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Sculpture magazine, the official publication of the International Sculpture Center (ISC), is the premiere source in the field of contemporary sculpture.

Sculpture magazine, the official publication of the International Sculpture Center (ISC), is the essential source of information and dialogue on all forms of contemporary sculpture internationally. Published 10x a year, Sculpture offers exceptional editorial coverage, striking pictorial layouts and a forum for reaching an exclusive and engaged audience. Sculpture readers are a focused group of ar

tists, collectors, curators, dealers, educators, enthusiasts and other art professionals who are devoted to keeping pace with the rapidly changing art world. www.sculpture.org

03/11/2025

Daniel Firman, Duo (Lodie, Paola, Denis, Amélie, David, Siet, Camille), 2013. Polyurethane, resin, and paint, 166 x 410 x 225 cm. Photo: © Blaise Adilon, Courtesy the artist.

01/11/2025

On the November/December 2025 cover: Reza Aramesh, Action 194: Study of the Head as Cultural Artefacts, 2017. Hand-carved Carrara marble, head: 23 x 33 x 35 cm.; plinth: 100 x 40 x 40 cm. Photo: Nicola Gnesi, Courtesy Reza Aramesh.

31/10/2025

Klára Hosnedlová, installation view of “embrace,” Hamburger Bahnhof, Berlin, 2025. Photo: © Courtesy the artist, Kraupa-Tuskany Zeidler, White Cube / Nationalgalerie – Staatliche Museen zu Berlin, Zdeněk Porcal – Studio Flusser.

29/10/2025

Published six times per year, Sculpture is the point of access for captivating conversations within the field of contemporary sculpture. Subscribe through sculpture.org and receive 30% off with code SOCIAL.

Images:
1) Ivana Bašić, Installation view of "Metempsychosis: The Passion of Pneumatics," Schinkel Pavillon, Berlin, 2024. Photo: Courtesy the artist and Schinkel Pavillon.
2) Marc Vilanova, Aresta, 2018. 12-channel sound, saxophones, steel, wood, speaker cones, LEDs, DMX controllers, custom software, custom electronics, and dimmers, 7 x 4.5 x 3 meters. Photo: Anna Benet.
3) Indriķis Ģelzis, Implants of Orange Air, 2025. Stainless steel and paint, 205 x 75 x 167 cm. Photo: Courtesy the artist and Tatjana Pieters Gallery.
4) Monika Grzymala, Raumzeichnung (messe sepe), 2022. 7 km. black masking tape and fishing line, installation view of site-specific drawing at Memphis Brooks Museum of Art, Memphis, TN. Photo: © Monika Grzymala.
5) Couzyn van Heuvelen, Stretching Sealskin, 2023. Wool yarn, rug cloth, rug backing pad, wood, and rope, installation view. Photo: Toni Hafkenscheid, Courtesy the Kitchener-Waterloo Art Gallery
6) Ann Hamilton, Installation view of We Will Sing, 2025. Photo: © Ann Hamilton Studio.
7) Solange Pessoa, Installation detail of "Pilgrim Fields," 2025. Photo: Keith Hunter.
8) Linda Sormin, Stream, 2021–23. Glazed ceramic, cut watercolor on paper, found objects, video, sound, metal, wood, epoxy resin, and gold leaf, installation view at MASS MoCA, North Adams, MA. Photo: Lance Brewer, Supported from Canada Council for the Arts, New York University, and Patricia Sweetow Gallery.

27/10/2025

"For me, black tape in a white interior is like drawing with ink on paper...The black masking tape is easy to tear by hand, so I can make bursting fragments, long tense splashes, circles and arches, or loose and curly strands. There are countless possibilities to create a whole world with lines." Read a new interview with Monika Grzymala in our current September/October issue; subscribe via the link in bio.

1) Raumzeichnung (outside-inside), 2016. 3.7 km. black and clear adhesive tape, installation view of site-specific drawing at Lisson Gallery, London, U.K. Photo: © Monika Grzymala.

2) Raumzeichnung (Kubrick), 2013. 3.3 km. black and white masking tape, installation view of site-specific drawing at Kunsthalle Hamburg Graphic Collection, Germany. Photo: © Monika Grzymala.
grzymala

24/10/2025

"the fire next time," Steve Locke's current exhibition at MASS MoCA in North Adams, Massachusetts, is on view through November 8, 2025. Read Lauren Levato Coyne's review of the exhibition, online now.

Steve Locke, installation view of “the fire next time,” MASS MoCA, 2024–25. Photo: Jon Verney.

22/10/2025

November/December 2025 issue coming soon! This print edition will feature Reza Aramesh, Jesse Darling, Daniel Firman, Cannupa Hanska Luger, and more. Subscribe to Sculpture magazine today at sculpture.org.

20/10/2025

"Focused on material transformation and dissonance, the work of this Basque artist accumulates folds and layers, closures and openings, colors and textures," writes Martin Holman of June Crespo's sculptures in "their weft, the grass," her recent exhibition at 1646 Experimental Art Space in The Hague. "Above all, diverse materials combine into new formulations in which matter converses with the body through suggestive and sometimes anthropomorphic forms. In her chimerical creations, the origins of the components are not jettisoned but stirred into whatever the mixture becomes in the eye of the beholder..." Subscribe today to read the full feature in our latest issue.

Installation view of “June Crespo: their weft, the grass,” with (left to right): TW,TG (Acanthus I), 2024, aluminum and stainless-steel casting, carbon fiber, polyester resin, textiles, and lashing straps, 394 x 99 x 170 cm.; and TW,TG (Acanthus II), 2024, aluminum casting and lashing straps, 250 x 89 x 142 cm. Photo: Jhoeko, Courtesy 1646.

18/10/2025

Art Schools, Universities, Academies, and Institutions—looking to have your students in Sculpture magazine? Our January/February 2026 issue will contain our annual Art Schools for Sculpture special section.

Contact [email protected] to learn more.

Image: Emiri Fujimoto (MFA Sculpture 2026), today as a rabbit (19 days before the rabbit year ends), Jan 22, 2024, via Cranbrook Academy of Art in the January/February 2025 Art Schools special section

17/10/2025

“Andy Goldsworthy: Fifty Years” is on view at the Royal Scottish Academy, Edinburgh, through November 2. Click the link in our bio to read Chris Sharratt's review of the show.

Andy Goldsworthy, Wool Runner, 2025. Sheep wool with farmers’ color marks, approx. 10 meters long. Photo: Courtesy the artist.

15/10/2025

“The exhibition coalesces around a Korean phrase that references an old idea of packing up a house and moving it through time and place. Rather than thinking of time as linear, however, Suh thinks of cycles of time and returns, carrying elements of one home to another,” Beth Williamson writes on Do Ho Suh’s “Walk the House” (on view at the Tate Modern through October 26, 2025) in a recent sculpturemagazine.art review.

Read the full review on our website, and subscribe to Sculpture today to get even more in-depth on exhibitions across the world. Use code SOCIAL for 30% off.

Image: Do Ho Suh, Nest/s, 2024. Polyester and stainless steel, 410.1 x 375.4 x 2148.7 cm. Photo: © Tate (Sonal Bakrania), © Do Ho Suh, Courtesy the artist, Lehmann Maupin New York, Seoul and London and Victoria Miro. Creation supported by Genesis.

14/10/2025

Liz Larner's current exhibition, "Maybe not," is on view at Anton Kern Gallery through October 22. Click the link in our bio to read Ekin Erkan's review of the show.

Liz Larner, Coalesce, 2025. Ceramic, glaze, copper, and brass, 41.9 x 26.7 x 15.7 cm. Photo: © Liz Larner, Courtesy the artist and Anton Kern Gallery, New York.

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