MEG RECORDS has found great success in recent years, working with their flagship artist: Award Winning, Singer, Songwriter, Producer TOM MACLEAR and his Nashville/Songwriting project since 2010. Since MacLear's retirement from active recording and touring, MEG Records have eagerly moved their priorities to a new project: 'RENELE' which they are very excited about. RENELE___ Since their debut CD
release in 2019, the DiSisto sisters have earned gnerous radio play throughout the Americana Music Radio Station establishment and is soon to launch their live performance schedule once COVID restrictions are lifted. RENELE's debut / CD release performance in Los Angeles i(2019), was organized by their colleague Tom MacLear, who assembled an All-Star Band of L.A.'s who's-who's and blew the roof off 'Feinstein's at Vittelo's.' It was their first and last performance since the pandemic broke. Although confined to their homes and studio, RENELE is attracting more spots on radio station playlists and is receiving wonderful reviews, thanks to their Radio Promoter Fred John Boenig (The Americana Music Association). Both Michele and Renee DiSisto are veterans of the stage since their Berklee School days and have their axes tuned and ready to launch their music for
their faithful public once again.
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Latest Review from: THE DAILY RIPPLE by John B. Moore
RENELE- INTERRUPTED (click on image to watch video) 16 November 2020
Sisters Renee and Michele DiSisto separately are each pretty compelling musicians. Both attended Berklee College of Music and have each played in a slew of bands since, but it’s their debut together, going under the moniker Renele, where they prove just how strong they are combined. Interrupted, their six-song first effort, is a solid mix of contemporary country, with elements of Bluegrass, Pop, Blues and plenty of solid rock. It’s the genre-be-damned approach that makes this record so enjoyable. From the fiddle on a track like “Why Come Home” and the telecaster twang on the closing track “Don’t Need To Take It Like A Man” give solid nods to Nashville, while the Eagles/Jackson Browne vibe on “He Loved Me With Those Eyes” keep this from being a run of the mill country record. Much like Sheryl Crow and The Dixie Chicks have managed to defy categories throughout their respective career, Renele offers that same fresh take on musical norms. They aren’t completely rewriting the rules but taking influences from enough disparate sources to make for a satisfying debut that manages to be both comfortably familiar yet refreshingly original..
