10/11/2018
//Beat//
San Francisco became the hub of the Beat Movement of the 1950s. The disillusionment after the Second World War made the Beat Poets examine the conventional culture, politics, and defy the established modes of writing. Their writings were chiefly characterised by surrealism and spirituality. The term ‘beat’ appeared when Kerouac said, “Ah, this is nothing but a beat generation!” John Clellon Holmes explained, “more than mere weariness, it implies the feeling of having been used, of being raw. It invokes a sort of nakedness of mind, and ultimately of soul; a feeling of being reduced to the bedrock of consciousness. In short, it means being undramatically pushed up against the wall of oneself.” Kerouac himself associated the word with “twentieth century hipness”, “beatific” and to “the Second Religiousness prophesied by Spengler”. He also added that “beat means beatitude, not beat up.”
Beat poetry was experimental in nature and politically defiant. It emphasised on love and sexual liberation, and was inspired by Eastern religion (mainly Buddhism), the metaphysicals, Haiku and Zen poetry.
Beat Poets include Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti and Gregory Corso, Diane di Prima, Neal Cassady, Anne Waldman, and Michael McClure. (📷: EichlerNetwork)