The Art of the Hudson Valley

The Art of the Hudson Valley The Art of the Hudson Valley is a podcast available at www.wgxc.org Host: Chad Weckler

I first met Tom Roe in early 2009 when he was touring Greene and Columbia Counties doing workshops for the creation of a new community radio station; WGXC, they were live streaming content at the time. In 2009 I had become the Chair of the 15th Annual ArtsWalk and I asked Tom if he (WGXC) would like to be the "official radio station" of ArtsWalk, he said yes and he aired live all of our music and

literary events. As part of WGXC's "Barnraising" event in September 2010, I curated a performance called WGXC/WORD! A Celebration of Text+Sound and Word+Music on September 24th at the Cannonball Factory with co-curators Jeffrey Lependorf, Sam Truitt and Lee Bradshaw www.wgxc.org/events/2477

I eventually proposed my own monthly program The Art of the Hudson Valley which was accepted and I went live in March 2011. That first airing was just me with Tom as producer, and the April airing was a joint effort with Richard Roth and Ann Forbes Cooper (guests were Henry Hirsch and Chris Swicegood). My "official" start was on May 5, 2011 with guests Dini Lamot and Windle Davis for an hour conversation about their band Human Sexual Response.

From my book Creative-Exposure/Hudson available for purchase $35 from Spotty Dog Books & Ale Oblong Books and https://ww...
10/31/2024

From my book Creative-Exposure/Hudson available for purchase $35 from Spotty Dog Books & Ale Oblong Books and https://www.amazon.com/Creative-Exposure-Portraits-Hudson-York-Weckler/dp/B0CYMPB5NP Image is taken with a 4x5 film camera using only ambient light.

K. Bullis
Photographed June 18, 2023

Jeremy K. Bullis was born in Alliance, Ohio in 1972 and is a sculptor and world builder who uses wood, paper, wire, drawings, photos and writing to explore a number of ideas. He was born in rural, northeast Ohio to his father, artist David L. Bullis, and mother, educator Vera Davis (now Brunie.) From an early age Jeremy knew two things: that he wanted to live in NYC and that he wanted to create. Creating came easily. Both of his parents were highly talented painters and sculptors who encouraged having fun and making puppets, models, clothing, drawings, and anything else “artistic” that came to mind. Moving to New York took a little more effort but by age 21 Jeremy had packed up his things and moved to Washington Heights. He spent 25 years in NYC working at a broadway costume shop, an international record label, two luxury fashion brands, waiting tables, and managing several highly popular restaurants… while maintaining a rich studio practice as much as possible.

Jeremy was slowly phasing out of restaurant work and hoping to focus on his art full time when the pandemic hit and pushed that plan forward a couple of years. Relocating to Hudson in May of 2020, Jeremy rented a long empty corner store which sits at the mouth of town and launched intertwined dream projects. The majority of this space is his studio (6 times larger than any space he had had in New York City) while in the large, storefront windows he established Window on Hudson.

Window On Hudson offers storefront window exhibition space for artists of Hudson and the Hudson Valley. WOH is committed to providing a platform for established and developing artists to display their work, of all mediums, while also offering professional development opportunities for emerging artists.
Window On Hudson is two large storefront windows located at 43 South Third Street in Hudson. The windows are prominently visible 24/7 to all citizens.

In the studio Jeremy is currently focused on three distinct bodies of work. Foremost are Towers, which allows Bullis to question and examine the concepts of Fact, Faith, and Community. Secondly, he collaborates with his father, David L. Bullis (1942-2011), creating mobiles that equally present lines and negative space in motion. Finally, his ongoing project, the character based sculptures known as The Peepkins, has been produced by QCode Media as a scripted children’s podcast and is available everywhere.

I arrived in Manhattan in March 1976, fresh out of college and looking for work as an assistant photographer.It took a w...
10/30/2024

I arrived in Manhattan in March 1976, fresh out of college and looking for work as an assistant photographer.

It took a while to get to know the subway, but once mastered it was thrilling. In those early days you could travel from car to car while the train was moving. A real conductor's voice would come over the intercom system. In 1976 the cost was fifty cents for a token.

No more tokens, that ended in 2003. Pictured is one of my last remaining brass tokens.

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New York, NY

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