12/27/2025
🎶ON THIS DAY DECEMBER 26th, 1970🎶
🎵 A Milestone Hit
My Sweet Lord was released in late 1970 as the lead single from George Harrison’s triple album All Things Must Pass — his first major work after the Beatles split.
It became a global smash, topping the U.S. Billboard Hot 100 and the U.K. charts, making it the first solo single by any former Beatle to hit No. 1 in both countries.
The song blended Western pop with spiritual lyrics and influences (including Hindu mantra and a gospel inflection), reflecting Harrison’s personal musical and spiritual interests.
⚖️ The Plagiarism Lawsuit
Soon after its success, Bright Tunes Music Corporation — publisher of the 1963 Chiffons hit He’s So Fine — filed a copyright infringement lawsuit against Harrison in February 1971.
The claim was that My Sweet Lord borrowed key melodic elements from He’s So Fine, which had been a No. 1 pop hit ten years earlier.
Harrison insisted he didn’t intentionally copy the Chiffons song; he said his inspiration came from other sources (such as the gospel hymn “Oh Happy Day”).
🧠 Subconscious Plagiarism
The case didn’t go to trial until 1976. In a rare and now-famous legal finding, Judge Richard Owen ruled that while Harrison hadn’t deliberately plagiarized, he had “subconsciously” copied significant parts of He’s So Fine — because he had heard the song before and the musical similarities were too close to ignore.
This “subconscious plagiarism” verdict became a key moment in music copyright law, illustrating that intent isn’t required for infringement if the similarity and access to the original work can be shown.
💰 Damages and Long Legal Battles
Determining damages dragged on for years — complicated by business maneuvers involving Harrison’s former manager Allen Klein, who purchased Bright Tunes and later became plaintiff under his company ABKCO Music.
In 1981, the court ordered Harrison to pay $587,000, a figure tied to Klein’s purchase price for He’s So Fine, and part of a settlement that gave Harrison and Klein various rights to the songs in different territories.
Even after that decision, litigation continued into the 1990s, finally concluding around 1998, making it one of the longest and most complex copyright disputes in rock history.
🎶 Cultural Aftermath
The case left a lasting imprint on Harrison personally and on the music industry at large. He penned a lighthearted response song, This Song, addressing the lawsuit’s absurdity and the challenge of defining originality in pop music.
The dispute remains a frequently cited example in discussions about musical influence vs. infringement, and how legal systems handle similarities between popular songs.
Flypaper
In short, My Sweet Lord was both a career-defining solo triumph for Harrison and the centerpiece of a landmark legal battle that shaped how copyright is interpreted in music — especially the tricky idea that an artist can unintentionally echo another’s work.
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