Short Story Writers Group 2

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Short Story Writers Group 2 The Southern Maine Short Story Writers Group has meetings in Old Orchard Beach, check our website for current dates and times. https://medium.com/

The Curse of The Salsa Dancing Inner Goddess — An Eldritch Ode To 50 Shades of Grey https://link.medium.com/54CEyQ4yNLb ...
04/08/2024

The Curse of The Salsa Dancing Inner Goddess — An Eldritch Ode To 50 Shades of Grey https://link.medium.com/54CEyQ4yNLb

This story is a result of my asking the question:

What would it be like is Quaraun the Insane suddenly found himself possessed by a demonic eldritch version of the inner goddess found in the novel “50 Shades of Grey”. If you have never read 50 Shades of Grey, then a lot of the “Easter eggs” in this poem will be lost on you. But if you’d read the insanity that is Anna’s inner goddess, then you should understand every satirical twist I made on her here. Hopefully.

🌸{A Pink Necromancer Poem} 🦄🌸

02/08/2024

Miss USA ceo on Miss Teen USA is reading queue cards written by ChatGPT. That's absolutely hilarious, especially seeing how she claimed she wrote her own speech. If you are going to have ChatGPT write your resilient bacon filled speech, at least admit it.

05/06/2024

Omg! I'm in the top 100 most read/liked/viewed Short Fiction writers on Medium. Currently at number 69. Medium has over 100million members. It's really had to get into the top 100 list of any category.

08/03/2024

Are you aware that you SELF-INCRIMINATE yourself and ADMIT YOUR OWN GUILT - when I say a person did a thing, but I NEVER SAID who did the thing OR that they did it to me... and YOU respond to that by posting all over social media that I am talking about YOU doing it to ME... I never said any names of either the RA**ST or who the R**E VICTIM was.... in fact... what I wrote was a short story about an Elf getting r***d... sooooo. you REALLY let your own guilt fly off the handle with that one. Got any other crimes you want to admit to having done while you're at it? ... uhm... you ARE aware that the world does not revolve around YOU and I do not spend my days thinking about YOU 24/7 like you are apparently doing about me. You know, if you can not stop seeing yourself in every Fantasy and Sci-Fi novella I write, you might want to look into a psychiatrist, okay?

November 14, 2023 was the 10 year anniversary of the November 14, 2013 murder of my 8 month old infant son, at BugLight ...
26/11/2023

November 14, 2023 was the 10 year anniversary of the November 14, 2013 murder of my 8 month old infant son, at BugLight Lighthouse Art Studio of Southern Maine Community College in South Portland, Maine. If you have any information about who his killer is, please call FBI Agent Andy Drewer at 207-774-9322
More info here:

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05/07/2023

>>>Poetry Publishing Can anyone help with where to find a current, applicable list of poetry journals online that accept new poetry from poets who are not currently teaching at a University or college? It seems most refuse to even consider poetry regardless of quality, unless you already teach at a University or have already been published by a University-affiliated publisher.

First off I am not a poet, so I don't know if any of this will apply to you or not. If it helps you, great, if it doesn't, well, maybe it'll help someone else reading this thread instead?

I am a short story writer, and a lot of the same magazines who accept short stories, also accept poems, which is why I'm hoping this info will be useful for you.

I would suggest too, considering writing enough poems to make a collection, and self-publishing it as a book of your collected poems on Amazon, as this seems to be a better road to take long term. However, I am aware that poem collections, like short story collections, are very difficult to sell, so this is not always the best option for everyone and may or may not be a good option for you.

Personally, I found that switching from writing one-shots for magazines to now self-publishing on Amazon and GunRoad and DriveThruRPG instead, was a better move for me personally, as I can now write-publish; write-publish; write-publish; write-publish; putting out way more content, spending far more time writing.

Previously, I would write a thing, then spend weeks/months querying that thing, then write another thing and spend weeks/months querying that one, and that's all well and good, but at best I could maybe hope for only 10 or 12 stories published each year, and that was BEST case scenario. Chances were high of me querying for months and getting only 1 or 2 things published each year. Which 1 or 2 things a year is great if those things are novels, but not good at all if those things are short stories or poems.

By switching to self-publishing, I completely cut out the time spent querying, meaning now I can publish a new short story every week or so (I end up publishing a new short about every 10 days), something I simply could not do when querying magazines.

Now, if you want the "prestige" of saying "I was published by such and such magazine" well, then self-publishing on Amazon is not going to be an option you'll enjoy. And self publishing does come with stigmas, because a lot of people will say: "Oh, you self published? So you aren't any good then? Couldn't get it published huh?" And that's another reason you might not want to self publish. PLUS, when you self publish you have to do everything yourself: editing, formatting, cover art, marketing; that all falls on you to either do it on your own or dish out money to hire someone to do it for you, if you want to produce a professional product that readers will actually want to pay money for. So, that would be yet another reason why to not self-publish.

I was traditionally published for a lot of years, before I switched to self publishing, so I studied how my traditionally published products were formatted and matched my self pubbed stuff to look the same, so formatting was not difficult for me. Editing was very difficult though. For that I spent five years taking every single English, writing, grammar, creative writing, literature, course at every local college (which included Harvard, as it is a local college only a 45 min drive for me, and weirdly seeing Harvard listed on my credits always gets everyone in a twist, People start acting REALLY freaky-deaky bizarre as soon as they find out you got Harvard in your college credits, because I guess it's a famous college that is hard to get into or something, but I never knew that because it's just a local college I can walk to, and EVERY college in America has "community students'' who are NOT enrolled in a degree program aka people who just walk into the college and say: "I want to take this one class, here's the cash, where do I buy the books?" and you do not have to take and pre-requisites or pass any tests in order to do this, so you can take ANY class at ANY college and you do not have to be enrolled in a degree or take any qualifying tests, and I'm always surprised how few people know this is a thing they can do.) But, anyways, I took every writing related class from every college that was within a 2 hour driving distance of me, and I spent five years doing it. I had no degree enrollment as I was signed up for each class as a paid cash up front community student who was taking classes for personal enrichment, instead of being a degree student who had to take tons of pre qualifying tests and prerequisites. Meaning I did not have to take any useless math or science classes or electives or s**t, and I was able to focus 100% of my studies on improving my grammar, and I wasn't locked in to any one college, so I could take 1 class on Monday at college A and another class on Tuesday at college B, a different class on Wednesday at college C, and so on. I took 5 classes each semester, including summers, for five years, and amassed enough credits for FOUR PH.Ds should I ever enroll as a degree student and take the prerequisites, however, as I never went to school and never learned math or science, and I can not count or do money or read clocks or calendars, I am unable to enroll as a degree student. I have Kannar's Syndrome aka REAL and ACTUAL Autism aka Idiot Savant Syndrome, not to be confused with Aspergers or Autism Spectrum Disorders, Aspergers is NOT Autism even though it gets called "high functioning Autism" and Autism itself is NOT an ASD as the definition of an Autism Spectrum Disorder is "a disease with 3 or more of the same symptoms as Autism, but is not Autism". Kannar's Syndrome aka REAL and ACTUAL Autism aka Idiot Savant Syndrome is one of the rarest diseases in the world, with fewer than one hundred and twenty thousand people being diagnosed with it since the 1940s. Aspergers aka High Functioning Autism on the other hand affects 1 in 3 people. If you are unfamiliar with Kannar's Syndrome aka REAL and ACTUAL Autism aka Idiot Savant Syndrome, go watch the movie RainMan, THAT is the type of Autism I have which is why I can take hundreds of writing related college classes but am unable to enroll in a degree program due to not being able to do anything NOT related to typing. If you have never seen the movie RainMan then you likely will have no clue what real and actual Autism is like as it is so rare, that most people don't even know it exists and instead think of Asperger's when they hear the word Autism, even though Aspergers is not medically related to real and actual Autism in any way, shape, or form.

I point this out, because people are often unable to repeat what I do, because very few writers are able to edit their own writing, which makes self-publishing a difficult task unless you are hiring an editor. I do not hire an editor, because I took 5 writing classes each semester for 5 years at more than a dozen colleges in Maine, New Hampshire, and Massachusetts, a thing I did with the express goal of learning how to edit my own writing so that I would not have to hire an outside editor.

If you plan to self publish, you WILL need to learn pristine editing skills, becoming exceptionally well versed in college level grammar rules, otherwise you will need to hire an outside editor.

While you can do what millions of others do, and mad dash slap unedited crap on Amazon, you will end up not selling anything making self publishing a waste of your time. Editing your work is NOT an option if you want to succeed in self publishing, and that is going to require college classes if you edit it yourself, or paying money for a professional editor instead. I opted for college classes so I could edit it myself, most people opt for hiring an editor instead.

Also, I would recommend asking a more detailed question over here r/selfpublish as, almost everyone there has published on Amazon or is planning to, and there are several users there whom have published poetry and could give advice specific to poem books, so you'll likely get more responses. And as you are looking to traditionally publish poems r/pubtips might be able to help. I think there are a few subs which help poets to get published, but I don't remember their names. Again, I'm not a poet so I can't help with that directly. I am a short story writer and publishing poems is similar to publishing short stories.

When I am publishing short stories in magazines, my method of finding magazines to submit to, was to drive to my local brick and mortar bookstores and then buy one of each of every short story literary magazine they had on the shelf, take them home, read them all, buy a mail subscription to every one that seemed it might be a good match for my stories.

I aim for ones that have monthly issues, because that gives me a chance of being published 12 times a year *(if a magazine likes your work, they WILL request you to submit something for each issue)*. I NEVER submit to a magazine until after I have received no fewer than twelve issues of their magazine in the mail, and I have read every story in every issue. This gives me a very good working knowledge of exact what the magazine is looking for, and it allows me to custom tailor my stories to fit what the magazine wants. boosting my chances of getting published.

After that I type up, print out, and mail, via the post office, actually stamped letter in an envelope, the submission to the editor of the magazine. **I NEVER deal with a magazine that ONLY accepts email submissions; due to the fact that I do not use email, so I am not even able to contact them.** Also it is my experience that most (magazine) editors PREFER to deal with actual paper submissions, they often say so, stating outright that things like *"I got to be honest here, I accepted your story because it was the only physical printed up manuscript on my desk and I just was too tired to look at my email"*

*Note: I have NEVER, nor will I, ever submitted to a digital web magazine. I deal with physical print magazines only.* Due to having Autism I am unable to do many things, email is one of those things. I also can not do things like phones, as that requires verbal speaking with my mouth, which is another thing I can not do. My disability preventing me for being able to do things like email, would seem at first to limit my options, however, it seems the reverse it true, as editors are always saying they like the fact that I have enough manners to deal with them on a one on one hand written letter personal level instead of crap shooting hundreds of copy pasted emails out to every editor at once. So, my inability to use email, seems to have contributed to my higher than average success rate in getting traditionally published.

So, I would suggest doing that: avoiding email and online submissions, instead using snail mail paper submissions. And, finding printed on paper real and actual magazines via your local bookstores instead of digital webzines.

Why?

Well, because, last I knew, fewer than 13% of literary magazines even had a website, let alone a digital edition of their magazine, and more than 80% of all literary magazines are **LOCAL SMALL PRESS** meaning they ONLY sell their magazin to local physical bookstores that are under 50 miles from the magazine headquarters. Meaning MOST of your options to publish in a magazine, can ONLY be found by you walking into your local mom and pop bookstore and buying physical print magazines.

Between 1978 and 2014 I have traditionally published more than 2,000 - yes two thousand - short stories using exactly the method I just described. Never once have I ever used email or submitted to a digital magazine.

In 2010 I started self-publishing on Amazon, and in 2014 I switched completely to self-publishing as it cuts out the querying aspect and gives me more time to do more writing. While I have tried more than a dozen different self-publishing platforms, for me personally I found Amazon, GumRoad, and DriveThruRPG to be the best ones for me. LuLu also makes the top five list for me. All of these are good for short stories and I have poet friends who find them good for poems. And before they went out of business Squidoo was number 1 and Smashwords was number 2, but Squidoo went out of business in 2013 and SmashWords went out of business just a few weeks ago in February 2023.

I have published a lot on Amazon but never poetry. Poem books are a whole different ball game than novels, novellas, or short stories, which I have published. I know nothing of the poetry field, or how to format it or market it. I know the formatting is quite different then how stories are formatted, but I'm not certain of the differences. Like how poems are usually centered only on the middle of a page whereas a story will go all the way to the edges. I don't know how you do that sort of formatting and I think it might require either using some specific software program or hiring a person to do the formatting for you. But, that's the sort of specific question you'd need to ask, "How do you format poetry for publication?" or some such question.

However, one of my best friends is a poet (Megan Grumbling) who got to do the President's inaugural poem (I forget which president; one of the Bush's I think) due to her being, at the time, the Poet Laureate of the State of Maine. This happened before I met her and I knew her for several years before I found out she had done thi; she did not mention it often, so most of her personal friend circle did not know this about her.

But, I met her in college, and she introduced me to the "art district" of Portland Maine... which I knew from being a painter, as I sell my canvas works in Portland, however, I was unaware that there was this massive poet and chapbook writer subculture in the Portland Arts District.

But she was a friend from college who writes poetry and does it as a part time job. Her full time job is being an adjunct poetry teacher at a community college. I took one of her classes to see what she taught, and over the course of the semester she went through what it was like for her to write poetry as a job.

And, this is what I was thinking might be helpful to you:

What she did was she submitted poems to poetry anthologies run by various little magazines (print magazines, not online or digital) and having local copy/print shops print up staple bound cards took cover chapbooks, which she takes with her to poetry nights at local bars, and sells to people there (with permission of the bar) after she does live readings. She said she has tried publishing on Amazon but got almost no sales at all. She said the bulk of her sales came from locals at bars, buying her books from her after live shows/readings.

For her, her goal WAS to make being a poet her full time job, and essentially she had succeeded in doing so, however most of her money came not from writing and selling poems, but rather instead from teaching her poetry courses at the college.

During one day in her class, she brought in copies of all her published books, so we could see exactly how much a poet has to write in order to make enough money from poems. It was a LOT. She had well over a hundred poetry collection books, paperback chapbooks printed up by local print shops, and each book had 30 to 50 poems in it. Each book was 25 to 75 pages long. And when she went to the poetry nights at bars, which she did 3 nights per week, she would take with her 10 to 15 copies each of no fewer than a dozen of her collections, taking with her around 150 physical books to sell, and would sell most, if not all of them. Meaning she was selling on average around 300 to 400 copies of her poem collections each week. She sells the books for $15, cash only, and I had since bought 2 of them, just to see what kind of stuff she wrote. But that means, she makes around $4k to $6k a week selling her poems, however more than a third of that goes into the printing costs of her books to sell the following week.

However she is the only poet I have ever meet who is able to live off her poetry, (and I have known several hundred poets, I live in the Greater Portland area of The Greater Boston area, where hundreds of poets and short story authors hang out, swap chapbooks, and I hang out with them) and according to her, it's pretty impossible to make money off poetry sales online, via places like Amazon. And all of the local poets I have talked to agree that Amazon and every other online publishing site is pretty s**tty for gaining sales with poetry. But they also all agreed that if you want to actually sell poetry, you need to be heavily active in the offline poetry reading community, doing weekly readings at bars on poetry nights and selling physical chapbooks to drunks in said bars.

Like I said, I am not someone who reads or writes poetry, so I know nothing about it from first hand personal experience and I only know the information I just shared from being told it by local poets who swear it works for them. I am however a short story writer who deals predominantly with local printed chap books and offline sales and THIS is the bulk of my income. So I do know that what she is saying works, because I do the exact same thing, selling physical printed chap book short stories at local carnivals, state fairs, craft fairs, festivals, and conventions, something I have been doing since the 1970s, and only recently stopped doing because the covid pandemic shut down most large events. I can expect to sell several HUNDRED copies of my paperback chapbooks EACH WEEK at local events. And since 1978, I have sold more than TEN MILLION copies of my books, with the bulk of those sales going to tourists on the beach at Old Orchard Beach, Maine, where I have permits to sell my books out of the trunk of my car.

So when she was telling me about how she makes way more sales via chapbooks to local offline tourists from the Portland cruise ships who head to the underground (physically underground, under the sidewalks below Portland's city streets) poetry bars, I was just nodding my head and going "Yep, that makes sense, because I get far more local sales of my chapbook short stories in much the same way".

I will point out that the bars in Portland, Maine are frequented by Stephen King himself, and having him as a very, very, very local celebrity does contribute to why so many writers and poets flock to Portland bars and do poetry nights and buy each other's books, mostly in some vain hope of running into Stephen King, which almost never happens (because he moved to Florida in 1991 and it's actually his grandkids NOT him who live in Bangor), but happens often enough that these bars draw huge crowds, hundreds of wannabe poets and writers, who get drunk and buy each other's books… soooo… if you don't live in the Greater Portland area (which includes Bangor) of Maine, where there is an abnormally high concentration of writers hanging out in large groups, then, this offline method of selling chapbooks at bars, might not work, as it does seem to be a very specific to this region of Maine phenomenon.

According to the poets I have talked to, nearly 100% of their sales are to other poets, with it just being a community of poets buying poetry collections from each other, as a way to support each other… and… it appears that the mainstream general public is not the people buying the poem books, but rather that it is just poets selling to other poets. Again, this is similar to my own experiences with short stories.

So, near as I can tell, selling poetry on Amazon or anywhere else online, is almost impossible, though Amazon is far better then other places, but, also, it seems that selling offline only works if you happen to live in some sort of art district where abnormally large groups of poets hang out and buy each other's work. And you probably shouldn't expect the general public to buy your poem books.

In any case, from what every poet I've talked to says, submitting to magazines is usually a waste of time if you are looking to do this as a career, and it's better to focus on offline chapbook collection sales instead.

So, yeah, I don't know if this is actually helpful to you or not. I don't know what places to look for to submit poems to, and this info here is just about the only thing I know at all about poetry.

Hopefully something here helps you out. Good luck with your project!

Sorry, I couldn't be more help.

05/07/2023

>>>Anyone else rated by bots? I released a book about three weeks ago called Gray Goo and everything seemed to be going well, until I saw a two-star review on Goodreads. I was disheartened, doubting the quality of my work and wondering if the blurb on the back cover might have misrepresented the book's content. Upon further investigation, however, I discovered that this reviewer was not an average reader - they had rated thousands of books, most of which poorly, with an average rating of just two stars. According to my calculations, they'd have to read about three books a day to maintain their reviewing pace. While I'm open to lower ratings and understand that not everyone will resonate with my writing, this clearly seemed to be the work of a bot, which is concerning. Has anyone else had a similar experience? I'm trying to understand the motivation behind indiscriminately lowering book ratings, especially for an emerging author like me.

It was actually a big enough problem as of 3 days ago that it was in the national tv news (CBS). They said something about Amazon's bestseller lists all being hit by a bot that was posting ai generated gibberish ebooks, and another bot then "click farming" for KU reads, while a 3rd bot was flooding GoodReads with 5 star reviews on the ai spam books and 1 star reviews on tens of thousands of real legitimate books. Amazon rep issued a statement saying they were aware it was happening and were working on a solution... At the same time Amazon has announced that they are deleting Kindle from their China storefront, due to the fact that most of the ai bots are China based and writers in China are now banned from uploading books to KDP (went into effect 3 days ago).

There are a lot of new stations talking about it. Do a Google search for things like "Amazon flooded with AI ebooks" or "Amazon bans China from Kindle use" or "GoodReads hit by fake click farm bots" and you should find the news reports easily, to read up more on it.

It's been happening for about a week and Amazon just responded 3 days ago, so this is very recent news happening right now.

Sounds like your book was one of the ones hit by this. You might be able to get the neg reviews removed if you can prove they are fake - tell Amazon NOT GoodReads (via the KDP contact in your KDP dashboard) (Amazon owns GoodReads, Amazon not GoodReads, is in charge of removing reviews off GoodReads). Amazon is right now actively deleting tens of thousands of these click farm fake bot reviews, but it could take weeks or even months for them to get them all, so us authors need to be vigilant in alerting Amazon to fake bot spam reviews when they hit us, Amazon is looking at the ones they are being told about first, so if you don't tell them, you'll end up on the waitlist that is months out.

You are not alone. Seems like EVERY legitimate author got hit by it this week.

I've been publishing on KDP since 2010, have 423 novellas up in that 13 years of doing this, and I've seen spam review bots hit many times before, I've never seen one like this before... it hit EVERY SINGLE top 100 list on Amazon... to the point that there were only TWO actual, real books on Amazon's top 100 list (a list that includes traditionally published books by Stephen King, GRRMartin, ELJames, ect... bumped even them right out of the lists!)... and the bot hit more then FOUR THOUSANDS of Amazon's top 100 category charts. Google and find the screenshots of it... lots of angry big name authors right now posting screenshots on Twitter, showing the spam gibberish ai books that review bombs them.

Total nightmare going down on Amazon & GoodReads right now... big enough that it hit national TV news, which has never happened before. News stations never give a s**t what happens to us authors, but it happened so fast and to so many, that news stations jumped on it, and shock and horror, OMG, Amazon has ACTUALLY gotten up off their ass and is ACTUALLY doing something about it. We authors have been asking Amazon to do something about these review bots for almost 20 years now... it took them hitting so hard that news stations reported on it, for Amazon, to finally, for the first time in two decades, to get off their ass and actually stand up for the real author against the onslaught of review bots.

02/07/2023

>>A forum/story community website, early 2010s. Does anyone recall a website, from around 2010-2013, that hosted a large community of diverse personal writings? For some reason, 'introduction' comes to mind as a name, but I can't find anything. Main theme colors were white, orange, and a bit of green, if memory serves me correctly. You could join groups, chat via IMs, etc. Much like facebook at the time.

Sounds like Squidoo, the website was orange with white, and was kind of like MySpace for writers. It was started in 2005, I was one of the code developers who worked for Seth Godin on building the site (I was known as EelKat on Squidoo). It went out of business October 2013, after Seth Godin sold the company and the new owner stole everyone's articles republishing them as her own. She went bankrupt as multiple million authors banded together in a huge lawsuit against her. Court demanded she give the articles and stories back to the original authors as she had bought the website but not the rights to the articles, and pay us $20million... because it was a class action suit, we authors ended up getting only two dollars each. But she had to file for bankruptcy and HubPages bought Squidoo from the bankruptcy court auction and then shut it down.

01/04/2023

>>>Submitting short stories for publishing set in same world as my novel I'd like to trad. publish? I enjoy writing within the world I've created in my novel. I'd like to write short stories within this world, the characters would be entirely different, but the setting and cultures the same. If these stories were published in various places, could this dissuade a traditional publisher from wanting to publish my novel? My goal is to publish a short story before trying to query the novel. I'm actually submitting various things to magazines and anthologies with open submission calls.

There used to be a time when you could do this, and I have done it, but... I was doing it in the late 1970s and early 1980s and the publishing industry has changed a lot since then, and continues to change every 6 months or so, with one of the two biggest changes in publishing history (the 1994 paper crisis shutting down 20k print magazines and 2021 Covid layoffs at traditional publishing houses) happening just 3 years ago, meaning the traditional publishing industry is right now in one of the biggest fluxes its ever seen, so, no one can really be certain of anything right now.

But, yes, what you have proposed doing, has been done in the past, and for a while was in fact the recommended way of doing things in the publishing industry, which is why so many of the big names from the 1970s and 1980s (including Stephen King and Marion Zimmer Bradley) wrote both novels and short stories set in one realm/world/universe.

However this was because in the 1970s and 1980s it was super easy to get short stories published AND make a full time career out of short stories alone, because **in the 1970s and 1980s, most print magazines were paying minimum $500 to $2k PER 5K WORD SHORT STORY** and there were more than two hundred thousand literary print mags to choose from. You could, we did, because there were so many magazines desperately competing against each other for writers, publish weekly 5k short stories and earn $500 to $2k or more every single week, **IN THE 1970s, when the average yearly income was $10k a year**.

Back then the competition to publish short stories was so fierce, because there was such a huge over saturation of print magazines and not enough writers to meet the demand, that magazines would pay an arm and leg for any half asked 1k word story tossed their way. And because of this, every author would write a novel, let the novel in bookstores act as a reader magnet, and focus their full writing career on pumping out short stories about other characters in the same world as the novel. It was WHY so many authors in the 1970s would only publish one or two novels, then publish hundreds, sometimes thousands, of short stories. Because back then, that's just how it was done if you wanted to make money. Novels sold balls, no one banked on novels, because novels were nothing but loss leaders for the short stories.

However… the 1994 paper crisis completely changed all that. Starting in the late 1980s, paper prices started rising and print magazines started paying less and less and less and less. By the early 1990s the average print magazines were paying only $5 to $10 per 7k word story…magazines which only 10 years prior were paying $500+ for 5k word stories.

For the first time in history novel royalties were bringing in more income then short story one time fees, and yet novel royalties were also dropping.

But in 1994, writer union strikes, paper mill union strikes, and the sharp increase in eco terrorist attacks on tree farms and lumber yards by The Monkey Wrencher Organization, resulted in an overnight mass bankruptcy shutdown of twenty thousand print magazines all the same week. And the summer of 1994 saw tens of thousands more follow, with most every newspaper shutting down as well.

By 1995, fewer than five thousand of the more then one hundred thousand high paying print magazines of the 1970s were still afloat, and they were only staying business because they did a radical move and **STOPPED PAYING WRITER CASH** instead switching to giving out free subscriptions to their magazines as payment for short stories they published.

This in turn caused the rise in anthologies, because print magazines which were selling at newsstands for .10c per monthly or weekly issue, were now selling for $14.99+ for each quarterly or bi monthly issue. Magazines went from 52 or 12 issues a year to 6, 4, 2, or even 1 issue per year, with some magazines being bi annually released, meaning 1 issue every other year! It was a nightmare for us writers who were full time short stories writers, because overnight our income was gone. We writers went from making $2k a week writing 5k word short stories weekly, to not able to make a dime at all. And magazines tried to stay afloat by running anthology contest, where **writers paid the magazine entry fees** without any guarantee of getting published, instead of the magazines paying the writers! Ten or twelve stories would be picked to be published in the anthology and those dozen writers who won, would win free copies of the printed anthology.

And thus the short story boom which started in the 1950s, and was at its highest in the 1970s, came crashing down in the 1990s, and now, no longer exists in the 2020s.

This is when you saw the biggest names in 1970s short stories, people like Stephen King, Marion Zimmer Bradley, Andrzej Sapkowki, G.R.R.Martian, and the like, suddenly stop writing short stories and start writing novels instead. And THIS is why they became big names in novels, even arguably none of them is very good at writing novels. The fact is, they had the biggest names in short stories and book publishers knew their fans were desperate for their work, and knew their fans would buy the novels, so publishing houses fought against each other fang and claw to snatching up people like Stephen King, Marion Zimmer Bradley, Andrzej Sapkowki, G.R.R.Martian, people whom had never written novels in their life and only knew how to write short stories, and contracted them to write novels set in the world's their short stories were set in, and at the same time, adding movie deals to the mix, thus how these particular authors suddenly reached mega stardom, seemingly from their debut novels, when in fact, each had already been famous for 3 or 4 decades of short story writing. In each case the movie deals are what spread these names to the masses and in turn drove traffic to their novels, and now, these kings of the 1970s short stories became overnight kings of novels and movies, appearing to come out of nowhere.

*(continued because ran out of room)*

However, because it was betnicks and hippies who read short stories, and the general public never read short stories, most people were unaware, that Stephen King, Marion Zimmer Bradley, Andrzej Sapkowki, G.R.R.Martian had been mega stars in print magazine short stories throughout the 1970s and 1980s and each only moved to novels in the 1990s because of the mass shut down of print magazines due to the 1994 paper crisis. Had the 1994 paper crisis not happens movies like The Thinner would not have been filmed that same year, and Stephen King never would have become the famous household name he is today, because before 1994, he was just a beatnik hippie short story writer who hung out with the rest of us beatnik hippie short story writers in the slum district laundromat waiting rooms in Biddeford, S**o, and Old Orchard Beach Maine, where all us beatnik hippie short story writers of the 1970s hung out together.

So you can see WHY the biggest names in novels and movies, started out in short stories.

This is also why the current internet/social media/Reddit/Facebook/Twitter advice to write short stories as a way to gain entry into novel publishing is so utterly brain dead levels of stupid and hugely inaccurate.

People with no clue about the 1994 paper crisis and what it did to the publishing industry, look at Stephen King, Marion Zimmer Bradley, Andrzej Sapkowki, G.R.R.Martian, and the rest of their era big names, see that each of us wrote short stories for thirty years, then each of us had a "breakthrough novel" that went super big, and don't look at what caused this (the 1994 paper crisis) and incorrectly jump to the false conclusion that in order to write novels they must first write short stories.

But, do have a look at the mega good top tier quality of the short stories written by Stephen King, Marion Zimmer Bradley, Andrzej Sapkowki, and G.R.R.Martian and then compare them to the clunky, poorly written, long winded, mega long door stoppers written by these same names. They were good at one thing: short stories. And every one of them is s**t level craptastic at writing novels. And every one of them is ONLY able to sell novels at all, because their well written short stories, not their novels, were turned into mega hit big screen movies. And so even today, Stephen King, Marion Zimmer Bradley's family (she died), Andrzej Sapkowki, and G.R.R.Martian are STILL riding the coattails of their short stories NOT their novels. Heck, look at the sales of Stephen King's new release novels since 1994 and compare these s**tty low, yes very low, numbers, with the mega millions high number sales of the reprinted collections of his short stories. It's the reprinted collections of his short stories that he wrote 50+ years ago, that pay his bills even to this day, NOT the new release sales of his novels, which at this point are so low its a wonder how any publisher still publishes his new work at all!

The advice to write short stories to gain practice for novels, then the people giving that advice pointing to Stephen King, Marion Zimmer Bradley, Andrzej Sapkowki, and G.R.R.Martian and saying *"see, look, they did it"* is so damned bad, such stupidly bad, and hugely ill informed advice. And yet it's megaphoned as so-called good advice, all over the internet by people who never did it themselves and have no clue WHY Stephen King, Marion Zimmer Bradley, Andrzej Sapkowki, and G.R.R.Martian switched from short stories to novels!

And I was in this group. I was one of the biggest names in short stories in the 1970s and 1980s. I was, and still am, the 3rd highest selling author in my niche/genre, and since publishing my first book in 1978, I have as of 2023 now traditionally published more then two thousand short stories (each 1k to 7k words long), spread across more than two hundred different print magazines, all set in the same world/realm/universe, each featuring different characters, with more than 75 different main characters appearing in the set. Because of the 1994 paper crisis I had a brief stint in novel writing and traditionally published 138 novels (each 115k to 175k words long) between 1996 and 2017, yes, all set in that same one universe, though spread out across15 different pen names because publishing houses feared releasing so many titles so fast under a single name. Today I now self publish novellas, and since 2010 have published 423 of them (mostly 20k words each, but it varies from 12k to 35k) on Amazon KDP, cross publishing them to LuLu, Smashwords, and DriveThruRPG…and yet again all set in that same one, single solitary universe, which spans three solar systems and five inhabited planets, includes three fictional alien languages, includes a full Star Trek type load of new alien races and fleets of starships, and has no clearly defined genre other then "Furry Yaoi/Gay Harem Romance" because the series fluctuates from Fantasy to Space Fantasy to Space Opera to Time Travel-Portal Fantasy to Dystopian to Zombie Apocalypse to Gothic Horror from one story to the next, rotating through the 75 main characters, and no reader or publisher ever knows what genre to expect next, because every story all 138 novels, 423 novellas, and 2,000+ short stories are completely different genres from each other, due to the fact that at its core, the entire series simple follows a time traveling intergalactic merchant from one location in the world/solar system/universe to the next.

How the stories were published evolved due to changes in the publishing industry. Originally it was only short stories in print magazines because it was the 1970s and 1980s and that was where the money was. In the 1990s I fast released a bunch of (very poorly written) novels that existed only before I had bills to pay and short stories were no longer a viable income option.

*(continued because ran out of room)*

Since 2010, the series evolved dramatically with me no longer confined by the homophobic restrictions and word count limits of the traditional magazine and book publishing industry. The traditionally published stuff was mostly 5k word shorts and 115k word novels because that was the restrictions publishing houses put on me. My traditionally published stories had obviously gay characters, who were forced by publishers to remain closeted and not allowed by publishers to have even kissing or hugging scenes, let alone s*x scenes.

But now, since self publishing from 2010 onwards on Amazon KDP, now the word counts are in my comfort zone (20k words per story) without me forced to cut down to 5k or fluff up to 115k words. I can now wrote the stories as I intended them to be, without either cuts or fluff. AND readers no longer have to write me letters asking *"So is A gay and are he and B a couple?"*, because the self published works are full of scenes of gay couples being openly gay, hugging, kissing, and for the first time in more than 35 years of publishing the series, s*x scenes happened on page, leaving no question who was gay and who was a couple. So, now my writing is freer, with no more closeting gay characters due to homophobic publishing house restrictions.

The end result is a series, which celebrates its 50th anniversary in 2028, that spans a bunch of short stories and novels, due to publisher restrictions at the time those short stories and novels were published, but that moved on into novellas, the way I intended it to be all along, once I took to self publishing it and was freed from the restrictions traditional publishing had placed on me before self publishing.

So, while I can, and just did, tell you what it was like for me to do this, I will warn that the info is VERY outdated because I did it so long ago, that the practice has changed.

And on top of that, I'm not sure what the current post covid layoffs practice for this writing and publishing structure would be, because right now the entire publishing industry is in a flux, just like the 1994 paper crisis, so who knows what will work and what won't work even 6 months from now.

And, with the AI flood hitting the industry just as it was attempting to rebound from the covid layoffs, now things are wibbly wobbly even more than they were a year ago… so who knows what things will be like next week, let alone next year.

Can you write novels and novellas and short stories all set in the same universe but featuring different main characters? Yes. Of course you can. Will you "succeed" by doing it? Eh… who knows. Those of us who did succeed by doing this, succeeded not because we did this, but rather instead because we were flexible and not so precious about our projects that were were able to make HUGE changes to each story and the series as a whole. We didn't say "no" when publishers said to chop it down to 5k words or beef it up to 125k words, even though our drafts were 20k words. We didn't say "no" when publishers said to cut the gay scenes and make it a novel instead of a short story.

In short, we authors who did it DID NOT do it by choice. We were simply very good at being submissive to reader whims and obeying publisher demands. We did not stamp our feet and crybaby pout that we couldn't change our precious work. We made huge changes in stories to make the word counts fit the current trend on the moment.

So, writers today who look at Stephen King, Marion Zimmer Bradley, Andrzej Sapkowki, and G.R.R.Martian and think they have to write short stories to start and build up to novels, are completely overlooking that these authors wrote short stories first ONLY because short stories were big at the time, and they quickly stopped short stories and switched to novels the instant money fell out of short stories and moved to novels, and if you watch their careers, they change every few months, following fads, staying on top of trend, never being precious about their work, always groveling to publisher demands… and THAT is why they continue to be big sellers so long… because they are flexible and shove their surf boards into every big publishing wave, then jump off that wave before it crashes and jump into the next wave.

The people who succeed in doing both shorts and novels in a single universe, succeed because they are following the market trends, and they switch back and forth between shorts and novels, to write which ever sells best at the moment NOT because they felt like this story being short and that story being a novel.

Will YOU and those like you succeed in writing shorts and novels in a single universe? Yes, you can, but ONLY if you are willing to write short vs novel based on market trends, reader whims, and publisher demands. If you write this story long and that story short, just because you feel like or just because you wanted to, you WILL be doomed to fail, because that is NOT how those of us who DID succeed in this did it.

You can do it, people still do, but just know you have to be very flexible about changes demanded by publishing houses if you are not self publishing it.

Hopefully this helps you out, and good luck with your project!

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