention in this hilarious new spot from DP Tristan Milani for Jase & PJ!

American Cinematographer
03/27/2019

American Cinematographer

Working on the AC digital archive project has allowed us to revisit some great classic issues. What are your fave covers? Any of them here? #TBT

#TheASC
#ASC100
ascmag.com

Cinematography
03/24/2019

Cinematography

😉😉😉.
🔃 @mcsteadi

03/22/2019
American Cinematographer

American Cinematographer

#ASC100Films: Owen Roizman, ASC on his Academy Award–nominated work on The Exorcist (1973): “This was the film’s signature shot…. Technically speaking, it’s interesting how we had to do the lighting, because [director] Billy [Friedkin] insisted that the shade on the window be pulled down. Well, if the shade is down and it’s opaque, how are you going to get a shaft of light out of it? We wound up building a platform behind the window frame, and we put a Brute arc on it. We then backed the shade away from the window about six feet and lit it separately. By putting the arc to one side between the shade and the window frame, I could get a clean shaft of light that looked as if it was coming from the shade — although it was actually coming from between the shade and the frame. The shaft didn’t quite hit [Max] von Sydow, though, so I had a 2K lamp put down in the street directly behind his final position and aimed right at the camera — it’s actually in the frame. As he stepped into position, we brought it up on a dimmer. That created the aura, or halo, around him.” #ASCMotionPictures

Read more on The Exorcist: http://bit.ly/ExorcistAC

#ASC100
#TheASC

ascmag.com

03/21/2019
American Cinematographer

American Cinematographer

This reel features motion-picture images photographed by members of the American Society of Cinematographers, from 1919 to 2019. Edited by Don McCuaig, ASC, it screened at the 33rd Annual ASC Awards ceremony. You'll find more about the ASC’s Centennial celebration here: bit.ly/ascbirthday

#ASC100
#TheASC
#ASCAwards
theasc.com

03/20/2019

Check out this stunning new piece, shot by our DP Gary Katz for Mercury Home! Happy Wednesday!

American Cinematographer
03/19/2019
American Cinematographer

American Cinematographer

Celebrate the ASC's 100th anniversary with our new line of centennial merch, now available at the ASC Store: bit.ly/ASC100thGear

#TheASC
#ASC100
theasc.com

03/15/2019
Breathing Inside A Square

Breathing Inside A Square

Clip selection from "Flickering Souls Set Alight" (dir. Iakovos Panagopoulos), emphasizing on the cinematography and how the 1:1 aspect ratio along with…

American Cinematographer
03/14/2019

American Cinematographer

#RetroTech: “For spectacular lighting effects, there is no substitute for the carbon arc.” — Lee Garmes, ASC for Union Carbide. Is he still correct?
Garmes shot such films as Scarface, Shanghai Express, The Secret Life of Walter Mitty, The Desperate Hours and Nightmare Alley.
This ad appeared in the October 1959 issue of American Cinematographer. #TBT

#TheASC
#ASC100
ascmag.com

Vertical anamorphic 1:1 aspect ratio footage? Check out this feature article from Cooke Optics on the story motivations ...
03/11/2019
Flickering Souls Set Alight - Shot On Cooke

Vertical anamorphic 1:1 aspect ratio footage? Check out this feature article from Cooke Optics on the story motivations for Right Eye Cinematographer Petros Antoniadis' innovative use of their anamorphic glass

Clip selection from “Flickering Souls Set Alight” (dir. Iakovos Panagopoulos), emphasising on the cinematography and how the 1:1 aspect ratio along with the vertical to the sensor anamorphic format play a dramatic storytelling role.

American Cinematographer
03/07/2019

American Cinematographer

#RetroTech: It’s probably difficult for many today to grasp what a game changer the Éclair NPR was back in the day. From the June 1966 issue of American Cinematographer. #TBT

#TheASC
#ASC100
ascmag.com

03/06/2019
Global Cinematography Institute

Global Cinematography Institute

Two-time Oscar Winner, Director of Photography, Lifetime Achievement Award Recipient, and Guest Instructor for GCI April Session - Haskell Wexler, ASC sits down with GCI Co-Founder Yuri Neyman, ASC to discuss "The Changing Role of the Cinematographer" in our latest video series installment: http://bit.ly/1vgLgzM

Applications being accepted for the upcoming GCI April Session with special guests Haskell Wexler, ASC and Robert Legato, ASC - for more info, click here: http://bitly.com/1Eayshl

Here's a great new Chase spot from our wonderful stylist Brendan Cannon. We're so thrilled for him! New Yorkers, you are...
03/05/2019
JPMorgan Chase Mobile App TV Commercial, 'Jason's Way' Featuring Jason Wu

Here's a great new Chase spot from our wonderful stylist Brendan Cannon. We're so thrilled for him! New Yorkers, you are sure to start seeing this every night on your TV, so keep an eye out. Congrats, Brendan!

Jason Wu has the ability to pay his neighbor for cat-sitting with the JPMorgan Chase mobile app while simultaneously putting on a New York Fashion Week runway show. However, he also has the ability to make it even easier by setting up recurring payments. This way, as he prepares to head out to his b...

Jacob’s Ladder: A Late Introduction
03/03/2019
Jacob’s Ladder: A Late Introduction

Jacob’s Ladder: A Late Introduction

Presentation This powerful technique was brought to my attention last week (special thanks to LGG member Cameron Rad), but I feel like I’m late to the party, as this tool has been used for ov…

ARRI
02/23/2019
ARRI

ARRI

Looking forward to Sunday... Thanks "Y.M.Cinema Magazine - News & Insights on Digital Cinema" for this article. Have a great weekend!

#oscars2019 #academyawards #ARRI

American Cinematographer
02/11/2019

American Cinematographer

Introducing the Leica Camera M10-P “ASC 100 Edition” — The renown camera company honors the ASC’s centennial with a new model designed for use by cinematographers. bit.ly/LeicaASC100

#TheASC
#ASC100
theasc.com

American Cinematographer
02/10/2019

American Cinematographer

Get the complete story on what happened during cinematography's biggest night of this year — the 33rd Annual ASC Awards: bit.ly/33rdASCAwards

#TheASC
#ASCAwards
#ASC100
theasc.com

American Cinematographer
02/07/2019

American Cinematographer

The ASC welcomes cinematographer Frankie DeMarco as a new active member. The Baltimore native has been nominated for Independent Spirit Awards for his camerawork in the features Habit, Hedwig and the Angry Inch and All Is Lost.

#TheASC
#ASC100
theasc.com

Panavision
01/30/2019
Panavision

Panavision

Panavision's CEO Kim Snyder talks with Forbes about growing her career as a working parent and her commitment to women as a leader in the entertainment industry.

"Panavision is proud to have female representation at all levels and from all corners of our company. From the executive team, through sales & marketing, to engineering and manufacturing, the women at Panavision are among so many of our employees making a great impact within the organization." #MomsInFilm https://pvlink.net/2WsFiex

American Cinematographer
01/23/2019

American Cinematographer

The ASC welcomes Kevin McKnight (Shameless, The Purge) as a new active member: “To me, cinematography has been — and still is — one of life's great journeys. Along the road, there have been many avenues of inspiration.” bit.ly/McKnightASC

theasc.com
#TheASC
#ASC100

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