Den of Geek

Den of Geek An enthusiast driven pop culture site serving entertainment followers and fanatics. For even faster updates, you can also follow us on Instagram and Twitter!

We're the fastest growing entertainment website on the planet, and the #1 destination for superhero movies, True Detective, The Walking Dead, Mortal Kombat, and much more! Follow us for all the latest news, reviews, features, original video content, and contests! https://www.instagram.com/denofgeekus/

www.twitter.com/denofgeekus

Released in 1971, W***y Wonka and the Chocolate Factory was a staple of the Generation X childhood, a film to be both ad...
12/21/2025

Released in 1971, W***y Wonka and the Chocolate Factory was a staple of the Generation X childhood, a film to be both adored and ironically homaged forever after. At the time, author Roald Dahl received a much publicized screenwriting credit, albeit that more reflected marketing concerns more than it ddid the actual work done (David Seltzer penned most of the finished screenplay). Still, the film managed to retain the cynicism of the original book while director Mel Stuart mixed the tone surrealistic ’60s imagery and contemporary family movie friendliness, making for the ultimate movie in ironic appreciation.

Let’s now contrast that with the world that greeted the film’s most famous (and in some circles sacrilegious) remake. In 2005, the children who would compose Gen Z were already facing a different sort of malaise. Four years after 9/11 and four years before the Great Recession, two “one-in-a-lifetime” calamities, Generation Z got their own version of the Dahl classic. In place of the previous movie’s psychedelia is media overload. In addition to the focus on Charlie and Grandpa Joe is a daddy issue origin story that is effective precisely because it’s so dissatisfying. And the prickly but lovable W***y Wonka played by Gene Wilder gets transformed into an off-putting charlatan that better resembles a seedy talk show host.

Even more strangely, it would be brought to them by two Gen-X icons: Tim Burton and Johnny Depp remade Charlie and the Chocolate Factory as a story about awkwardness and media saturation… and as a better movie to boot.

Well, hey, he knows a thing or two about Christmas movies.Macaulay Culkin recently waded his way into the age-old debate...
12/20/2025

Well, hey, he knows a thing or two about Christmas movies.

Macaulay Culkin recently waded his way into the age-old debate: Is Die Hard a Christmas movie? And according to Kevin McAllister himself, it is *not.*��

“No it’s not. It’s based around Christmas. Don’t fight — fight me on the moon!” Culkin insisted during an interview with Mythical Kitchen. “It’s based around Christmas, but if it was also St. Patrick’s Day, it would still be… it would work. But you couldn’t do like a Memorial Day Home Alone. Nah, it doesn’t work that way.”

He added: “Listen, I’m kind of the godfather of Christmas nowadays. Yes, my opinion has some sway in this argument.”

"Episode Eight is incredibly epic. It's very big, but it's also very soothing ... I want people to come out of the show,...
12/20/2025

"Episode Eight is incredibly epic. It's very big, but it's also very soothing ... I want people to come out of the show, and I'll always say come out of the theater with hope because for me, that's the feeling it should be."

What did you think of the finale?

Indiana Jones is a throwback to pulp heroes and the golden age of archeological exploration which inspired them. But doe...
12/20/2025

Indiana Jones is a throwback to pulp heroes and the golden age of archeological exploration which inspired them. But does this make him a bad guy now?

On a rainy, moonless night, the man in the fedora is smiling through bloody teeth. Indiana Jones was always a pulp hero fueled by the nostalgia of George Lucas’ youth; a guy who looks like Charlton Heston in Secret of the Incas (1954), talks like Humphrey Bogart in The Treasure of Sierra Madre (1948), and performs stunts right out of John Ford’s Stagecoach (1939). But this pure old-school romance of yesteryear was never stronger than during the opening moments of Indiana Jones and the Last Crusade (1989).

After the film’s prologue, director Steven Spielberg cuts to a grown up Indiana Jones (Harrison Ford), who takes everything in stride, even another punch to the face as he’s being held captive on a ship in the middle of a hurricane. In this particular sequence, he has been captured by a familiar nemesis who is ready to reclaim a Spanish artifact that Indy stole from him. Over the roar of the ocean, Ford bellows, “That belongs in a museum!”

As far as the film, Spielberg, and likely every viewer in 1989 was concerned, this great line of dialogue represented a moral absolute that needed no further examination. After all, Indy is the good guy who is constantly on the search for new artifacts—at least when he isn’t dreaming about “fortune and glory, kid,” as he confesses in Indiana Jones and the Temple of Doom (1984).

And yet, in our modern era, which is removed by nearly a hundred years from The Last Crusade’s 1938 setting, a growing divide among modern scholarship in the fields of archeology, anthropology, and even classicism might ask: Just exactly whose museum do you have in mind, Dr. Jones? It’s probably the same unnamed American institution run by his pal Marcus Brody (Denholm Elliott), an archeologist of an even older vintage who happily once told Indy that “the museum will buy [these artifacts] as usual, no questions asked.”

In the 21st century though, many questions are being asked about the origin of artifacts and treasures in museums all over the world, particularly in Western Europe and the United States. Marcus may not mind when Indy obliterates temples to acquire a single shiny golden idol, but you can be sure the Egyptian authorities would have different opinions about him smuggling the Ark of the Covenant out of Cairo.

That question of whose museum, and whose history, do artifacts belong to—as well as reexaminations of what archeology represented in the era most of the Indiana Jones films are set—has created a particularly thorny trap for our bullwhip hero. Have Indiana Jones and the values he represents become relics themselves?

One of Martin Scorsese’s underrated masterpieces, The Age of Innocence, is also his cruelest and most ruthless.Scorsese ...
12/20/2025

One of Martin Scorsese’s underrated masterpieces, The Age of Innocence, is also his cruelest and most ruthless.

Scorsese has made no secret about growing up in what he calls “a closed society.” Early years spent looking out the window of a Little Italy apartment into scenes of mid-20th century Manhattan—and at the kids he couldn’t play with due to asthma 0r the streetwise guys who would inform future gangster pictures—made him the storyteller he is today. His passion for cinema and for the Catholic Church, his two sanctuaries as a sickly child, were informed by this distinctly New York and working class Italian-American background.

His father Charles Scorsese teaching him how to carry oneself in that closed society, such as going to a neighborhood restaurant, influenced the scenes of Robert De Niro hanging out with Harvey Keitel in Mean Streets (1973), or Joe Pesci turning cold with Ray Liotta in Goodfellas (1990). Yet too often moviegoers, and even some film critics, are quick to reduce the auteur to only those handful of movies—violent crime pictures where Pesci’s same character is executed on a basement floor for stepping out of line and breaking his society’s rules.

But Scorsese’s passions are so much wider than that, even if the films he chases them in remain almost uniformly intimate, obsessive… and cruel. In fact, one of his best pictures is the gorgeous, and utterly merciless, The Age of Innocence. Released 30 years ago, the exquisitely realized costumed drama about repressed desires and devastating self-sacrifice was likely not what audiences expected as the director’s follow-up to Goodfellas and Cape Fear (1991). It failed to find a major audience at the box office then and to this day goes regularly overlooked among his filmography. Nonetheless, The Age of Innocence remains a sumptuous triumph for the director and co-writer (he collaborated with Jay C***s on the screenplay). It’s also among Scorsese’s most harrowing visions of a closed society and the toll it extracts on those who step out of line.

As he told Charlie Rose in 1993, The Age of Innocence is “refined violence. It’s emotional and psychological violence. Just as powerful and just as deadly as Joe Pesci getting shot in Goodfellas.” Perhaps even more so, if only because the Gilded Age drama is about how every one of Daniel Day-Lewis’ friends and family pressure him to place the veritable muzzle against his own head. And then he pulls the trigger.

Adapted faithfully and stylishly from Edith Wharton’s 1920 novel of the same name, The Age of Innocence pulls from Wharton’s sly prose (sometimes literally with passages of the book being narrated by Joanne Woodward’s voiceover), as well as Wharton’s vivid memories of the so-called Gilded Age of the 1870s—a time where the greatest concentration of wealth in American history threatened to sink Manhattan beneath the waves due to its sheer vastness. Consider that Cornelius Vanderbilt, the patriarch of the then-richest family in the world, amassed more wealth when adjusted for inflation than Jeff Bezos, Bill Gates, or Elon Musk.

Yet the world inhabited by these elite was not about gauche excess or golden toilets; it was meant to be dignified and gentle, a society derived from exceedingly good breeding, refinement, and chivalrous honor. Day-Lewis’ Newland Archer holds all of those virtues dear to his heart when the film opens on the eve of the gentleman attorney’s plan to announce his engagement to the beautiful and innocuous May Welland (Winona Ryder). May lives a sheltered life, which her fiancé mistakes for an innocent obliviousness. But it is his underestimation of May which makes the presence of her cousin the Countess Ellen Olenska (Michelle Pfeiffer) so overwhelming for Archer.

The Age of Innocence is such a singular and devastating distillation of Scorsese’s muses. He fetishizes the white gloves used by butlers as they serve the correct type of fish, and how the proper (and ironically golden) piece of silverware is selected before each course. But it’s all a facade for a society as unbending as the one he grew up in.

A Charlie Brown Christmas is always essential holiday viewing, even after over 50 years.Charlie Brown’s admission of his...
12/20/2025

A Charlie Brown Christmas is always essential holiday viewing, even after over 50 years.

Charlie Brown’s admission of his Seasonal Affective Disorder, followed by Linus’ harsh rebuttal, isn’t how you would expect one of the most beloved Christmas television traditions of all time to open.

It’s amazing how melancholy and introspective A Charlie Brown Christmas is. There are few references to presents, Santa is hardly mentioned, and there’s a fairly solemn and thoughtful reading from the Gospel of Luke right in the middle of it. For a special that was originally sponsored by Coca-Cola (references to the famed soft drink have long been removed for modern broadcasts, but if you hunt around the internet, you’ll find them), A Charlie Brown Christmas is decidedly non-commercial.

Charles M. Schulz’s immortal Peanuts characters appear here, in what was their first television appearance, with all of the humanity that had made them so famous on the printed page.

Did you know that Walmart’s online store actually carries graded comics? It’s true! And the line-up of box sets and mult...
12/20/2025

Did you know that Walmart’s online store actually carries graded comics? It’s true!

And the line-up of box sets and multi-volume collections are just the thing for that last minute gift for that comic-loving family member who’s coming in from out of town next week.

Don’t sleep on these great ideas for the fans in your life, including our picks for collectible plush doll mystery packs with bonus DLC. And should you happen to get a Walmart gift card in your own stocking, you know exactly where to go!

Tap the link in bio to start shopping.

Part of what makes TV so immersive is learning about the interests, possessions, and habits of our favorite characters. ...
12/20/2025

Part of what makes TV so immersive is learning about the interests, possessions, and habits of our favorite characters.

When we watch a television series for a long time, we start to notice objects that mean a lot to our main characters, such as the vehicles they drive. Whether it be a run-down old truck or a spaceship from a galaxy far, far away, the method of transportation used by protagonists remains at the forefront of our minds.

These are the vehicles that are inherently tied to the traits exhibited by their drivers, and due to their symbolism, they are the most memorable vehicles in the history of TV!

From Sinners’ blues guitar to Leonardo DiCaprio at his most frazzled in One Battle After Another, we’re counting down th...
12/20/2025

From Sinners’ blues guitar to Leonardo DiCaprio at his most frazzled in One Battle After Another, we’re counting down the best films of 2025.

12/20/2025

Allow Den of Geek to guide you through the best McFarlane collectibles — from X-Men to Fallout to Avatar and beyond — to buy this holiday season at Walmart.

It's beginning to look a lot like Christmas, so we counted down the top Christmas-themed TV episodes of all time.
12/20/2025

It's beginning to look a lot like Christmas, so we counted down the top Christmas-themed TV episodes of all time.

As the clock ticks down to the final episodes of Stranger Things, it’s getting wild out there in the internet streets. S...
12/20/2025

As the clock ticks down to the final episodes of Stranger Things, it’s getting wild out there in the internet streets. Speculation and fan theories are rampant, with viewers eagerly dissecting the latest Volume 2 trailer and combing through cast interviews with an occasionally frightening zeal. Who will survive? How will Vecna be defeated? And will poor Will Byers (Noah Schnapp) ever catch a boyfriend break?

For those that don’t know, a huge portion of the Stranger Things fandom has been not-so-secretly hoping that best friends Will and Mike (also known as “Byler”) will discover their friendship is something more than strictly platonic. (Don’t believe me? There are over 65,000 TikToks tagged “byleredit” right now. A surprising amount of them are set to Hozier.) And Stranger Things has, in some ways, leaned into this idea, using Will’s obvious crush on his bestie to tease out the show’s exploration of his sexuality.

To be fair, the show has largely depicted Will’s journey with a deft hand. While it’s fair to complain that the show sidelined the character too heavily in recent seasons, it’s never punched down at him for his feelings or made them into a joke for the other characters to laugh at. Instead, Will’s acquired a sort of mentor in Robin (Maya Hawke), who spent most of season 5’s first volume trying to help the younger boy sort out not only his sexual orientation, but his self-worth, offering comforting advice about what it means to feel so different in a world that expects everyone to be the same.

But then, of course, Will finally got powers and saved Mike’s life in one of the series’ most impressive scenes to date, and suddenly, anything seems possible. With the character finally coming into his own like this, could Will actually confess his true feelings to his best friend? Maybe. But don’t hold your breath that it means Byler’s destined for a happy (or at least non-platonic) ending.

Finn Wolfhard, who plays Mike, has already cast doubt on whether the friends might ever become something more, insisting that a romance between them at this point “wouldn’t feel that earned”. Now, during a recent appearance on Watch What Happens Live, Schnapp also seemingly downplayed the idea of a surprise Byler endgame. (Sorry, guys.)

“Oh man, are we live? Um,” he laughed, when asked about his reaction to the viewers who want Will and Mike together romantically. “I think… I mean look, it’s like a real kind of authentic representation of a q***r kid in the ‘80s. I’ve dealt with that myself, being in love with a friend and maybe they don’t love you back, or they feel differently.”

Not exactly the most ringing endorsement of a Will and Mike endgame we’ve ever heard. But, while it seems unlikely that a real romance is in the offering, that doesn’t mean that Stranger Things won’t use these final episodes to reinforce how much the two best friends who’ve been at the center of the show since its beginning mean to one another.

And, if you believe Schnapp about this, you probably also have to believe him that the show sticks the landing. (And that has to count for something.)

“I’m not gonna spoil anything,” he said. “But I think the Duffers close it really well.”

Address

589 8th Avenue, 20th Floor
New York, NY
10018

Alerts

Be the first to know and let us send you an email when Den of Geek posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Den of Geek:

Share