Small Axe

Small Axe The Small Axe Project:
Small Axe, sx salon and sx art The Small Axe Project aims to provide a platform for such rethinking.

small axe: a caribbean platform for criticism

The Small Axe Project consists of this: to participate both in the renewal of practices of intellectual criticism in the Caribbean and in the expansion/revision of the scope and horizons of such criticism. We acknowledge of course a tradition of social, political, and cultural criticism in and about the regional/diasporic Caribbean. We want to honor t

hat tradition but also to argue with it, because in our view it is in and through such argument that a tradition renews itself, that it carries on its quarrel with the generations of itself: retaining/revising the boundaries of its identity, sustaining/altering the shape of its self-image, defending/resisting its conceptions of history and community. It seems to us that many of the conceptions that guided the formation of our Caribbean modernities—conceptions of class, gender, nation, culture, race, for example, as well as conceptions of sovereignty, development, democracy, and so on—are in need of substantial rethinking. We aim to enable an informed and sustained debate about the present we inhabit, its political and cultural contours, its historical conditions and global context, and the critical languages in which change can be thought and alternatives reimagined. Such a debate, we would insist, is not the prerogative of any one genre, and therefore we invite fiction as well as nonfiction, poetry, interviews, visual art, and discussion pieces.

Invited to write an autobiographical essay on “Reading Louise Bennett, Seriously,” sixty years after its initial publica...
17/08/2025

Invited to write an autobiographical essay on “Reading Louise Bennett, Seriously,” sixty years after its initial publication, Mervyn Morris questions some of the attitudes and opinions he expressed then, having learned from Bennett’s Jamaica Labrish (1966) and some responses to it to pay more attention to Bennett’s performance choices and her sociopolitical commentary.
Read @ Duke https://tinyurl.com/yhn4k2s6

This essay by Ben Etherington considers Mervyn Morris’s sustained efforts to decolonize practical criticism. It starts b...
16/08/2025

This essay by Ben Etherington considers Mervyn Morris’s sustained efforts to decolonize practical criticism. It starts by revisiting the canonical references that play a central role in Morris’s early critical intervention, “On Reading Louise Bennett, Seriously.”
Read @ Duke https://tinyurl.com/ypnrszrc

Mervyn Morris is well known as a poet, mentor, and literary critic. Carolyn J. Allen examines a lesser-known area of his...
11/08/2025

Mervyn Morris is well known as a poet, mentor, and literary critic. Carolyn J. Allen examines a lesser-known area of his activity as a theater reviewer, based on selected drafts over the most active decade of theater production in Jamaica.
Read @ Duke https://tinyurl.com/5573fppw

Happening now!
07/08/2025

Happening now!

In “Mervyn Morris on Orality and Literature in the Critical Landscape,” Carol Bailey examines Morris’s field-defining an...
06/08/2025

In “Mervyn Morris on Orality and Literature in the Critical Landscape,” Carol Bailey examines Morris’s field-defining and groundbreaking contribution to Caribbean literary and cultural criticism, with particular emphasis on the decolonizing orientations of his work.

Read @ Duke https://tinyurl.com/msm6zadw

The Art of Journal Work: Small Axe @ Johannesburg Institute for Advanced Study. Thank you to editorial committee member,...
05/08/2025

The Art of Journal Work: Small Axe @ Johannesburg Institute for Advanced Study. Thank you to editorial committee member, Victoria Collis-Buthelezi, for the invitation and the wonderful conversation.

In this interview by Wayne Modest and Esmee Shoutens, artist Iris Kensmil, whose practices spans painting, drawing, and ...
03/08/2025

In this interview by Wayne Modest and Esmee Shoutens, artist Iris Kensmil, whose practices spans painting, drawing, and installation, explores recurring themes in her practice, such as Black feminist memory, histories of Black emancipation in the Netherlands, and the genre of portraiture as a practice of presencing.

Read @ Duke https://tinyurl.com/yc34vc9a

In this essay, Sophie Maríñez intervenes in recent scholarly discussions of gender and masculinity in Dominican literary...
31/07/2025

In this essay, Sophie Maríñez intervenes in recent scholarly discussions of gender and masculinity in Dominican literary and cultural studies through an analysis of the music of Luis “Terror” Días (1952–2009), a composer recognized today as the most innovative in Dominican musical history.

https://youtu.be/akZGhf5Smig?si=7_lQBPr7MX3XaVwB

Read @ Duke https://tinyurl.com/58sjteur

Letras:Ay ombe, ay ombeAy ombe, ay ombeAy ombe, ay ombeAy ombe, ay ombeNegra yo me toy' muriendo oye, ay ombeOyeme que yo vua' mori', ay ombeNegra yo me toy'...

This essay by René Johannes Kooiker focuses on the Aruban literary-cultural magazine Watapana, which published poetry, c...
28/07/2025

This essay by René Johannes Kooiker focuses on the Aruban literary-cultural magazine Watapana, which published poetry, criticism, fiction, and translations from the Dutch Caribbean between 1968 and 1972, and hosted spirited debates about the politics of language in the Papiamento- and Dutch-speaking islands of Aruba, Bonaire, and Curaçao.

Read @ Duke https://tinyurl.com/ycxah3bx

Introduciendo las ideas de metamorfosis de género y la plantación como laboratorio de experimentación de género, Celenis...
25/07/2025

Introduciendo las ideas de metamorfosis de género y la plantación como laboratorio de experimentación de género, Celenis Rodríguez propone un nuevo abordaje sobre el género y la formación de las subjetividades s**o genéricas de la población negra esclavizada en la plantación caribeña, específicamente francesa y anglosajona, entre los siglos xvii y xix.

Read @ Duke https://tinyurl.com/4abn6yue

In response to the various review essays, this essay ponders the afterlives of _Looking for Other Worlds: Black Feminism...
04/05/2025

In response to the various review essays, this essay ponders the afterlives of _Looking for Other Worlds: Black Feminism and Haitian Fiction_ (2022) by reflecting on the presence and absence in Caribbean literature of Haitian girls’ dreams for the future. Régine Michelle Jean-Charles examines the Haitian girl characters in novels by Kettly Mars, Yanick Lahens, and Évelyne Trouillot, as well as in a poem by Claudine Michel.

Full Text@Duke https://tinyurl.com/34hdvwby

Address


Alerts

Be the first to know and let us send you an email when Small Axe posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Small Axe:

Shortcuts

  • Address
  • Alerts
  • Contact The Business
  • Claim ownership or report listing
  • Want your business to be the top-listed Media Company?

Share