11/14/2011
Nonstop Movie of the Week: 12 Angry Men (USA, 1957)
Sidney Lumet's engrossing first feature film is as pure as filmmaking can be. Stripped bare, with one set, no special effect or explosions, the film is a powerful character study rarely seen today. In a seemingly open-shut murder case, juror number 8 raises the question of reasonable doubt, setting off the emotionally charged and constantly tense interaction between the 12 members of the jury.
A few years ago, a screening of Lumet's film immediately following 12 Angry Men on Broadway felt like the perfect way to experience the brilliantly written play - it felt as if Lumet transported me from my seat in the theater right onto the stage, involving me in a way a play alone could not hope to do. The camera work of Boris Kaufman is nothing short of brilliant. In the confined space of a single room, he moves carefully, without being noticed, yet capturing every emotion expressed by the men throughout their discussion.
It is a film that can (and should) be enjoyed over and over again. Its peeling away of layers of emotions from each character creates a different set of nuances in our perception of their personality with each viewing.