Cabinet

Cabinet This is the home of Cabinet, a quarterly non-profit cultural magazine based in Brooklyn.

As bombs fall again on the people of Iran, Shahram Khosravi examines what it means for the defeated of the earth to face...
03/06/2026

As bombs fall again on the people of Iran, Shahram Khosravi examines what it means for the defeated of the earth to face their serial losses with “an open face,” as counseled by his late father. What does it mean to understand defeat not as the end of critique but as its ethical point of departure, not as the end of struggle but its very condition?

“My father, a son of the Bakhtiari—the Indigenous people of the Zagros Mountains in Iran—could sense it long before it arrived: defeat. Or perhaps it never arrived at all, because it had always been there, woven into the soil and the air. Like his ancestors, he watched as their land, and the future promised by it, were stripped away. It was the Bakhtiaris’ misfortune that French and British expeditions, wandering through their mountains in the late nineteenth century, found oil shimmering beneath their feet. ...

One of the few things of my father that remains with me is a letter he sent in late 1987, while I was crossing borders—one after another, illegally—trying to outrun the Iran-Iraq War. It is hardly a letter; more a brief warning. The last two sentences read:

‘Life, in general, is about defeat. Learn to face your defeats with an open face.’

But how does one prepare for a defeat not yet arrived? For people like him—whose land, whose name, whose time have been taken—defeat is no stranger. It arrives like a season. It is expected. He, an Indigenous man, wanted to ready me, an undocumented migrant, for the rhythm of loss that returns, again and again, through generations. Another defeat is on its way. Learn to meet it with an open face.”

Link in bio and below.

Is Israel’s Channel 14 — home to some of the most violent rhetoric demonizing Palestinians — guilty of “incitement to ge...
02/27/2026

Is Israel’s Channel 14 — home to some of the most violent rhetoric demonizing Palestinians — guilty of “incitement to genocide,” a crime recognized in both Israeli and international law? In May 2025, Michael Sfard, one of Israel’s foremost human rights lawyers, filed a momentous petition with the country’s High Court on behalf of three Israeli organizations. The petition’s goal was to force the state to investigate whether statements made on Channel 14 reached the threshold of systematic incitement to genocide.

In our wide-ranging conversation with Sfard, we discuss the rise of Channel 14 and its history, the broader role that the media has played in inciting and abetting genocide, and the legal codification of genocide in the ruinous aftermath of World War II.

“There were cases in the past that undermined our sense of norms; I’m thinking of Abu Ghraib, Guantánamo Bay, and the extraordinary renditions. There were notable, egregious cases, but they were seen as aberrations. Not by everyone, but by most commentators. … But what we’re seeing now is something completely different. I’m still in a position where I … believe that the UN charter and the international laws governing human rights and international humanitarian law are … the closest to what the sacred can be for a secular person.

These are insights and principles that we as a species have slowly, painstakingly evolved at the conclusion of thousands of years of civilization and mainly of atrocities — of suffering. We’ve reached these understandings with blood. We’ve created this system, which though not perfect is nonetheless optimistic and humanistic. And to crush this remarkable, shared guiding ethos now — well, I don’t know how we could overcome such a loss.”

Link in bio and below:

cabinetmagazine.org/71/najafi_prochnik_sfard.php

albanese.unsr.opt

In May 2025, Michael Sfard—one of Israel's foremost human rights lawyers—filed a momentous petition with the country's H...
02/19/2026

In May 2025, Michael Sfard—one of Israel's foremost human rights lawyers—filed a momentous petition with the country's High Court on behalf of three Israeli organizations. The filing asked the court to require the attorney general, the state attorney, and the police to explain why they had not replied to an earlier letter he had filed requesting an investigation into whether repeated statements by hosts and guests on Israel's Channel 14 amounted to a systematic incitement to genocide—a crime in both international and Israeli law—as well incitement to violence and incitement to racism.

In our wide-ranging conversation with Sfard, published today, we discuss Channel 14 and its history, the broader role that the media has played in inciting and abetting genocide, and the legal codification of genocide, and incitement to it, as crimes in the ruinous aftermath of World War II.

Link in bio and below:

cabinetmagazine.org/71/najafi_prochnik_sfard.php

“To the Spanish conquistadors, the behavior of the strangely lively objects used by the Aztec and the Maya to play their...
01/16/2026

“To the Spanish conquistadors, the behavior of the strangely lively objects used by the Aztec and the Maya to play their ritual ball game was magical. Early accounts reflect the onlookers’ amazement. Pedro Mártir de Anghiera, royal historian to Emperor Charles V and first European historian of the Americas, declared: “I don’t understand how when the balls hit the ground they are sent into the air with such incredible bounce.” Bernardino de Sahagún remarked that beyond the amazing dynamic capacities of the object, its “aural qualities were astonishing” as well. Diego Durán wrote: “Jumping and bouncing are its qualities, upward and downward, to and fro. It can exhaust the pursuer running after it before he can catch up with it.”

For Mesoamerican societies, rubber was etymologically bound up with its extraction form—and with the body, power, pain, and magic. The indigenous names—which translate as “blood,” “tears of the tree,” “milk of tree”—figure rubber as a bodily fluid, one that requires some rip in the body’s skin or psyche before it can pour forth. As well as using it to make balls for their ritual games, these societies burned it as incense, used it for waterproofing and hafting weapons, and, in its liquid form, to mark the bodies of those about to be sacrificed to the gods. For the Aztec, it was a tribute material, demanded as payment from conquered peoples. But the conquistadors had arrived with a clear idea of what materials they wanted to amass: silver, gold, and other precious metals. In their scheme of things, rubber was neither sacred nor especially economically valuable, and ball games were not the kind of activity that warranted serious cultural representation. In Europe, sport was not sport as we know it, quite yet.”

We are excited for the publication of Carlin Wing’s new book, “Bounce: Balls, Walls, and Bodies in Games and Play,” next week. In the meantime, you can read her article, “Episodes in the Life of Bounce,” from issue 56. Link in bio and below.

https://www.cabinetmagazine.org/issues/56/wing.php


In our latest article, “Subdivided Memory: Sinti and Roma in German Erinnerungskultur,” Sanders Issac Bernstein investig...
01/08/2026

In our latest article, “Subdivided Memory: Sinti and Roma in German Erinnerungskultur,” Sanders Issac Bernstein investigates the construction threats to Berlin’s Memorial to the Sinti and Roma of Europe Murdered under National Socialism and the long struggle by Sinti and Roma for public recognition of what was done to them by the German state. Link in bio and below.

“And yet, as I wait to watch the daily exchange of flowers, I must admit that I am not contemplating the persecution carried out by the German state between 1933 and 1945—detailed on the frosted panels of the memorial’s front wall. I am not thinking of the personal narratives I’ve read—of Hermann Herzberg, trader of horses and father to eleven, killed at the Bialystok Ghetto in 1941, or his ten murdered children, or his wife Luise, who contracted tuberculosis at Ravensbrück and died from the disease in 1953, leaving her son, Otto, wholly without a family. I am not thinking about Waldemar Winter, who survived Auschwitz, medical experiments at Natzweiler, and forced labor at Dachau and Neuengamme, before dying just after the war’s end due to the abuse he had suffered at the hands of the N***s. I am not thinking about Gretel, a quiet, happy, and beloved child whose mother called her Mutti, and who at four years and three months was marched into the gas chamber with her grandparents. Instead, as I watch the blossoms slowly lower, I find myself thinking not of the past but of the future. I contemplate the dark hollow of the triangle at the center of the pool’s dark waters, its core lost to an invisible underworld, and I can only think of the regional rail extension that the Berlin Senate recently approved, which threatens to turn this memorial into a construction site.”

www.cabinetmagazine.org/71/bernstein.php

The Greek island of Syros entered international news over the summer when the Israeli “Crown Iris” cruise ship changed i...
01/02/2026

The Greek island of Syros entered international news over the summer when the Israeli “Crown Iris” cruise ship changed its course in response to a protest by three hundred local residents. The incident became a catalyst for Palestine activism across the Greek islands, as locals refused to cater to Israeli tourists in protest of Israel’s ongoing genocide in Gaza. Initial media reports blamed the protestors for turning “tourist stops into battlegrounds”; in his article “Against Insularity: Hellenism, Zionism, and the Greek Archipelago,” McNeil Taylor demonstrates that these islands, far from being mere tourist destinations, have in fact been sites of conflict for as long as the modern state of Greece has existed. Examining the tangled histories of Hellenism and Zionism, he shows how Western powers’ attempts to resuscitate archaic fantasies have continually run aground against the diverse reality of the Eastern Mediterranean. Link in bio and below.

“Greek solidarity with Palestine, to a large degree sustained by the ports and islands of the Aegean Sea, is thus categorically different from that of continental Europe. Modern Greek history has witnessed the transformation of the eastern Mediterranean from a space of intercultural exchange—some of the first iron-screw olive presses arrived in Jaffa, in the late nineteenth century, from Piraeus—into one of militarized privilege. The protests today are animated by a desire to resist this metamorphosis: a week before the Crown Iris protest, Piraeus dockworkers, supported by thousands of protestors, refused to transfer military-grade steel to a ship bound for Israel. Syros protestors took inspiration from this gesture, handing out flyers highlighting Greece’s tightening “economic, technological and military” relationship with Israel: “As residents of Syros but more so as human beings, we are taking action that we hope will contribute to stopping this destruction from the genocidal war that is taking place in our neighbourhood.”

https://www.cabinetmagazine.org/issues/71/taylor.php

25 years and we have yet to fill a shelf…
10/31/2025

25 years and we have yet to fill a shelf…

NEW ARTICLE: James G. Harper and Philip W. Scher discuss German anthropologist Julius Lips’s groundbreaking treatise on ...
06/12/2025

NEW ARTICLE: James G. Harper and Philip W. Scher discuss German anthropologist Julius Lips’s groundbreaking treatise on African, Indigenous Australian, and Oceanic depictions of foreigners, “The Savage Hits Back, or, The White Man through Native Eyes.”

Link in bio and below.

Images:

1) Detail from a fragment of a sixteenth-century ivory saltcellar, from the Kingdom of Benin. It is one of the oldest artifacts included in “The Savage Hits Back.” The symbol of the cross was clearly familiar to the ivory carver, and yet he has carved it upside down, suggesting that the familiarity is nascent and incomplete.

2) Late nineteenth-century henta—an apotropaic image from the Nicobar Islands (Indian Ocean) that would originally have been installed in a house. The painted wood-and-spathe panel represents the moon and at its center is the Deuse, or “Chief of the Spirits.” In the pictorial tradition of Nicobar hentas, the power of the Deuse is represented through the things shown floating or orbiting around him. In this example, the artist has mingled native animals and indigenous objects with distinctly European items. This set of floating objects even includes a European at bottom left.

3) Detail from early twentieth-century door panels by Yoruba artist Olówè of Isè from the palace of the Ogoga (king) of Ikere in present-day Nigeria. Here we see Captain W. G. Ambrose, a British commissioner traveling in a hammock. The carvings offer an African perspective on British colonialism at the very moment that the British were consolidating authority in the region.

4) Early nineteenth-century Vili drum from the Loango Kingdom, whose territory lay in present-day Gabon and the Republic of the Congo. The base of the percussion instrument depicts a seated European sailor. As Lips wryly observes, “the most essential object is what the figure holds in his left hand, the whisky flask.” The bottle and its drinker’s red squinting eyes suggest drunkenness, a trait commonly associated with Europeans. When the drum was actually used, the drunken sailor took a beating from above, likely to the mirth of the audience.

https://www.cabinetmagazine.org/issues/69/harper_scher.php

In Berlin? Or within one week’s hiking distance? Come visit Cabinet at the Miss Read art book fair next week hosted by H...
06/05/2025

In Berlin? Or within one week’s hiking distance? Come visit Cabinet at the Miss Read art book fair next week hosted by Haus der Kulturen der Welt (HKW). We will be selling books, magazines, and posters, and would love to meet our readers!

In February 2004, French-Israeli filmmaker Eyal Sivan filed a libel suit in Paris against philosopher Alain Finkielkraut...
05/16/2025

In February 2004, French-Israeli filmmaker Eyal Sivan filed a libel suit in Paris against philosopher Alain Finkielkraut. The previous year, Sivan and Palestinian filmmaker Michel Khleifi had released “Route 181: Extracts from a Palestinian-Israeli Journey”—a four-and-a-half-hour travel documentary tracing what remains, in the memories of the landscape and its inhabitants, of the violent expulsion in 1947–1948 of som­e three-quarters of a million Palestini­ans from the territory that would become the state of Israel. During a radio program, Finkielkraut had launched an aggressive critique of Sivan, arguing that he was representative of a “particularly painful, particul­arly frightening reality—Jewish anti-Semitism,” in that “Route 181” was premised on a false analogy between the events of 1947–1948 and the N**i Holocaust.

For Sivan, however, it is the very possibility of acknowledging the continuity between the Shoah and the Nakba that could establish the condition for sharing a single democratic state between Jews and Palestinians. “The problem is that we Israelis must take responsibility for the deeds of our parents, deeds for which they refused to take responsibility. In the eyes of Claude Lanzmann [director of Shoah] or Finkielkraut, if they acknowledge the crime of 1948, then Israel does not have the right to exist.” Sivan speaks instead as one who accepts that right, but differently—as a citizen. For the citizen, the experience of the partition and its remainders can only issue in a sense of the inevitability of sharing: “We share the history of the land, we share a memory of the Nakba/Independence, we share a destiny. This is a basis for thinking equality.”

You can read the full translation of the Sivan vs. Finkielkraut trial as well as Thomas Keenan and Eyal Weizman’s introduction via the link in bio or below.

https://www.cabinetmagazine.org/issues/26/keenan_weizman.php

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