Harvest Haven

Harvest Haven Where the soil sings and the crops dance đŸŒ±đŸ’ƒ"

An "Arkansas Hoosier," born in 1855 in Conway, Arkansas. "My father was a Confederate soldier—he added a year to his age...
05/24/2025

An "Arkansas Hoosier," born in 1855 in Conway, Arkansas. "My father was a Confederate soldier—he added a year to his age just to enlist. After the war, he bought 280 acres from the railroad and cleared it himself. We never had a mortgage on that land. In 1920, it was sold and the money was divided among us. Now, none of my children own land. It's all gone—but that land raised my family." Photo by Dorothea Lange.

Elizabeth Taylor with her son, Michael Wilding Jr. (born Jan 6, 1953) Photo by Milton H. Greene
05/24/2025

Elizabeth Taylor with her son, Michael Wilding Jr. (born Jan 6, 1953)
Photo by Milton H. Greene

Vivian Vance and Lucille Ball shared a special friendship that could never be destroyed. When Vivian first went to Desil...
05/24/2025

Vivian Vance and Lucille Ball shared a special friendship that could never be destroyed. When Vivian first went to Desilu studios to meet Lucille, she was so terrified because she was going to be playing second banana to the legendary movie star, Miss Ball. Of course, she wore formal clothes as she thought that Lucille would dress like that, and she wanted to give Lucille a good impression.
Everyone could remember their first meeting. There was sophisticated looking Viv, and there was Lucille, who dressed in her normal oversized blouse and black slacks. Lucille had worn a scarf that covered her red hair, and her face was bare. Basically, she looked like anything but a great movie star.
Lucille looked at Viv up and down and asked, "what part will you be trying out for?"
"For the landlady, honey," Desi said.
"She doesn't look like a landlady. She looks glamorous. Her hair's the same color as mine," Lucy stated.
"I can dye it. I don't care. It doesn't matter to me."
"I don't know. I want a dumpy, peroxide-blonde with curlers in her hair and a terry cloth robe and fuzzy slippers. That's what I want."
"You got her. I look just like that in the morning when I get out of bed."
The next day, Viv came to the studio with her hair in curlers, wearing an old dress and she was wearing fuzzy slippers. When Lucy saw her, she laughed, she had won her respect.
When rehearsals officially started, the two girls discovered that they had so much chemistry. That was the start of their enduring friendship. They enjoyed rehearsing so much that they they had a ball. "Lucy and I were just like sisters. We cried together, we laughed together. She and I had so many laughs on 'I love Lucy' that we could hardly get though filming without cracking up. We used to watch our own shows and rock with laughter at what we'd done on camera" - (Vivian)
"I'm not going to try alone now what I've done with my partners in the past. My partners (Desi, Vivian and Bill) are in heaven. No one could take the place of Vivian Vance in my life. She was the greatest partner anyone could ever have" Lucille Ball

In 1912, Charles and Willa Bruce, a Black couple from California, purchased a small piece of real estate in Manhattan Be...
05/24/2025

In 1912, Charles and Willa Bruce, a Black couple from California, purchased a small piece of real estate in Manhattan Beach for about \$1,200. They established a resort on this property specifically for Black families who were barred from Whites-only beaches in the area. The Bruces not only built a welcoming space but also rented out bathing suits and sold snacks to their guests, creating a vibrant community hub despite facing constant hostility.
From the beginning, the Bruces and their resort faced relentless racist opposition. Neighbors, local police, city officials, and even the Ku Klux Klan worked to shut down the beach. The city council imposed strict 10-minute parking limits nearby to discourage visitors, making it difficult for Black families to enjoy the resort. Eventually, in 1924, the Manhattan Beach city council seized the property, offering the Bruces only a fraction of what they had asked for, effectively ending their dream.
Today, that same stretch of beach is valued at around \$20 million. In a significant act of reckoning and restoration, Los Angeles County recently voted to return the land to the descendants of Charles and Willa Bruce. This gesture acknowledges the historic injustice the family endured and honors their legacy in the fight for equality and access to public spaces.

Liam Neeson was filming the thriller "Chloe" in Toronto when he got the call. Natasha Richardson, his wife of 15 years, ...
05/24/2025

Liam Neeson was filming the thriller "Chloe" in Toronto when he got the call. Natasha Richardson, his wife of 15 years, had fallen during a skiing lesson in Québec. The initial reports seemed minor, and she had even joked about it. But the situation quickly escalated. She had suffered a traumatic brain injury. By the time Liam reached the hospital in Montreal, her condition had turned critical. He immediately flew her to New York, where machines kept her alive for a short time.
Their relationship had begun in 1993 during rehearsals for the Broadway revival of "Anna Christie." From the moment Richardson entered the room, Neeson later said, he felt a rare electricity. She was already married to producer Robert Fox at the time, but the chemistry between her and Neeson was undeniable. Within a year, Richardson finalized her divorce, and she and Neeson married on July 3, 1994. They chose a private ceremony at their farmhouse in Millbrook, New York, surrounded by trees, far from Hollywood.
In 1995, their first son Micheál was born. The following year, they welcomed their second son, Daniel. Natasha, though born into the famous Redgrave acting dynasty, never flaunted celebrity. She prioritized motherhood over red carpets, once saying in an interview, “Family is where my roots are deepest.” Liam, known for his powerful presence in films like "Schindler's List," became a quieter man at home, a devoted father and loyal husband.
They lived between New York City and upstate, and neighbors often saw them doing ordinary things like walking the dogs, attending school events, or eating at local diners. There were no dramatic showbiz displays. Their life together was filled with intimacy and mutual respect. Richardson often said that Neeson’s inner strength gave her peace, and her warmth pulled him out of his solitude.
After Natasha’s death on March 18, 2009, Neeson entered a long period of grief. In rare interviews over the years, he opened up about the pain, always with honesty and restraint. During one emotional moment, he recalled returning home alone for the first time and seeing her keys still in the door. “Grief hits you like a wave. You feel like you're drowning. Then it settles. But it never really goes away,” he said.
In a 2014 interview with 60 Minutes, Neeson described those final hours with heartbreaking clarity. He had flown to her side, listened to the doctors, and honored the agreement they had made years before. Friends later shared how quietly brave he was in those moments, staying close to her, holding her hand, and whispering loving words as her life support was withdrawn.
Their sons, Micheál and Daniel, were teenagers when she passed away. Micheál, years later, chose to adopt his mother’s surname, becoming Micheál Richardson. He said in an interview, “She was this beautiful, amazing, caring person who had such a passion for life.” Both sons remain close to Neeson, who describes being a father as the most grounding part of his life.
Even many years later, Neeson’s voice softens when speaking about Natasha. “She was my everything,” he once said. “She lit up every room. She made life brighter.” In quiet moments, he walks alone through Central Park or visits their upstate retreat, where her memory lives in photographs, books, and places they shared.
Her spirit remains deeply tied to his world. Not as a sorrowful memory, but as a guiding force. In interviews and roles since her passing, something deeper has emerged in his expression. There is a silent weight, a reflection of real love shaped by grief.
Neeson once said, “The thing I miss most is her laugh. She had the most contagious laugh. It made you feel like everything was going to be okay.” He carries that sound with him, still walking forward, hand in hand with her memory, through every new morning.

In the hills of Yancey County, North Carolina, a young woman named Laura Silver stood beside Hog Branch on the Cane Rive...
05/24/2025

In the hills of Yancey County, North Carolina, a young woman named Laura Silver stood beside Hog Branch on the Cane River. It was 1913. She was just 20 years old, and the baby in her arms—Lucy—was her first. Life was still unwritten, and Laura, like so many Appalachian women of her time, was ready to meet it with quiet strength.
Not long after, she had a son, Robert, with Lucy’s father, Cline Crain(e). But the Great War called, and Cline was sent overseas. Like many who returned from the trenches, something in him had changed. The love that once was couldn't survive the weight of what he’d seen, and he built a new life in South Carolina—leaving Laura to begin again.
By 1918, she had. Laura married Rex Hensley, a hardworking man from the same mountain roots. Together, they raised Lucy and Robert as their own and built a home filled with love and laughter. They lived in Tennessee, then Kentucky, but always returned to Yancey County. Over the decades, their family grew—steadily, joyfully, wildly.
When Laura passed away in 1979, her obituary read like the opening line of a family epic: 7 daughters, 4 sons, 50 grandchildren, 98 great-grandchildren, and 16 great-great-grandchildren. And it all started with the young mother in this photo, standing in the North Carolina sun with her baby on her hip—heart full, life ahead.

The 1950s photograph of a vehicle pulled over on Highway 29 at the Florida State Line captures a quintessential moment o...
05/22/2025

The 1950s photograph of a vehicle pulled over on Highway 29 at the Florida State Line captures a quintessential moment of mid-century American travel and exploration. Highway 29, running north-south through the Deep South, was a key route connecting rural communities and larger cities, making it a vital artery for commerce, tourism, and everyday travel. This roadside scene invites us to imagine the era’s distinct sense of freedom and mobility, when the automobile became a symbol of independence and adventure.
During the 1950s, the United States was experiencing a post-war boom marked by increased car ownership and expanding highway systems. Families and individuals took to the roads more than ever, embarking on vacations, moving for work, or simply exploring the growing country. Stopping at state lines or roadside diners became part of the travel ritual—a chance to rest, refuel, and absorb the local culture.
The Florida State Line held particular significance as a gateway to warmer climates and popular vacation destinations like Miami and the beaches along the Atlantic and Gulf coasts. For many, crossing into Florida symbolized the start of a holiday or a new chapter in life. The scene of a car pulled over at this border reflects a slower, more deliberate pace of travel compared to today’s highways—where a brief pause allowed travelers to stretch, chat, and savor the moment.
This image captures more than a simple roadside stop—it encapsulates the spirit of 1950s America: optimism, exploration, and the joy of the open road. It reminds us of a time when journeys were as meaningful as destinations, and the highways connected not just places, but people and stories.

Bronx Parachute Leap – New York, May 9, 1919On a spring day in 1919, a crowd gathered in Van Cortlandt Park in the Bronx...
05/22/2025

Bronx Parachute Leap – New York, May 9, 1919
On a spring day in 1919, a crowd gathered in Van Cortlandt Park in the Bronx to witness a thrilling spectacle: a parachute jump by Lieutenant Elmer Bowling from a captive balloon, descending 1,500 feet to the ground. The event, held not long after the end of World War I, was more than just entertainment—it was a gesture of gratitude and encouragement for wounded soldiers, many of whom were present as honored guests.
As Lt. Bowling descended, his white parachute billowed against the city sky, drawing the excited eyes of onlookers. Moments before he touched down, spectators ran across the open field to greet him, their enthusiasm capturing the energy of a nation celebrating peace and recovery. The jump, a feat of daring for its time, served not only to entertain but also to inspire a population still healing from the war's toll.
Parachuting in 1919 was still in its early stages of development, often associated with military training or exhibitions rather than recreation. Demonstrations like this were designed to both show off new aviation technology and to lift spirits—particularly for those who had sacrificed so much in service.
The image of Lt. Bowling floating down into the arms of cheering New Yorkers is a symbol of hope, courage, and the return to normalcy. It reflects an era of transformation, where aviation captured imaginations and communities came together in public spaces to celebrate life, peace, and possibility.

This evocative 1945 photograph, shrouded in fog, captures a train making its way through Chicago with the unmistakable s...
05/22/2025

This evocative 1945 photograph, shrouded in fog, captures a train making its way through Chicago with the unmistakable silhouette of Comiskey Park looming in the background. The haze softens the industrial edges of the scene, creating a moody, almost cinematic moment that speaks to both the grit and the grandeur of mid-century Chicago.
Comiskey Park, home to the Chicago White Sox, stood as a proud symbol of American pastime and South Side identity. In 1945, the world was just emerging from the long shadow of World War II. Soldiers were returning home, factories were transitioning from wartime production, and cities like Chicago were bracing for a postwar boom. Trains were still the lifeblood of American commerce and travel, cutting through the heart of cities and countryside alike.
The fog in the photo not only blurs the lines between foreground and background—it also evokes a sense of transition. The world was changing rapidly, and this image captures that sense of movement and uncertainty. There's a tension between the stillness of the fog and the implied motion of the train, a perfect metaphor for a country inching forward after years of war.
For Chicagoans, seeing Comiskey Park in the frame might stir memories of baseball games, cheering crowds, and the comforting routines of peacetime. This photograph, in its quiet drama, tells a layered story: one of resilience, return, and the enduring presence of familiar landmarks even as the world around them shifts.

In 1958/1959, Disneyland in Anaheim, California, was still a brand-new wonder of American imagination. Opened in July 19...
05/22/2025

In 1958/1959, Disneyland in Anaheim, California, was still a brand-new wonder of American imagination. Opened in July 1955, the park had already become a symbol of postwar optimism, a place where families could escape into carefully crafted fantasy lands rooted in nostalgia, adventure, and innovation. By the late 1950s, Disneyland had expanded and refined many of its attractions, drawing millions of visitors and redefining the idea of a theme park.
This era marked the golden age of Disneyland’s early years. The original lands—Main Street, U.S.A., Adventureland, Frontierland, Fantasyland, and Tomorrowland—were thriving, each offering a different vision of the past or future. The iconic Sleeping Beauty Castle stood proudly at the center, becoming one of the most photographed landmarks in America. Attractions like the Jungle Cruise, Autopia, the Matterhorn Bobsleds (opened in 1959), and Peter Pan’s Flight were crowd favorites.
Families dressed in their Sunday best strolled down Main Street, U.S.A., and children clutched souvenir mouse ears or Davy Crockett coonskin caps. The park’s carefully curated cleanliness, immersive storytelling, and groundbreaking ride technology made it unlike anything else in the world at the time.
Walt Disney himself was often seen in the park during those years, observing, greeting guests, and dreaming of future expansions. Disneyland in 1958/1959 captured a moment of American innocence, ingenuity, and boundless ambition—a living dream that offered a reassuring escape in an era of Cold War anxieties and cultural transformation. It was, and still is, “the happiest place on Earth.”

Hoarding Disorder, historically referred to as Plyushkin’s Disorder (after a character in Gogol’s Dead Souls), is a reco...
05/22/2025

Hoarding Disorder, historically referred to as Plyushkin’s Disorder (after a character in Gogol’s Dead Souls), is a recognized mental health condition marked by an overwhelming urge to collect objects and an extreme difficulty discarding them, regardless of their actual value. Today, awareness of hoarding is more widespread thanks to documentaries and support initiatives. But in 1947, the tragic and bizarre deaths of Nathan and Homer Collyer brought the issue to national attention in a far more sensational light.
The Collyer brothers lived in a Harlem brownstone in New York City. Reclusive and eccentric, the pair had withdrawn from society, slowly filling their home with an astonishing 100 tons of possessions over the years. Among the items were mountains of newspapers, countless books, bicycles, b***y traps, and even 14 pianos. Their hoarding went unchecked until neighbors noticed a foul odor emanating from the house.
When police finally forced entry, they found Homer Collyer dead, apparently from starvation and neglect. Nathan was nowhere to be seen at first. It took authorities nearly two more weeks to uncover his body—buried beneath a collapsed wall of newspapers and debris. He had been crushed and suffocated, likely while attempting to bring food to his blind and paralyzed brother.
The Collyer case shocked the public and became a cautionary tale of unchecked mental illness, social isolation, and the hidden dangers of extreme hoarding. Their tragic story remains one of the most infamous examples of the disorder in modern history.

The Springer Block, located at the bustling intersection of State and Randolph Streets in Chicago, Illinois, stood as a ...
05/22/2025

The Springer Block, located at the bustling intersection of State and Randolph Streets in Chicago, Illinois, stood as a symbol of post–Great Fire urban rebirth in 1875. Just four years earlier, the Great Chicago Fire of 1871 had ravaged much of the city’s central district, and in its wake, a new architectural and economic vision emerged. The Springer Block was part of that resurgence—an elegant, multi-story commercial building constructed in the popular Italianate style of the time, with arched windows, detailed cornices, and stone facades.
As one of the prime corners in downtown Chicago, the intersection of State and Randolph was fast becoming a hub of retail and business activity. The Springer Block housed shops, offices, and possibly early department store counters, catering to a rapidly growing urban population eager to embrace modernity. Horse-drawn carriages passed along unpaved streets, while gaslights illuminated the windows of merchants selling everything from textiles to fine hats.
Buildings like the Springer Block helped define the new Chicago: resilient, vertical, and increasingly cosmopolitan. They were designed not only for function but to express permanence and confidence in the city's future. This corner of State and Randolph would, over the decades, evolve into one of the most iconic retail zones in the country, eventually giving rise to massive department stores like Marshall Field’s just down the street.
The Springer Block of 1875 stands as a snapshot of Chicago’s determination to rebuild bigger and better—and to reassert itself as a great American metropolis.

Address

23 SE. Illinois Avenue
Solon, OH
44139

Alerts

Be the first to know and let us send you an email when Harvest Haven posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Harvest Haven:

Share