BLOOD KNIFE

BLOOD KNIFE Blood Knife is a digital magazine about cyberpunk, sci-fi, horror, neon, knives, blood, and capitalism. We publish original work and pay fairly.

Imposter syndrome is an epidemic among young professionals—or is it? We live in an age of huckster CEOs, fraudulent sche...
17/06/2022

Imposter syndrome is an epidemic among young professionals—or is it? We live in an age of huckster CEOs, fraudulent schemes, and nonsense jobs. What if all of us really are imposters?

New from Raquel S. Benedict.

Insecurity and imposter syndrome in an age of hucksters and phonies.

"BEFORE “OFFERING SOLUTIONS,” SCI-FI MUST ACTUALLY GRAPPLE WITH THE MATERIAL REALITIES OF OUR PRESENT"by Eli Horowitz
25/01/2022

"BEFORE “OFFERING SOLUTIONS,” SCI-FI MUST ACTUALLY GRAPPLE WITH THE MATERIAL REALITIES OF OUR PRESENT"

by Eli Horowitz

Science fiction that avoids grappling with material reality has little to offer besides blithe fantasy and nightmarish realpolitik.

CYBERPUNK FACES A CHOICE BETWEEN STARK MATERIALISM AND SUBJECTIVITYby Lapo Lappin"The release of the long-awaited Cyberp...
10/01/2022

CYBERPUNK FACES A CHOICE BETWEEN STARK MATERIALISM AND SUBJECTIVITY

by Lapo Lappin

"The release of the long-awaited Cyberpunk 2077 was expected to be something of a turning point for the cyberpunk genre. Christening a work after a whole subculture is a bold move—even so, Cyberpunk 2077 managed to provide this turning point, if only by clearly staking out the battle-lines between two competing factions for the legacy of the genre. We might broadly think of these factions as those pursuing a “Hegelian” vision of cyberpunk, in which the focus is a materialist analysis of a technocratic future, and “Kierkegaardian” cyberpunk, pursuing a more subjective and existential approach that concerns itself primarily with individual experience of both the now and of an imagined future. Hegelian cyberpunk focuses on what the future would look like, from a God’s-eye view; Kierkegaardian cyberpunk focuses on what the future would look like for us."

The empty dystopia of Cyberpunk 2077 highlights the dangers of modern cyberpunk's pure Hegelian materialism.

DENIS VILLENEUVE SUCCEEDS IN BRINGING FRANK HERBERT’S SCI-FI EPIC BACK TO THE SCREEN, BUT AT THE COST OF SOME OF ITS STR...
10/01/2022

DENIS VILLENEUVE SUCCEEDS IN BRINGING FRANK HERBERT’S SCI-FI EPIC BACK TO THE SCREEN, BUT AT THE COST OF SOME OF ITS STRANGENESS.

by Kurt Schiller

Denis Villeneuve succeeds in bringing Frank Herbert's sci-fi vision back to the screen in epic fashion, but at the cost of some of its strangeness.

SCIENCE FICTION IN NON-SPECULATIVE ART by Kola Heyward-Rotimi
10/01/2022

SCIENCE FICTION IN NON-SPECULATIVE ART

by Kola Heyward-Rotimi

By applying the tools of sci-fi to the here and now, "future-present" fiction provides essential deconstruction for an uncertain moment.

THE 40-YEAR RISE AND FALL OF CYBERSPACE’S SYMBOLIC UNREALITY.by Kurt Schiller
10/01/2022

THE 40-YEAR RISE AND FALL OF CYBERSPACE’S SYMBOLIC UNREALITY.

by Kurt Schiller

Cyberspace is dead. What's left is pure capitalism.

HOW THE DRIVE FOR EASILY MARKETABLE, MASS-CONSUMABLE CHILDREN’S MEDIA STIFLES COMPLEXITY AND CREATIVITYby Malcolm Ramber...
10/01/2022

HOW THE DRIVE FOR EASILY MARKETABLE, MASS-CONSUMABLE CHILDREN’S MEDIA STIFLES COMPLEXITY AND CREATIVITY

by Malcolm Rambert

The push for children's entertainment with mass-market appeal is creating flat, boring media that doesn't teach kids anything.

"HOW AKIRA’S SCI-FI HORROR EXPLORES BODY, ARTIFICE, AND EXPLOITATION UNDER CAPITALISM"by Meabh Cadigan
17/11/2021

"HOW AKIRA’S SCI-FI HORROR EXPLORES BODY, ARTIFICE, AND EXPLOITATION UNDER CAPITALISM"

by Meabh Cadigan

How Akira's sci-fi horror explores body, artifice, and exploitation under capitalism.

Synthwave music selection from Jess Levine"As a genre, synthwave fits naturally into the mold of both the storytelling “...
17/11/2021

Synthwave music selection from Jess Levine

"As a genre, synthwave fits naturally into the mold of both the storytelling “concept album” and the instrumental album. Synthwave and its brethren are love letters to the soundtracks of the Eighties cyberpunk movies from which the musical genres emerged—Vangelis’s classic score to Blade Runner (1982), John Carpenter’s accompaniment to Escape from New York (1981), and the like. Its origins as a pastiche of movie scores allows cyberpunk music to tell its stories by referencing the sonic and musical tropes employed in these scores—sometimes taking it even further through the incorporation of foley."

Synthwave and its brethren are love letters to the soundtracks of the Eighties cyberpunk movies from which they ultimately emerged.

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