06/21/2025
1936, in the French city of Lyon, a little girl named Yvette Kahn came into the world. The summer rain tapped softly on the rooftop of the Kahn family's apartment, and the moment she heard it, Yvette smiled. Her mother would later say it was as if she arrived dancingâborn to the rhythm of the rain.
Even as a baby, Yvette responded to sounds with delight. She would clap her hands, not randomly, but with a strange and wonderful sense of timing. Her father would chuckle, âA drummer, maybe? Or a dancer?â She wasnât even walking yet, but already she moved to lifeâs invisible music.
2. Growing Up in Lyon
Yvette grew up in a modest Jewish household, nestled in the colorful and cobbled streets of Lyonâs old quarter. Her parents, Bernard and Esther Kahn, ran a small tailoring shop. They worked hard, and they adored their daughter with all the quiet joy of parents who had waited years for a child.
The Kahn family was known for warmth. On Shabbat evenings, their home glowed with candlelight and laughter. Neighbors would hear Esther singing Yiddish lullabies and little Yvette clapping along to the beat.
More than anything, she loved the rain. When it fell lightly on the windowsill, she would stand with arms raised, giggling, clapping to its tempo as if it were a secret concert just for her.
âListen, Maman!â she would shout. âThe clouds are singing!â
3. A World of Sound and Joy
Yvette had no toys that made noise. The family couldnât afford such luxuries. But that didnât matter. The world itself was her orchestra.
She drummed on pots and pans in the kitchen. She tapped spoons on tabletops. She clapped in the park, at synagogue, even in her sleep. She made rhythm from lifeâs quiet momentsâthe swing of a shutter, the chirp of a bird, the tap of her shoes on the pavement.
But she wasnât wild or loud. Yvette had a gentleness to her. A softness in how she touched the world. She would reach for flowers carefully, like they might break under her fingers. She kissed her parents on the cheek every night before bed.
Her mother would whisper, âMy little raindrop,â and Yvette would whisper back, âGoodnight, sky.â
4. Clouds Gather
As the 1930s drew to a close, the clouds over Europe darkenedânot just literal clouds, but the gathering storm of war and hatred. In 1940, when Yvette was just four years old, Germany invaded France. Soon, Lyon, like much of the country, became a place of fear for Jews.
The familyâs tailoring business suffered. Anti-Jewish laws forbade Bernard from working. Synagogues were vandalized. Friends disappeared. The walls of the cityâonce alive with colorâwere now covered in swastikas and silence.
But Yvette still found rhythm. She still clapped to the rain. She did not understand the full weight of what was happeningâbut she felt the change.
âMaman, why are people scared now?â she asked.
Esther only held her tighter.
5. Hiding in Shadows
By 1942, the Kahn family had gone into hiding. They left their home and took refuge in the countryside, with the help of a Christian family who risked everything to shelter them. Yvette was told not to sing. Not to dance. Not to clap.
But sometimes, when it rained, she forgot. She would raise her hands instinctively, tapping her fingers against her knees, smiling as the drops played on the roof.
Her father had to hush her. âWe canât make noise, my love. We must be silent like the rain when it stops.â
Yvette didnât cry. She just nodded. She understood enough. But it hurt herâmore than hunger, more than fearâto stop hearing the music in the world.
6. Betrayal and Arrest
The Kahn family was eventually betrayedâby a neighbor, or perhaps by an informant hoping to avoid their own punishment. One cold morning in early 1944, N**i soldiers arrived. There was no time to escape.
Yvette was eight years old.
She watched her mother being pulled from the arms of their protector. She saw her fatherâs hands tied. She clung to her little knapsackâone she had stitched herself. Inside was a scarf, a small crust of bread, and a drawing of clouds and musical notes.
They were transported to Drancy, the infamous transit camp near Paris. There, children and parents were separated. Yvette was confused. Her eyes searched for her mother across the sea of faces, but she never found her again.
A few days later, she was put on a train to Auschwitz.
7. Auschwitz
The train ride was long, cold, and suffocating. There was no musicâonly the sound of wheels grinding, people weeping, and the distant whistle of death.
Still, Yvette tapped her fingers against the wood. Very quietly. Perhaps imagining it was rain.
She arrived at Auschwitz, a place where childrenâs lives ended before they began. The N**is did not see her as a girl who danced, or who loved rain. They saw only a number.
Yvette Kahnâborn 11 June 1936âwas murdered in 1944. She was 8 years old.
8. A Life Too Brief, A Song Too Short
She never got to turn nine.
She never danced in the rain again.
She never returned to Lyon, never sat in her motherâs lap again, never wore her special Sabbath dress again.
She never saw the clouds drift by in peace.
She was not a soldier. She was not a rebel. She was not someone who could fight back.
But she lived. She clapped. She smiled. She listened. She found music when the world made none.
And that, too, was resistance.
9. Remembering Yvette
Today, we say her name. Not because she was famous. Not because she wrote books or changed the world in grand gestures. But because she was the world, in the eyes of those who loved her.
Say her name:
Yvette Kahn.
A girl who clapped to the rhythm of rain.
A girl who found beauty in a time of darkness.
We remember her not as a victim, but as a voiceâsmall, steady, rhythmicâtapping on the heart of history.
10. A Song That Never Ends
There is a legend that the souls of children rise into the sky as music. That their laughter becomes the wind, their footsteps become the rhythm of rain. If that is true, then Yvette is with us still.
Every time it rains, perhaps she is thereâclapping softly, not in fear, but in joy.
She lives in every child who hums without reason. In every puddle jumped. In every hand raised to the clouds.
She lives when we remember. When we refuse to forget.
She lives when we build a world where no child must hide their song.