06/17/2025
On the morning of July 8, 2012, Ernest Borgnine woke up feeling unusually tired. He had been complaining of fatigue for a few days, but brushed it off with his usual humor, telling his wife Tova, “It’s just my body telling me to slow down, not my spirit.” That day, he struggled to eat breakfast and soon after began experiencing severe weakness. Alarmed by his condition, his family rushed him to Cedars-Sinai Medical Center in Los Angeles. His kidneys had started to fail, a sudden and rapid decline that shocked even his doctors. Within hours, his condition worsened. Surrounded by family, including Tova and his children, Borgnine quietly slipped away in the afternoon. He was 95 years old. What stood out to those present was his remarkable alertness and good spirits just a week earlier, during what would become his final public appearance promoting his last film, "The Man Who Shook the Hand of Vicente Fernandez".
Born Ermes Effron Borgnino on January 24, 1917, in Hamden, Connecticut, he was the son of Italian immigrants. His father, Camillo Borgnino, worked as a laborer and bricklayer, often away on construction jobs. His mother, Anna Boselli, came from Modena and had a fiercely independent spirit. After his parents’ divorce, Anna took young Ermes to New Haven, where she supported them through factory work and dressmaking. He was raised in a modest, working-class neighborhood where the values of hard work and resilience were deeply ingrained.
He attended James Hillhouse High School, where he preferred sports over studies, particularly baseball and track. After graduating in 1935, with no clear career path, he joined the United States Navy. Serving aboard the USS Lamberton and later re-enlisting during World War II, Borgnine spent ten years in the Navy, eventually becoming a gunner’s mate first class. He credited the Navy for teaching him structure, discipline, and the value of camaraderie, qualities that shaped his future performances.
After his discharge in 1945, unsure of what to do next, it was his mother who suggested acting. He enrolled at the Randall School of Dramatic Art in Hartford using the GI Bill and later joined the Barter Theatre in Virginia. He then made his way to Hollywood, where he began picking up small film roles. His film debut came in 1951 with "China Corsair", but his major break arrived in 1953 when he played the brutal Sergeant Fatso Judson in "From Here to Eternity".
The role that defined his career came in 1955 with "Marty", a heartfelt drama where he portrayed a shy Bronx butcher longing for love. His quiet, emotionally rich performance earned him the Academy Award for Best Actor, a rare feat for an actor with such a rugged and unconventional appearance in that era. The win proved that character actors could lead films with emotional truth.
Through the late 1950s and 1960s, Borgnine remained in demand. He appeared in major titles like "The Catered Affair", "Barabbas", "The Dirty Dozen", "Ice Station Zebra", and "The Wild Bunch". His on-screen persona ranged from stern military men to vulnerable, everyday characters, always played with a strong moral core.
From 1962 to 1966, he starred in the hugely popular television sitcom "McHale’s Navy", which introduced him to a wide audience as the wily but kind-hearted Lt. Commander Quinton McHale. He reprised the role in the 1964 film of the same name. Decades later, he found new audiences with roles in "Airwolf" from 1984 to 1986, and as the voice of Mermaid Man in "SpongeBob SquarePants", beginning in 1999.
Borgnine was married five times. His first marriage to Rhoda Kemins lasted from 1949 to 1958. He was then married to Katy Jurado from 1959 to 1963. In 1964, he married Ethel Merman, but the union ended in just 32 days. His fourth marriage to Donna Rancourt lasted from 1965 to 1972. He married Tova Traesnaes in 1973, and they remained together until his death in 2012. He had four children and often spoke about how much joy his family brought him.
Even into his nineties, he worked regularly, appearing in films, television, and interviews with the same energy that defined him for decades. He often said, “You don’t stop acting because you grow old. You grow old because you stop acting.” His final role in "The Man Who Shook the Hand of Vicente Fernandez" was a full-circle moment, portraying an aging man yearning for one last chance at recognition, something Borgnine himself had never needed to chase, because he had always earned it.