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The Georgia Review The award-winning quarterly, publishing poetry, fiction, essays, art, & reviews since 1947

The Georgia Review is pleased to announce that our 2026 Prose Prize opens this Saturday, November 1, and will be judged ...
30/10/2025

The Georgia Review is pleased to announce that our 2026 Prose Prize opens this Saturday, November 1, and will be judged by Kiese Laymon. The best short story and essay will both be published in The Georgia Review. The overall winner, chosen between the two, will receive $1,500. The runner-up will receive $600. All entries will be considered for publication. We invite writers from all backgrounds to submit. We look forward to reading your work! More information here: https://bit.ly/49oznPs
Photo credit: Yungpainkiller

Bundles are back!  They make a perfect bespoke gift, perfect for the literature-lover in your life, or a treat for yours...
27/10/2025

Bundles are back! They make a perfect bespoke gift, perfect for the literature-lover in your life, or a treat for yourself. You can save big on one year’s worth of poems, stories, essays, and art from The Georgia Review, along with multiple additions and options for customization, like our brand new hat colorway in burgundy. All bundles are packaged with The Georgia Review packing paper and a handwritten, personalized card. Find them in our shop: http://bit.ly/4qezOC2

Leila Chatti in Fall 2025. Read the entire poem in print or online. Link to the issue in our bio.
23/10/2025

Leila Chatti in Fall 2025. Read the entire poem in print or online. Link to the issue in our bio.

Congratulations to Lyn Di Iorio, whose short story "Maritza and Carmen," originally published in our Fall 2024 issue,  w...
21/10/2025

Congratulations to Lyn Di Iorio, whose short story "Maritza and Carmen," originally published in our Fall 2024 issue, was selected for the BEST AMERICAN SHORT STORIES 2025! The anthology is out now: http://bit.ly/47BsCso

"Recent Black horror anthologies such as OUT THERE SCREAMING and THE BLACK GIRL SURVIVES THIS ONE broaden the possibilit...
20/10/2025

"Recent Black horror anthologies such as OUT THERE SCREAMING and THE BLACK GIRL SURVIVES THIS ONE broaden the possibilities for what kinds of stories Black horror tells," write Jalondra A. Davis and Jasmine Moore-Strickland in our Fall 2025 issue. "While the ever-presence of the racial past and white-supremacy-as-horror remain important ongoing traditions, these anthologies also reflect other ways of thinking and knowing that enlist the horror genre, making dynamic tales of culture, survival, triumph, and the ever-evolving speculation of 'what if.'” Read the entire review in print or online: https://bit.ly/496Bask

“After my near-fatal Covid experience,” José Parlá said in a July 2025 email correspondence with The Georgia Review of h...
16/10/2025

“After my near-fatal Covid experience,” José Parlá said in a July 2025 email correspondence with The Georgia Review of his work featured in Fall 2025. “I started thinking beyond the literal, considering ‘home’ as my body and spirit, the sanctuary where life resides. I also see home as a concept that extends into memories, relationships, and experiences that transcend geography.” View more of Parlá's work and read the introduction by GR managing editor CJ Bartunek in print or online: http://bit.ly/473y5GV

Rebecca E. Williams in our Fall 2025 issue. Read the entire essay in print or online: https://bit.ly/4pRqJPg
14/10/2025

Rebecca E. Williams in our Fall 2025 issue. Read the entire essay in print or online: https://bit.ly/4pRqJPg

Carlo Paulo Pacolor, translated from the Filipino by Soleil Davíd, in our Fall 2025 issue. Read the entire story in prin...
10/10/2025

Carlo Paulo Pacolor, translated from the Filipino by Soleil Davíd, in our Fall 2025 issue. Read the entire story in print or online: https://bit.ly/3Wfd9b0

"Political art, in this vision, is not simply a reaction to crisis; it is a method of living with and through crisis. It...
08/10/2025

"Political art, in this vision, is not simply a reaction to crisis; it is a method of living with and through crisis. It is a refusal to cede the terrain of imagination. In this way, Catlett and Booker show us that the question isn’t whether to make political art, but how to emphasize what is political in our art," writes Georgia Review Critic-at-Large Tope Folarin. "Because all art, of course, is political, is attuned to the strictures and possibilities of the moment. Perhaps, then, the most political act one can make as an artist, especially if you are working from the margins, is to create work that offers an unobstructed view of your environment, or the ideas playing out in your mind." Read the entire review in our Fall 2025 issue, in print or online: https://bit.ly/3WgCD7M

Join The Georgia Review, the Willson Center for Humanities and Arts, and the department of English and the Creative Writ...
06/10/2025

Join The Georgia Review, the Willson Center for Humanities and Arts, and the department of English and the Creative Writing Program for the UGA Poetry Festival on November 4 and 5! The two-day event, part of the university’s 2025 Spotlight on the Arts festival, features readings by Edward Hirsch, Robin Coste Lewis, Michael Collier, Vievee Francis, and Garrett Hongo.

November 4: The festival keynote event features poetry readings and Q&A with Edward Hirsch, a MacArthur Fellow and president of the John Simon Guggenheim Memorial Foundation, and Robin Coste Lewis, a National Book Award winner and former poet laureate of Los Angeles. The event is part of the University’s 2025 Fall Signature Lecture Series. Those who would like to attend and require accommodations should contact Dave Marr at [email protected]. Requests should be made as soon as possible but at least one week prior to the event: https://bit.ly/3KteZT6

November 5: This UGA Poetry Festival event features readings, Q&A, and book-signing with Michael Collier, Vievee Francis, and Garrett Hongo. Books and other publications will be available for purchase at the event: https://bit.ly/4gMIX0e

We hope to see you there!

More information about the festival at the links in our bio!

Natalie Scenters-Zapico in our Fall 2025 issue. Read the entire poem in print or online: https://bit.ly/4gLsVDS
02/10/2025

Natalie Scenters-Zapico in our Fall 2025 issue. Read the entire poem in print or online: https://bit.ly/4gLsVDS

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