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Everybody's Hip-Hop Everybody's Hip-Hop is a community-funded publishing house and record label dedicated to advancing Hip-Hop music. I sure do! We were blown away! Peace! MC Till

Do you remember the first time you experienced hip-hop? My brother and I were just little boys when we heard the local college radio station play rap music. What is this new music?! We didn’t know for sure, but we knew it captured us. It never let me go. Run D.M.C, LL Cool J, Biz Markie, De La Soul, A Tribe Called Quest, Common, Wu-Tang, Dr. Dre, D.I.T.C, Bootcamp Click, the list goes on and on an

d on. It continues to this day with artists like Oddisee, Kendrick Lamar, and Chance the Rapper. I started creating Hip-hop music when I was eleven. First, I learned to loop beats using cassette tapes. Then, I bought a two-track machine where I could record a beat on one track and record my raps on the other. Then, I got my hands on an 8 track, then a beat machine, and then a computer that gave me the ability to create a more professional sound. Hip-hop has been good to me. In addition to inspiring me creativey it has taught me a lot. Through Hip-hop I learned about African American history and the progress in science, architecture, and literature that black people have achieved for society. Hip-hop has created an educationally rich and musically diverse environment in my life. I am a better person today because of Hip-hop. I don’t want to simply make music anymore. I want to make a movement. And I want you to consider joining this movement. The goal is simple: to create authentic, inspired, thoughtful Hip-hop music. This music will be of the tradition of such greats as Dres from Black Sheep, Mos Def, or Skyzoo. In other words I want to create music that honors the past while progresses into the future. The progressive part is where you can play a huge role. Traditionally, music makers create the music and then ask you to buy it. But, people are rarely paying to consume music these days. If they do, it is typically a small fee for unlimited streaming. So, I’m not asking you to buy the music I create. I’m asking you to fund the creation of it. Making music with integrity and excellence takes resources. Marketing that music and getting it to the masses also takes resources. I want to create a movement where people provide those resources rather than a BIG corporation or business. So, I started Everybody’s Hip-hop Label. This is a small independent record label built on the foundation of Hip-hop’s rich musical history. It is a record label that values artistic integrity with full creative control going to the artists. Will you join this label? Will you give a dollar a month to fund a record label that values Hip-hop’s history by becoming part of its future? Simply go to www.everybodyshiphop.com to join.

Thoughts?
19/09/2025

Thoughts?

My (MC Till) selection today features Hi-Tek on the beats with a host of emcees on the mic. This was Tek’s third album i...
18/09/2025

My (MC Till) selection today features Hi-Tek on the beats with a host of emcees on the mic. This was Tek’s third album in the Hi-Teknology series. Probably the least talked about yet most ambitious. Tek’s ability to bend music to fit the emcee is amazing. While I prefer the more traditional boom bap sound of his first installment, I cannot deny the skill displayed on volume 3 as his diversity in sound is fully present. He crafts beats that make sense and go so well with the guests on the album like on “God’s Plan” with Young Buck and the Outlaws, or on “I’m Back” with Rem Dog. The “Step Ya Game Up (Remix) with Little Brother & Dion Jenkins is pure soulful boom bap bliss. Hi-Tek delivered an album that is eclectic without trying to be something it’s not. What do you think?

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18/09/2025

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Originally released on Blunt Recordings in 1997, “Doom” by Mood is an album that transcends time while also capturing it...
17/09/2025

Originally released on Blunt Recordings in 1997, “Doom” by Mood is an album that transcends time while also capturing it. Emcees Donte and Main-Flo take listeners to the gritty streets of Cincinnati, OH. The way they trade verses paired with their unique voices combine for a top tier lyrical performance. The production is just as good with Jahson and Hi-Tek creating excellent boom bap, sample-based beats. I’ve been listening to this album for darn near 30 years now and I still can’t find a wack beat on this album. This is a stellar album that has stood the test of time. I loved it way back then, I love it today. Have you heard it? What do you think?

Shoutout to Hip-Hop stickers.
17/09/2025

Shoutout to Hip-Hop stickers.

Gabe Nandez (top) and Ka (bottom) are dope emcees. Preservation, who did the beats for both albums, is a dope producer!R...
16/09/2025

Gabe Nandez (top) and Ka (bottom) are dope emcees. Preservation, who did the beats for both albums, is a dope producer!
RIP Ka!

What do you love/hate about this album?
16/09/2025

What do you love/hate about this album?

A lot of great answers out there. What’s yours?
16/09/2025

A lot of great answers out there. What’s yours?

Batsauce did his thing on this one! Funky, slow-moving soulful, boom bap delight. Don’t you agree? Check the comment bel...
16/09/2025

Batsauce did his thing on this one! Funky, slow-moving soulful, boom bap delight. Don’t you agree? Check the comment below and give it a listen!

For today’s MC Till’s Pick… Shoutout to for these words from The Boom Bap Review Vol 6…Dance on My Grave isn’t just the...
15/09/2025

For today’s MC Till’s Pick… Shoutout to for these words from The Boom Bap Review Vol 6…

Dance on My Grave isn’t just the name of Paten Locke’s final solo work—it’s a prophecy. More than an album title, it’s a set of instructions P left us all: to celebrate his work by celebrating ourselves.

To fully grasp the depth of Dance on My Grave, we need to revisit its companion album, Americancer (2022). Back in 2017, Paten had already named both albums, though at the time, they were a nebulous collection of songs, ideas, and demos. Together, they represented his masterwork—a roughshod blend of the rare, record-based lo-fi boom-bap that Paten helped pioneer and the psychedelic sounds he was beginning to explore.

The haunting truth is that Paten Locke wouldn’t be diagnosed with fatal stage-4 cancer until 2019. Read that again. Paten Locke’s final two releases, Americancer and Dance on My Grave, were named in 2017—two years before he fell ill and ultimately succumbed to lung cancer. There’s something beautifully macabre about this prophecy, as though Paten’s soul somehow foresaw his fate and used his music as a vehicle to inspire us all.

Though cancer claimed Paten, we can still be uplifted by the deep catalog he left behind. His work is now complete, and it’s up to us to follow his final instructions. Press play, close your eyes, and listen. If you do, you can hear Paten saying it: Dance on My Grave.

RIP

The seventh volume of the Boom Bap Review features our annual top 100 albums of the year. This year we listed albums fro...
15/09/2025

The seventh volume of the Boom Bap Review features our annual top 100 albums of the year. This year we listed albums from such artists as Lukah & Statik Selektah, Che Noir, Kenn Starr & Kev Brown, Anti Lilly & High John, Godfather Don, Vel Nine, Brother Ali, Apollo Brown, Redman, The Jazzspastiks, Public Enemy and many, many more!

New to Volume 7 is an extended chapter of liner notes written by the artists themselves. This year we have liner notes from Arrested Development, Smif N Wessun, Blu, Phill Most Chill, Wordsworth, Dell-P, Kice of Course, uMaNg, Stooky Bros, and many more. If you love dope Hip-Hop music, you will love The Boom Bap Review Vol. 7: 2025.

Get your copy today for half the regular price of $20! Book ships out early December, 2025.

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