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Melissa McNamara-South Shore Real Estate Professional with William Raveis WE ARE CLASSIC FILMS LOVER.

If you have not seen the movie The God of Arabs before, you will find it hard to believe that these two scenes are from ...
05/11/2024

If you have not seen the movie The God of Arabs before, you will find it hard to believe that these two scenes are from the same day, the same moment, and at the same place, which is the house of Vito Corleone! Peak brightness outside at a wedding with a lot of noise, but darkness, quiet and arrogance are colonizing all over the place at Don Vito Corleone's office as if it's one after midnight, in fact it's a classy cinematic message from a Ford Copola to show you how this man was running his business in disguise, in Darkness, everything outside was a skit, the wedding is more like the world and outside, this one is looking for wine to drink, and that one is dancing, and the other reflects a beautiful girl, and in darkness and hiding... The mafia conducts its business wisely and calmly. And a good sermon ! The Godfather 1972 🎥

The Godfather 1972 🎥This post is 18+, please so I don't hear moral sermons in the comments, I am analyzing a film and a ...
05/11/2024

The Godfather 1972 🎥
This post is 18+, please so I don't hear moral sermons in the comments, I am analyzing a film and a novel; if it doesn't interest you, don't read and thank you.
This photo is of Sandrenella Corleone (Colombo before she got married), she is the legal wife of Santino Corleone, her appearance in the film was little and even in the novel I do not mention that she had a big role as a wife, and her marriage to Sony was almost for the contract of alliance between my Corleone family and Colombo ..
Sandra was having a real problem with her husband Sonny, the huge size of his limb, in addition to his wild sexuality, in this photo at the wedding she was not as happy as she appears in the series, in the novel she was very sad telling her friends this problem, and her hand points to the size of her limb Her husband, when she saw them laughing, she exaggerated and laughed too, but the reality is that she was very sad and her confidence shook a lot because of this issue.
On the contrary, the raging bull Sonny found his shadow in Lucy Mancini, Sandra's ex-girlfriend, Lucy suffered from a congenital deformity in her reproductive organ where it was more bulging than normal ,so she also had her confidence shaken in herself as she refused to date men for fear of showing this deformity.
There was another problem with Blossy Mancini, that she was a catastrophically erotic woman, so it was a bitter journey of torment for this woman who lives her wild desires alone until her friend Sandra heard one day complaining and grumbling about her husband’s erotic, his mob and the unbearable size of his limb.
At the wedding, Lucy was not quite innocent as she appeared in the film, but the other tried to approach Sony the week leading up to the wedding, and what happened at the wedding was a result of her malicious attempts to flirt with Sony,
And so begins the most sexiest and sensual relationship in the world of cinema, Sonny Corleone and Lucy Mancini, they were making love all day without getting tired or bored or interrupted, and I think that when Sonny went out in his latest revolution of anger to go to his sister-in-law Carlo and get shot, he was not in his house as well He appeared in the movie, but it was Lucy's, he was adventuring his life in the days of the war between him and the five families, and he goes to her in her apartment, although his name was required by all the mafia men in New York!
Lucy adored Sony ,and was looking for nothing from him but that gadget which his wife was complaining about ,and when news of Don Corleone shooting came Lucy lived real horror fearing that Sony would not come to visit her in the coming days ,
And of course, you don't need me to tell you how sad she was over Sony's murder. Mario Pozo says, "The sorrow that Lucy Mancini suffered over Sony's death was not like any grief of a heroine in a novel about her lover, Lucy did not lose her life partner by Sony's death, she did not have emotional fond memories with him, she could hardly remember his smile or the ray of joy in his eyes, She was fond of him for a more important reason, and that was only with him her body was satisfied to make love.”
One of the oddities of the movie - the movie, not the novel - is that this transient romantic relationship between Lucy and Sonny will later be produced by Vincent Corleonei, the son of Sony to his mistress Lucy. He would later become the third godfather of the Corleone family, after Michael Corleonei - his uncle -,
A fourth part of the film would have been produced in 1999 telling its story had it not been the death of the writer Mario Pozo.
The Godfather 1972 🎥

In 1972, he made his first appearance as a bodyguard, law enforcement, and (SPOILER ALERT) assassin, Barzini, and his co...
05/11/2024

In 1972, he made his first appearance as a bodyguard, law enforcement, and (SPOILER ALERT) assassin, Barzini, and his commander (SPOILER CONCLLUDED) Al Neri defended Al Pacino in "The Godfather" (1972). Returned to the same role in "The Godfather Part II" (1974) and 16 years later he returned again, still defending Pacino in "The Godfather: Part III" (1990).

🎥 The Godfather 1972 1974 1990

In "The Godfather" (1972) why did Carlo Rizzi easily fall for Michael's lie at the end? Didn't he know that playing a ro...
05/11/2024

In "The Godfather" (1972) why did Carlo Rizzi easily fall for Michael's lie at the end? Didn't he know that playing a role in Michael's brother's death and beating his sister increases his chances of being killed?
He was frightened. He wanted to live.
Carlo was at the phone, dialing away when Michael showed up un-announced. He didn’t mince any words. He went straight to it:
You have to answer for Santino, Carlo.
Nobody ever said more with less. This meant that Michael knew. It also meant that Carlo was about to pay. That’s why Carlo stood up and stepped toward Michael, mumbling his denial:
Michael, you’ve got it all wrong.
This was countered with Michael stepping closer to him.
You fingered Sonny for the Barzini people.
The moment Michael said it, Carlo stood there speechless. He didn’t have a comeback.
Ah, that little farce you played with my sister. Think that it would fool a Corleone?
At this point, men were flanking him on each side. All Carlo could do was beg for mercy.
Michael, I’m innocent, I swear on my kids’ life.
By this point, Carlo had one of Michael’s mind standing behind him, waiting for the word. Carlo made one more attempt:
Please don’t do this.
When Michael told him to sit, he sat, like a dog waiting for an order from his master. Michel grabbed a chair and sat next to him. Leaning over, like was making casual conversation, he gave the run-down:
Barzini’s dead, so is Philip Tattaglia, Moe Greene, Stracci, Cunio.
At this point, it had to hit him like a ton of bricks. Michael was just as scary as his father. Carlo put his head in his hand and began to weep.
Today, I settled all family business. So don’t tell me that you’re innocent. Admit what you did.
At this point, Michael gave one of the men a look as Carlo fell apart. Patting him in a comforting way, Michael talked to him like he was counseling him.
Don’t be afraid. Come on. You think I’d make my sister a widow? I’m godfather to your son, Carlo.
At this moment, someone handed Carlo a drink.
Go ahead.
Carlo took a drink. Michael went on:
No, Carlo. Your punishment is you’re out of the family business. You’re finished. I’m putting you onto a plane to Vegas.
At this point, Carlo was looking up at Michael with a look of relief. Could it be that he was the one guy who’d actually walk out of this thing alive?
Tom?
Michael reached back and was handed a plane ticket, which he then gave to Carlo.
I want you to stay? Understand?
By this point, Carlo is nodding like a child being given explicit instructions from a disappointed parent.
Only don’t tell me you’re innocent because it insults my intelligence. It makes me very angry.
So, from Carlo’s point of view, there was no point in denying. Michael already knew what was going on. There was no point in antagonizing Michael. He had already taken out all of the other guys. He had given an indication that Carlo was different, because he didn’t want to bring grief to his sister or his grandchildren.
But there was a catch. Michael was expecting a confession. Anything less would infuriate him. Michael then left a long pause to allow his words to sink in. It was life and death. Carlo had to be considering his options.
Now, who approached you? Tattaglia or Barzini?
Michael gave Carlo another long pause to see what he would say? Carlo thought about it, looked around and then made his confession.
It was Barzini.
This confirmed Vito’s call, earlier in the film, as he was going home from the meeting with the other heads of the Five Families. It made sense. As Vito told Tom, “Tattaglia is a pimp. Tattaglia could never have held off against Santino.”
It also confirmed MIchael’s suspicions, after meeting with Moe Greene, whom he’d provoked into admitting that he’d talked to Barzini, who told him he could keep his casino if he went with him. This wasn’t a mere fishing expedition. Unlike Sonny, who killed Paulie before getting any good information out of him, Michael wanted to get what it could before he pulled a trigger.
Good.
And with that, Michael grabbed the drink, got up, pulled his chair away and got busy. Most of what he said here was with his eyes averted.
There’s a car outside. It’ll take you to the airport. I’ll call your wife and let her know what flight you’re on.
Carlo got up and approached Michael, as if to apologize.
Get out of my sight.
And with that, Carlo walked away, taking a moment as one of Michael’s men helped him put his suit coat on. His bags were packed in the trunk. One of Michael’s men pulled open the front side passenger door and Carlo got in, not giving much thought to the fact that Clemenza was sitting in the back seat.
Michael stood outside, with others, to witness Carlo’s final farewell, just as Clemenza introduced himself.
Hello, Carlo.
And with that, Clemenza garroted Carlo, who, in his last struggle for life, kicked his foot through the windshield.
Would Carlo have been better off if he had maintained the lie? Probably not. Michael went there to kill him, not debate him. Michael already knew of Carlo’s guilt. He just wanted to hear Carlo admit it. It was a shrewd and effective strategy, though clearly cold and Machiavellian.
If nothing else, everybody there came away knowing that you don’t mess with Michael Corleone.

Fredo Corleone's death in "The Godfather II" is one of the most impactful and symbolic scenes of the saga. Fredo, master...
05/11/2024

Fredo Corleone's death in "The Godfather II" is one of the most impactful and symbolic scenes of the saga. Fredo, masterfully played by John Cazale, is Michael Corleone's older brother, but his weak character and tendency to make mistakes make him vulnerable in the ruthless mafia world. In the second part of this epic trilogy directed by Francis Ford Coppola, Fredo commits the ultimate betrayal against his family, which eventually leads to his conviction at the hands of his own brother Michael. The final scene in which Fredo is while fishing in Lake Tahoe, under Michael’s command, is a moment of tragedy and catharsis, showing the ultimate price of betrayal and Michael’s relentlessness in consolidating his power.
This final act is both a culmination in Michael's character development and a reflection of the Corleone family's moral disintegration. Michael, who at the beginning of the saga was a man with a sense of justice and morality, transforms into a ruthless leader capable of ordering the death of his own brother. Coppola's cinematography, coupled with Al Pacino's heart-wrenching performance as Michael and Fredo's expression of resignation and fear, encapsulates the depth of family tragedy. Fredo’s death is not only a moment of vengeance, but also a statement about the corrosive nature of power and the inevitability of loneliness and desolation for those who choose the path of violence and crime.

Michael Corleone’s time in Sicily revealed much to him. He understood his father’s world and the people like Luca Brasi ...
05/11/2024

Michael Corleone’s time in Sicily revealed much to him. He understood his father’s world and the people like Luca Brasi and Clemenza. He saw why his mother accepted their fate silently and why his father said, "Everyone has their own destiny." Michael grasped why people didn’t cooperate with the government and adhered to the omertà code. Sicily’s small, remote village had become a global powerhouse in murder.
The mafia’s power was enforced by the omertà code—silence. Sicilian villagers were so quiet that even when asked for directions, they stayed silent.
Michael finally understood why his father and others preferred crime over honest work. For someone with intellect, the extreme poverty, fear, and humiliation of a Sicilian peasant were unacceptable.

In The Godfather, Vito Corleone's meeting with the five families is a crucial moment in the plot. After the death of his...
05/11/2024

In The Godfather, Vito Corleone's meeting with the five families is a crucial moment in the plot. After the death of his son Sonny, Vito looks to end the war among New York's mafia families. During this meeting, Vito appeals to reason and peace, though he continues to suffer deeply from the loss of his son. Instead of retaliating, demonstrate intelligence and leadership by prioritizing the interests of your family and business over the desire for revenge. He proposes a peace deal to avoid more bloodshed, hoping to guarantee a more stable future for his son Michael.
In the conversation, Vito mentions that he will not seek revenge for Sonny's death, which surprises other families. However, it makes it clear that if anything were to happen to Michael, the peace agreement would be broken and the consequences would be severe. This act of diplomacy showcases Vito’s cunningness as a leader, capable of controlling his emotions and acting in the Corleone family’s best interests, ensuring the survival of his legacy while earning time for Michael to take control of the family empire.

A Bronx Tale (1993) ❤️
05/11/2024

A Bronx Tale (1993) ❤️

Michael Corleone, the protagonist of the film saga "The Godfather", directed by Francis Ford Coppola and based on Mario ...
05/11/2024

Michael Corleone, the protagonist of the film saga "The Godfather", directed by Francis Ford Coppola and based on Mario Puzo's novel, is a complex and multifaceted character. Masterfully played by Al Pacino, Michael begins as a young idealist and patriotic who wants to distance himself from his family's criminal world. However, circumstances force him to assume leadership of the Corleone's mafia empire. Throughout the trilogy, Michael transforms from an innocent ex-soldier to a cold, calculating crime boss, constantly battling between his desire to protect his family and the ruthless acts he commits in the name of that very purpose.
Michael Corleone has become an archetype in popular culture, symbolizing the tragic cost of power and corruption. Their story tackles universal themes such as ambition, betrayal and redemption. Michael embodies the duality of the American dream and its dark side, showing how the pursuit of success can lead to a loss of morality and humanity. His evolution and the decisions he makes reflect the tensions between duty and morality, making him a complex and tragic figure.
Furthermore, Al Pacino's interpretation has been fundamental to cementing Michael Corleone in the collective imagination as a symbol of power and tragedy. Pacino endows the character with an intensity and subtlety that reveal the layers of internal conflict and Michael's progressive dehumanization. His evolution is not only marked by his violent actions, but also by his emotional isolation and the inevitable loneliness that comes with his rise to power. Michael Corleone's journey is a reminder of how power can corrupt even the most honorable, turning their virtues into their greatest weaknesses.
🎥 The Godfather
# 🎞❤

The death of Don Fanucci in "The Godfather Part II" is a crucial moment that marks the rise of Vito Corleone as a powerf...
05/11/2024

The death of Don Fanucci in "The Godfather Part II" is a crucial moment that marks the rise of Vito Corleone as a powerful figure in the criminal world. Fanucci, a thug mafia that extorts neighborhood Italian merchants, becomes Vito's target after refusing to yield to his demands. Unlike the intimidation used by Fanucci, Vito addresses the problem with coolness and precision. The scene where Vito attacks Fanucci is a masterpiece of cinematic tension. Vito follows Fanucci through the plight of a building's stairs, eliminating the threat in a meticulous way. Vito's choice to use a towel to dampen the sound of gunshots symbolizes his cunningness and ability to operate in the shadows, without drawing attention.
This murder is more than an act of violence; it is a moment of transformation for Vito Corleone. Up until then, Vito was an Italian immigrant trying to survive, but after Fanucci's death, he consolidates himself as the new power in his community, someone capable of protecting and, at the same time, governing with a mixture of benevolence and fearful authority. The contrast between the brutality of the act and Vito’s unchanged calm reflects his ability to maintain control in extreme situations, solidifying his reputation as a leader who combines intelligence with strength, a duality that defines his character throughout the saga.

How Don Vito Corleone Found Out It Was Barzini"I never knew it until this day that it was Barzini all along," Don Vito C...
05/11/2024

How Don Vito Corleone Found Out It Was Barzini
"I never knew it until this day that it was Barzini all along," Don Vito Corleone said to Tom Hagen in his way back from the meet
Now, let me explain how the Godfather reached this conclusion.
Firstly, Don Vito had his suspicions about Don Barzini but kept on observing just to be sure. He asked Barzini to set up the meet so he can look at the faces of everyone and feel the pulse. Mafia guys are excellent judges of character. They see right through you.
The first mistake of Barzini was in the arrangement of the table. He placed himself at the head of the table like The Godfather, while the real godfather sat in-between other Dons. This was the first glaring pointer that exposed Barzini's ambition.
Remember when Tom Hagen asked Don Vito "should I insist these middle men have clean records." Don Vito replied, "don't insist. "Mention it, but don't insist. Why did the Don say this? It's because his insistence would have been construed as assertion or dominance.
This is the mistake Barzini made. He kept on insisting that Don Vito share his political contacts and insisted on a whole lot of things at the meet. His right hand man, Tattaglia, echoed him all the way. That was when Don Vito realized "it was Barzini all along."
To further emphasize my point, Michael noticed the same thing about Barzini's even before Tessio showed his hand. At the burial of Don Vito, Barzini carried the air of a new boss and started receiving handshakes like a Godfather. Michael, like his father before him, noticed these things and became doubly sure of Barzini.
Thanks to the keen observations of Don Vito and Michael Corleone, Barzini was marked for death and swiftly moved out of the way.

During the filming of "The Godfather," Al Pacino and Al Lettieri (Virgil Sollozo) visited mafia boss Pasquale "Patsy" Eb...
05/11/2024

During the filming of "The Godfather," Al Pacino and Al Lettieri (Virgil Sollozo) visited mafia boss Pasquale "Patsy" Eboli, a member of the Genovese family. Eboli shared some "tips" on how to authentically portray their characters, drawing from his own experiences in the mob. This encounter added an extra layer of realism to their performances, showcasing the film's commitment to authenticity in depicting the mafia world.

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