"Sight, Sound & Story" Event Series MEWShop's on going speakers series from behind the scenes of post-production and production! Produced by Manhattan Edit Workshop (MEWShop), “Sight, Sound & Story” is an ongoing high-profile speaker series that brings audiences “behind the scenes” with legends of visual storytelling.
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Superstar and award-winning guests have included Michael Kahn, ACE (Saving Private Ryan, Schindler’s List, Raiders of the Lost Ark, Lincoln), William Goldenberg, ACE (Argo, The Imitation Game, Zero Dark Thirty), Alan Heim, ACE (All That Jazz, Network), Jerry Greenberg, ACE (Apocalypse Now, The French Connection), Paul Koestner (Louie, Deadbeat, Better Things), Sidney Wolinsky, ACE (The Sopranos, The Strain, Ray Donovan), Bill Pankow, ACE (The Untouchables, Carlito’s Way), Cindy Mollo, ACE (House of Cards, Mad Men), Nancy Schreiber, ASC (November, The Nines, The Comeback), Rob Legato (Avatar, Hugo), Fabienne Bouville, ACE (American Horror Story, Masters of Sex), Bob Richman (An Inconvenient Truth, The September Issue), Phil Stockton, M.P.S.E. (Life of Pi, Hugo), Eugene Gearty, M.P.S.E. (The Departed, Hugo), and Susan Morse, ACE (Manhattan, Hannah and Her Sisters). Each event will be hosted in the NYIT Auditorium on Broadway at 1871 Broadway, just footsteps from Columbus Circle and Lincoln Center.
Operating as usual
NEXT WEEK! The "Making it Work: From Editor to Director" livestream event kicks off next Thursday, 2/25!
Our monthly online event series Sight, Sound & Story: Live, continues in February with as special conversation with Director Kirsten Johnson & Editor Nels Bangerter from the acclaimed film Dick Johnson is Dead and moderator/ Filmmaker Jeremy Workman. We can't wait!
Get all the details on our the livestream and register for FREE here: https://buff.ly/3tQWOtB
Join us on February 25th for a special conversation with director Kirsten Johnson and Editor Nels Bangerter as they discuss how editors and directors work together to get the job done!
Get all the details on our livestream "Making It Work: From Editor to Director" and register for free here: https://buff.ly/3tQWOtB
We are live! Join us and ask questions!
Today we were live with Cinematographer Matt Porwoll! Some of Matt's work includes: "Once Upon a Time in Uganda," "Tiger," "By The People: The Election of Barack Obama," and the Oscar-nominated "Cartel Land."
Matt Porwoll is an Emmy® award-winning cinematographer based in New York. His work has screened theatrically, appeared on TV networks such as Discovery, Showtime, HBO, CNN, A&E, and PBS, as well as online outlets including Vogue, Glamour, Wired, Teen Vogue and W Magazine. Recently, Porwoll shot the film "Tigerland," directed by Academy Award®-winner Ross Kauffman, that premiered in competition at the 2019 Sundance Film Festival and garnered a 2020 Cinema Eye Honors nomination for Best Broadcast Cinematography. Porwoll also served as the series cinematographer on Showtime’s "The Trade: Season 1," a 5-part documentary series about the opioid epidemic. The feature documentary "Cartel Land," which Matt shot and co-produced, won Best Cinematography Awards at the 2015 Sundance Film Festival, 2016 Cinema Eye Honors and 2016 Primetime Emmys. The film was also nominated for an Academy Award® for Best Documentary Feature.
Porwoll has served as an additional cinematographer on numerous other films including "City of Ghosts," and "Escape Fire: The Fight to Rescue American Healthcare," directed by Academy Award®-nominated director Matthew Heineman, HBO’s Emmy®-nominated "By The People: The Election of Barack Obama," and HBO’s "Crisis Hotline: Veterans Press 1," which won the 2015 Academy Award® for Best Documentary Short.
In addition to working as a cinematographer, Matt enjoys sharing the technical side of the craft as well. Whether its covering topics such as cameras, lenses and lighting on his blog or collaborating with manufacturers about working with their equipment, teaching and sharing his experiences has been a rewarding complement to his work.
Every Friday at 2PM EST, Filmmaker U is joined by award-winning filmmakers and creatives from the film and television industry. Please join us weekly to ask your questions live with our guest or watch or vast catalog of talented lineup of past interviewees.
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Filmmaker U was created to help fill this void in the modern-day film industry. This online education series will bring the best in the business from behind the camera, to any aspiring media artist who can no longer obtain this type of apprenticeship.
Go to www.filmmakeru.com for more information on all of our courses.
#FilmmakerU #FilmU #FilmUChat #MattPorwoll #Cinematography #Cinematographer #DP #FilmSchool #Tiger #Tigerlland #ShootFilm #OnceUponATimeInUganda #
In case you missed it! The next Sight, Sound & Story livestream event is coming up in just TWO weeks!
Tune in on February 25th for "Making it Work: From Editor to Director"!
Inside Episode VII: There can be no more collaborative and intertwined relationship in filmmaking than that between Director and Editor. In documentary filmmaking this is especially so.
Join us for a special conversion with Director Kirsten Johnson and Editor Nels Bangerter as they discuss the creative process of documentary filmmaking within the acclaimed films Dick Johnson Is Dead and Cameraperson; as well as other films.
Creative Director of Wheelhouse Creative and documentary filmmaker Jeremy Workman will help guide the conversation; as well as show examples of Kirsten and Nels work. Jeremy was also an editing collaborator for the dance sequence in Dick Johnson is Dead and edited the trailer for Cameraperson.
This is a free online event where attendees will be able to ask questions live! Get all the details and register for free here: https://buff.ly/3tQWOtB
When Editor Daysha Broadway worked on season 4 of "Insecure," she had to pack the season's complex new dynamics between Issa and Molly into this quick-paced parking spot conflict.
Luckily, the pair's spot-on acting and the excellent cinematography gave Daysha a lot to work with to make the scene a hit.
When Editor Daysha Broadway worked on season 4 of "Insecure," she had to pack the season's complex new dynamics between Issa and Molly into this quick-paced ...
Join us this Friday as we talk with Color Scientist Matthew Tomlinson whos worked on mega-hit movies such as "The Avengers," "Skyfall," "The Irishman," "Once Upon a Time in Hollywood," and much more! In this chat we talk about what his role is during the post-production process and where he finds inspiration outside of his work that assists him on projects.
Join us this Friday as we talk with Color Scientist Matthew Tomlinson whos worked on mega-hit movies such as "The Avengers," "Skyfall," "The Irishman," "Once Upon a Time in Hollywood," and much more! In this chat we talk about what his role is during the post-production process and where he finds inspiration outside of his work that assists him on projects.
Joins us this Friday, February 5, 2021 at 2PM EST & 11am PST!
With over 25 years of experience, Matthew Tomlinson is currently the Color Scientist at Harbor where he services projects by ensuring color consistency from pre-production through final color as well as creative look development. Prior to joining Harbor, he held Imaging Science positions at SHED, EFILM, Tippett Studios, P.O.P and Bossfilm where he worked on projects including “Suicide Squad”, “Skyfall”, “The Avengers”, “Matrix: Revolutions” and “Air Force One”. His recent credits include Quentin Tarantino’s “Once Upon a Time and Hollywood”, Louis Leterrier’s “Dark Crystal: Age of Resistance”, Martin Scorsese’s “The Irishman”, Chloe Zhao’s “Nomadland,” and Emerald Fennell’s “Promising Young Woman.”
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About Filmmaker U: Before the age of digital mentorship played a key role in film crews, post crews, and filmmaker’s career development. Places like the cutting room were hubs for passing on techniques, ideas, war stories, teamwork, and developing relationships that would help you evolve your career. You would move from trainee to assistant, and eventually, the day would come where you became a full-fledged DP, Editor, Filmmaker, or any other position in the film industry.
Pro’s who had worked years and were coming close to the end of their career delighted in sharing the knowledge, techniques, tricks, and ideas, they had learned over the decades. However, with this digital age, young film professionals are thrust into positions without having the chance to learn from those at the top of their game.
Filmmaker U was created to help fill this void in the modern-day film industry. This online education series will bring the best in the business from behind the camera, to any aspiring media artist who can no longer obtain this type of apprenticeship.
Go to www.filmmakeru.com for more information on all of our courses.
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#MatthewTomlinson #ColorScientist #Colorists #Color #ColorCorrection #HarborPictureCompany #FilmmakerU #FilmU #FilmUChats #FilmmakerUChats #PostProduction #TheIrishman #Looks #PromisingYoungWoman #Nomadland #Skyfall #SuicideSquad
Sound Designer Glenfield Payne Joins Filmmaker U to talk all things sound design!
From "The Royal Tenenbaums" to "Master of None" and "Beats of No Nation", Glenfield has worked on a range of films and television shows over his career. He was the Supervising Sound Editor for three Academy Award nominated films, "4 Little Girls," "Trouble the Water," & "The Cove," which won best documentary. Glen also received an Emmy nomination for his work on 4 Little Girls and 2 Motion Picture Sound Editor’s Golden Reel nominations for Netflix’s "Marco Polo.
Catch the full conversation here:
"I approach documentary as I would fiction film, letting the emotion, the visual style and the character development guide my editing. My goal for every film is to get the audience to connect with and to feel as close to the main character as possible. So even if a person has never heard of Alvin Ailey, I want the viewer to go on an emotional journey with him"
We are happy to announce the next Sight, Sound & Story livestream event!
Tune in on February 25th for "Making it Work: From Editor to Director"! In this virtual live event, we will hear from director Kirsten Johnson, ASC and editor Nels Bangerter discuss the critically acclaimed film "Dick Johnson is Dead", the creative process, and much more!
This event, like all of our livestream events, is open to everyone! Get all the details and register for free here:
Join us for this special conversation with Director Kirsten Johnson & Editor Nels Bangerter from the acclaimed film "Dick Johnson is Dead"
Join us TODAY at 2PM EST for a discussion with Colorist Andrea Chlebak to go behind the scenes of her work and discuss her career path. Andrea is currently a Senior Colorist at Harbor Picture Company.
Join us for a discussion with Colorist Andrea Chlebak to go behind the scenes of her work and discuss her career path. Andrea is currently a Senior Colorist at Harbor Picture Company
Andrea Chlebak, has spent the past 16 years honing her skills as a colorist for major studios and indies alike.
Canadian-born, Chlebak’s recent work has included supervising color for Seth Rogen’s “An American Pickle” for HBOMax, as well as collaborating for a third time with award-winning cinematographer Gregory Middleton ASC to supervise color for Netflix’s feature “A Babysitter’s Guide to Monsterhunting”.
Starting out as a graphic artist and photographer, then editor and compositor, the opportunity to become a colorist in 2006 was a turning point for Chlebak. Her multi-disciplinary background has spanned features, docu-series and commercials. Major credits include Hollywood studio films such as Neill Blomkamp’s “Elysium” and “Chappie”, as well as award-winning indies “Mandy” and “Prospect”. Her career has taken her to some of the industry’s leading post-production houses including Deluxe, EFILM, Encore, Company3, and Digital Film Central.
Adept at collaborating with directors, cinematographers, visual effects supervisors and editors to develop and refine the final look and feel for a film, her approach, “Adds clarity and dimension to the creative experience and unearths beautifully polished images” says Chlebak, “I like to bring an artistic sensibility and technical rigor to all of my projects.”
Based out of Harbor’s LA post-production facility, Andrea Chlebak is available to filmmakers worldwide.
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About Filmmaker U: Before the age of digital mentorship played a key role in film crews, post crews, and filmmaker’s career development. Places like the cutting room were hubs for passing on techniques, ideas, war stories, teamwork, and developing relationships that would help you evolve your career. You would move from trainee to assistant, and eventually, the day would come where you became a full-fledged DP, Editor, Filmmaker, or any other position in the film industry.
Pro’s who had worked years and were coming close to the end of their career delighted in sharing the knowledge, techniques, tricks, and ideas, they had learned over the decades. However, with this digital age, young film professionals are thrust into positions without having the chance to learn from those at the top of their game.
Filmmaker U was created to help fill this void in the modern-day film industry. This online education series will bring the best in the business from behind the camera, to any aspiring media artist who can no longer obtain this type of apprenticeship.
Go to www.filmmakeru.com for more information on all of our courses.
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#AndreaChlebak #Chappie #Elysium #Colorists #Color #ColorCorrection #HarborPictureCompany #WomenInFilm #FilmmakerU #FilmU #FilmUChats #FilmmakerUChats #PostProduction
Sight, Sound & Story's cover photo
Editor Stephen Rotter talks on the advantages and disadvantages of digital editing in "The Parent Trap" in one of our previous "Inside the Cutting Room" events.
Film Editor Stephen Rotter discusses "The Parent Trap" with Bobbie O'Steen. From the Series: "Manhattan Edit Workshop Presents Inside the Cutting Room with ...
Tune in Today at 2pm PT for a panel discussion with "The Donut King" creative team!
Hear from Director/Cinematographer/Writer Alice Gu, Writer/Editor Carol Martori, moderated by Film Fatales member Stephanie Wang-Breal.
"The Donut King" is a rags to riches story of a refugee escaping Cambodia, arriving in America in 1975 and building an unlikely multi-million-dollar empire baking America’s favorite pastry, the donut.
This event includes a link to watch the film in advance and a video replay of the discussion will be shared after. https://buff.ly/3iJHUAx
From "Reservoir Dogs" to "Inglorious Basterds", the trunk shot is a favorite of Tarantino's and it works well for many, many reasons.
From Reservoir Dogs to Kill Bill, we open up about what this director’s iconic trunk shot means and how he (and others) achieve it.
A conversation on animation editing and Pixar's "Soul"
Editor Kevin Nolting, ACE (Inside Out, Up, Toy Story 5, Finding Nemo) chats with ProVideoCoalition about video editing and filmmaking.
Double ACE Eddie winner, Kevin Nolting, ACE, discusses the four year editing journey of PIXAR's "Soul"
Acclaimed Sound Designer Glenfield Payne Joins Filmmaker U to Talk!
Join us for a discussion with sound designer Glenfield Payne to discuss his work and approach to work. Glenfield Payne is a master sound designer having worked on some of the top films and television shows of the last thirty years!
Want to dive into a world of color and ramp up your color grading workflow?
Join Manhattan Edit Workshop on Monday, for a 3 day Color Grading 101 workshop focused on Davinci Resolve!
Check out the details and grab your spot here >> https://buff.ly/2W36rDN
In case you missed it, Oscar-nominated Editor Kevin Tent, ACE joined Filmmaker U for a conversation about his career, filmmaking, video editing, and much more. Catch the full conversation on YouTube:
Oscar-nominated and veteran Editor Kevin Tent, ACE joins us this Friday at 2PM EST to talk about his illustrious career from his start under Roger Corman, th...
Cinematographer Tom Hurwitz, ASC needed to think like a dancer so that he could effectively capture the work and process of American choreographer Bill T. Jones on film for "Can You Bring It".
Hear Tom break it down for us exactly how he did just that
Cinematographer Tom Hurwitz, ASC needed to think like a dancer so that he could effectively capture the work and process of American choreographer Bill T. Jo...
Anne McCabe, ACE, editor of "Damages", "A Beautiful Day in the Neighborhood" and "Nurse Jackie" spoke with Filmmaker U about her approach to editing. Catch the full conversation on YouTube:
Anne McCabe, ACE, editor of "Damages", "A Beautiful Day in the Neighborhood" and "Nurse Jackie" spoke with Filmmaker U about her approach to editing on Frida...
Oscar-nominated and veteran Editor Kevin Tent, ACE joined Filmmaker U to talk about his illustrious career from his start under Roger Corman, through his multiple films with acclaimed Director Alexander Payne.
Kevin began his career editing educational films, then moved into the world of low-budget horror films, working on several projects with legendary producer Roger Corman. Tent has since gone on to edit many high-profile films. He is known for his long-standing partnership with filmmaker Alexander Payne on films such as "Nebraska," "The Descendants," "Sideways," and "Election." Tent has been nominated for an Academy Award for best editing for "The Descendants" and won an ACE Eddie award for the same film and received three other ACE Eddie Award nominations for "Election," "Sideways" and "About Schmidt."
Tune in at 2PM EST today to catch the conversation! https://buff.ly/3s5XlXI
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Chris Healer joins us to discuss his work on legendary shows, movies, and his latest project, "Journey Back," a VR experience for the Illinois Holocaust Museum.
Get Your Tickets Here: https://bit.ly/2Crtfpi On November 14th, MEWShop's acclaimed speaker series returns for its fifth year with an evening devoted to the art of cinematography. Join us as we celebrate the craft of visual storytelling from the masters behind the camera - we’ll go behind the scenes with some of the industry's best cinematographers in documentary & narrative films and then explore the process of bringing the look of cinema to the small screen in the golden of age of Peak TV. Schedule: 3:30 pm - Check-in 4:00 pm - Opening 4:15 pm - 5:30 pm - In The Moment: The Art of Cinematography in Documentary Filmmaking Moderator: Jim Kamp (Producer) Panelists: Tom Hurwitz, ASC ("American Dream," "Harlan County U.S.A.," "The Queen of Versailles," "Wild Man Blues") & Claudia Raschke ("RBG," "God is the Bigger Elvis," "Mad Hot Ballroom") 5:45 pm - 6:45 pm - The New Age of TV: Bringing the Look of Cinema to the Small Screen Moderator: David Leitner (Director, Producer, and Cinematographer) Panelists: Frank Prinzi, ASC ("The Blacklist," "Northern Exposure," "Law & Order: Criminal Intent") &Tom Houghton, ASC ("Elementary," "American Horror Story," "Rescue Me," "30 Rock") 7:00 pm - 8:30 pm - Behind the Lens: A Conversation with Oscar-nominated Cinematographer Dean Cundey, ASC Moderator: Sean Weiner (Jacob Burns Film Center, Director of Creative Culture) Panelist: Dean Cundey, ASC ("Back to the Future," "Jurassic Park," "Halloween," "Who Framed Roger Rabbit," "Apollo 13")Panelist: Dean Cundey, ASC ("Back to the Future," "Jurassic Park," "Halloween," "Who Framed Roger Rabbit," "Apollo 13") 8:30 pm - 10:00 pm - Networking Party & Tech Lounge sponsored by ZEISS Time: Thursday, November 14, 2019 4:00 pm - 10:00 pm Location: NYIT Auditorium on Broadway 1871 Broadway New York, NY 10023 Cost: $49 REGISTER HERE: https://bit.ly/2Crtfpi #SSS2019 #SightSoundAndStory #Cinematography #DeanCundey #TomHoughton #TomHurwitz #Claudi
Sight, Sound & Story: The Art of Cinematography 2019 TEASER On November 14th, MEWShop's acclaimed speaker series returns for its fifth year with an evening devoted to the art of cinematography. Join us as we celebrate the craft of visual storytelling from the masters behind the camera - we’ll go behind the scenes with some of the industry's best cinematographers in documentary & narrative films and then explore the process of bringing the look of cinema to the small screen in the golden of age of Peak TV. Schedule: 3:30 pm - Check-in 4:00 pm - Opening 4:15 pm - 5:30 pm - In The Moment: The Art of Cinematography in Documentary Filmmaking Moderator: Jim Kamp (Producer) Panelists: Tom Hurwitz, ASC ("American Dream," "Harlan County U.S.A.," "The Queen of Versailles," "Wild Man Blues") & Claudia Raschke ("RBG," "God is the Bigger Elvis," "Mad Hot Ballroom") 5:45 pm - 6:45 pm - The New Age of TV: Bringing the Look of Cinema to the Small Screen Moderator: David Leitner (Director, Producer, and Cinematographer) Panelists: Frank Prinzi, ASC ("The Blacklist," "Northern Exposure," "Law & Order: Criminal Intent") &Tom Houghton, ASC ("Elementary," "American Horror Story," "Rescue Me," "30 Rock") 7:00 pm - 8:30 pm - Behind the Lens: A Conversation with Oscar-nominated Cinematographer Dean Cundey, ASC Moderator: Sean Weiner (Jacob Burns Film Center, Director of Creative Culture) Panelist: Dean Cundey, ASC ("Back to the Future," "Jurassic Park," "Halloween," "Who Framed Roger Rabbit," "Apollo 13") 8:30 pm - 10:00 pm - Networking Party & Tech Lounge sponsored by ZEISS Time: Thursday, November 14, 2019 4:00 pm - 10:00 pm Location: NYIT Auditorium on Broadway 1871 Broadway New York, NY 10023 Cost: $49 REGISTER HERE: https://bit.ly/2WeWjct #SSS2019 #SightSoundAndStory #Cinematography #DeanCundey #TomHoughton #TomHurwitz #ClaudiaRaschke #BackToTheFuture #JurassicPark #Halloween #DP #Cinematographer #BehindTheLens #DocumentaryFilmmaking #PeakTV #AmericanSocietyofCinematographe
The big day is almost here! Join us this Thursday June 13th for Sight, Sound & Story Post Production Summit at the NYIT Auditorium Theater on Broadway for an epic event showcasing a world class group of talented and diverse editors! The lineup features: 🎬 Mary Jo Markey, ACE (“Star Wars - Episode VII: The Force Awakens,” “Star Trek,” “Mission Impossible III,” “Charlie's Angels”) 🎬 Kate Sanford, ACE (“The Marvelous Mrs. Maisel,” “The Deuce,” “The Wire”) 🎬 Carla Gutierrez, ACE (“RBG,” “La Corona,” “Chavela”) 🎬 Leo Trombetta, ACE (“13 Reasons Why,” “True Detective,” “Mad Men”) 🎬 Jean Tsien, ACE (“The Apollo,” “Dixie Chicks: Shut Up & Sing”) 🎬 Moderator Bobbie O'Steen (author of "Cut to the Chase” & "The Invisible Cut") 🎬 Moderator Jeremy Workman (“Magical Universe,” “The World Before Your Feet”) 🎬 Moderator Gordon Burkell (AOTG. com) Get all the details and grab your ticket here: https://buff.ly/2WlFjzH
"Anatomy of a Scene: Deconstructing Documentary Films" Moderator: Garret Savage ("My Perestroika," Karen Schmeer Film Editing Fellowship) Speakers: Bryan Chang ("Brasslands," "Narco Cultura," "A Year in Space"), Ann Collins ("Joan Didion: The Center Will Not Hold," "Swim Team"), and Matthew Hamachek ("Cartel Land," "The Trade," "Amanda Knox," "Meet the Patels") About Bryan Chang: Bryan Chang is a documentary filmmaker whose award-winning films have been featured in The New York Times, National Geographic, TIME Magazine, The Atlantic, MoMA, Sundance Film Festival, and distributed theatrically. His feature-length documentaries include "Brasslands" (director/DP/editor), "Narco Cultura" (editor), "Dark Money" (additional editor) and "Island Soldier" (producer/editor). He was an editor for the Emmy-winning documentary series "A Year In Space," and is currently editing on a Netflix original documentary series about genetic engineering. He is a co-owner of Meerkat Media, a cooperatively-run production company in Brooklyn, NY. About Ann Collins: Ann Collins is a New York based documentary film editor. This year, she was nominated for an American Cinema Editor’s Eddie award for her work on Griffin Dunne’s "Joan Didion: The Center Will Not Hold" which premiered at the 2017 New York Film Festival. Prior to that, she co-produced and edited "Swim Team," an independent documentary which has won numerous awards and premiered this fall on PBS’s POV series. Ann’s career began more than twenty-five years ago when she edited Gini Reticker’s independent documentary, "The Heart of the Matter," which premiered at the Sundance Film Festival, winning the Freedom of Expression Award. Her credits include the documentaries "Belly Talkers," "The Charcoal People," and "Sound and Fury," all of which premiered at the Sundance Film Festival before receiving theatrical and television distribution. "Sound and Fury" was nominated for an Academy Award. For television, she edited "Frontline: Merc
"TV is the New Black: Television's Cinematic Revolution" - FULL PANEL Moderator: Michael Berenbaum, ACE ("Sex & The City," "The Americans," "Divorce") Speakers: Naomi Geraghty ("Billions," "Bloodline," "Treme") and Lynne Willingham, ACE ("Breaking Bad," "Ray Donovan," "X-Files") About Naomi Geraghty: Naomi has had a wide ranging career in television and film. Her TV credits include The Showtime series "Billions," "Bloodline" for Netflix and David Simon’s "Treme" for HBO. She is known for her work on movies such as Academy nominated "Hotel Rwanda" and "In America." As an editor she has had a long collaboration with director Neil Burger on films such as "Limitless," "The Illusionist" and most recently and soon to be released "The Upside" starring Bryan Cranston and Kevin Hart. About Lynne Willingham, ACE: In 2007/2008 and 2008/2009, Lynne won back to back Emmy and ACE Eddie awards for AMC’s critically acclaimed "Breaking Bad" Pilot episode and the "Breaking Bad" Season 2 finale, ‘ABQ”. Over her almost forty year career, she has cut numerous television series, mows, mini-series and pilots. Some of her work includes the mini-series, "Revelations" and "Empire," as well as the series "The Guardian," "The X-Files," "True Blood," "Revenge," and "Bloodline." She cut the Pilot for the TNT series "Claws" in 2017. In the first year of her five year stint on The X-Files, she was nominated for an Emmy and an ACE Eddie for the legendary, black and white episode Post Modern Prometheus. She is currently working on "The Son" for AMC and will begin her sixth season of the series "Ray Donovan" for Showtime in May. About Michael Berenbaum, ACE: Michael served as editor on both "Sex and the City" and "Sex and the City 2," the box office hits based on the HBO series, on which Berenbaum also worked. His other recent projects include the hit FX series, "The Americans," starring Keri Russell and Matthew Rhys, HBO's "Divorce," and Netflix's "Marco Polo." Berenbaum also edi
"Inside the Cutting Room with Bobbie O’Steen": A Conversation with Kevin Tent, ACE - Thursday, June 14, 2018 Moderator: Bobbie O'Steen "Cut to the Chase," "The Invisible Cut" Speaker: Kevin Tent, ACE ("Sideways," "Election," "The Descendants," "Nebraska," "Blow") About Kevin Tent, ACE: Kevin began his career editing educational films, then moved into the world of low-budget horror films, working on several projects with legendary producer Roger Corman. Tent has since gone on to edit many high-profile films. He is known for his long-standing partnership with filmmaker Alexander Payne on films such as "Nebraska," "The Descendants," "Sideways," and "Election." Tent has been nominated for an Academy Award for best editing for "The Descendants" and won an ACE Eddie award for the same film and received three other ACE Eddie Award nominations for "Election," "Sideways" and "About Schmidt." About Bobbie O’Steen: Bobbie is a writer and film historian, dedicated to sharing the editor’s invisible art. She is an Emmy-nominated editor and author of two acclaimed books: "Cut to the Chase," based on interviews with her late husband and colleague, legendary editor Sam O’Steen; and "The Invisible Cut," which deconstructs classic movie scenes through a cut-by-cut analysis. She is a frequent moderator for American Cinema Editors’ EditFest panels and host of her own “Inside the Cutting Room” event series. She has also taught at the American Film Institute, graduate film workshops at NYU’s Tisch School of the Arts and has created an ongoing course, “Making the Cut,” based on her interviews with over sixty editors. O’Steen’s next project is a media-rich eBook called "Making the Cut at Pixar" about the editor's pioneering role in computer animation. About Our Sponsor: Vimeo was born in 2004, created by a group of filmmakers who wanted an easy and beautiful way to share videos with their friends. Word started to spread, and an insanely supportive community of creators began to blo
Here's the final portion of the feature pannel with Bobbie O'Steen and Dylan Tichenor, ACE!
Cinematographer Jerry Ricciotti discusses shooting on location for "Vice." Recorded at "Sight, Sound & Story: The Art of Cinematography" on September 30, 2015. Jerry Ricciotti is currently a Director of Photography for "Vice," working mainly on our HBO series called "Vice" on HBO and "Vice News." He was nominated for a cinematography Emmy last year and won an Emmy for best informational series. "Vice" on HBO shoots on location with very small teams; so all out work is run and gun where the crew often find themselves wearing many different hats. Prior to "Vice," Jerry was based in California shooting documentaries mainly focused on sports and professional surfing. He currently lives in Brooklyn (which is for about five days a month.) "Vice" is a documentary TV-series created and hosted by Shane Smith of "Vice" magazine. Produced by Bill Maher, it uses CNN journalist Fareed Zakaria as a consultant, and covers topics using an immersionist style of documentary filmmaking. It premiered April 5, 2013, on HBO. The show's second season aired in 2014 and won an Emmy Award for Outstanding Informational Series or Special. "Sight Sound and Story" is an annual event presented by Manhattan Edit Workshop that brings audiences "behind the scenes" with legends of visual storytelling. Each year the one day summit brings together a collection of diverse and intriguing high-profile speaker series to discuss the evolving world of post-production. Panels topics have included the art and processes of editing film & television, exploring ground-breaking interactive media, the fast pace of cutting sports television, getting the real from reality television, experiencing the magic of feature sound design, taking a look at the vital roles of the VFX artist, and deconstructing key scenes from fiction and documentary favorites. For more information go to: https://SightSoundandStory.com. Like us on Facebook at Sight, Sound & Story: https://facebook.com/InsideCuttingRoo... Follow us on T
#TBT Catch up on all the action from Manhattan Edit Workshop's Sight, Sound & Story that took place in 2014 with these reactions from guests and interviews with panelists! Filmed with the Padcaster: thepadcaster.com
Produced by Manhattan Edit Workshop (MEWShop), “Sight, Sound & Story” is an ongoing high-profile speaker series that brings audiences “behind the scenes” with legends of visual storytelling. Superstar and award-winning guests have included Michael Kahn, ACE (Saving Private Ryan, Schindler’s List, Raiders of the Lost Ark, Lincoln, The Post), William Goldenberg, ACE (Argo, The Imitation Game, Zero Dark Thirty), Anne V. Coates, ACE (Lawrence of Arabia, The Elephant Man, Unfaithful, Erin Brokovich), Alan Heim, ACE (All That Jazz, Network), Buddy Squires, ASC (Baseball, The Civil War, Central Park Five), Jerry Greenberg, ACE(Apocalypse Now, The French Connection), Dylan Tichenor, ACE (Boogie Nights, There Will Be Blood, Brokeback Mountain), Julio Macat, ASC (Home Alone, Wedding Crashers), Paul Koestner (Louie, Deadbeat, Better Things), Sidney Wolinsky, ACE (The Sopranos, The Strain, Ray Donovan, The Shape of Water), Bill Pankow, ACE (The Untouchables, Carlito’s Way), Vanja Černjul, ASC (30 Rock, Marco Polo), Cindy Mollo, ACE (House of Cards, Mad Men), Kelley Dixon, ACE (Breaking Bad, Better Call Saul), Nancy Schreiber, ASC (November, The Nines, The Comeback), Rob Legato (Avatar, Hugo), Bob Richman (An Inconvenient Truth, The September Issue), Joan Churchill, ASC (Shut Up & Sing, Kurt & Courtney), Phil Stockton, M.P.S.E. (Life of Pi, Hugo), Eugene Gearty, M.P.S.E. (The Departed, Hugo), and Susan Morse, ACE (Manhattan, Hannah and Her Sisters).
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