
07/26/2025
🎬🎬 In the City of Sylvia (original title: En la ciudad de Sylvia), directed by JosĂ© Luis GuerĂn, is a contemplative and visually poetic film about memory, longing, and the ephemeral nature of human connection. The film follows a nameless young man (played by Xavier Lafitte), a quiet artist who visits Strasbourg in search of a woman named Sylvia, whom he met six years earlier.
Armed with only a sketchpad and a vague memory, he roams the city’s cafes, trams, and streets, observing people with intense curiosity, sketching their portraits, and silently watching life unfold. The film’s plot is minimal, but its emotional undercurrents are powerful. One day, he believes he spots Sylvia, a striking woman (Pilar López de Ayala), and follows her through the labyrinthine city. Their wordless chase becomes the central sequence of the film, blurring the line between romantic pursuit and voyeurism.
GuerĂn tells this story almost entirely through images and ambient sound, with sparse dialogue and no musical score. The camera lingers on reflections, movements, and fleeting gestures, allowing viewers to experience the city as the protagonist does—through eyes filled with hope, obsession, and uncertainty.
In the City of Sylvia is less about a literal search and more about the idealization of memory and the haunting beauty of the past. The film raises subtle questions: Was Sylvia ever real? Or is she merely a projection of lost time, a muse created from longing?
With its elegant cinematography, meditative pacing, and philosophical undertones, the film invites viewers to slow down and see the world with heightened awareness. It’s a quiet, hypnotic experience that transforms a simple walk through a city into a profound exploration of love, time, and the gaze.
It’s not a story of action, but of observation—cinema as poetry in motion.