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Frescoes from Villa San Marco, Stabiae—just 4 km from Pompeii—offer a striking contrast to the bustling city life of Pom...
15/06/2025

Frescoes from Villa San Marco, Stabiae—just 4 km from Pompeii—offer a striking contrast to the bustling city life of Pompeii, which housed around 20,000 people and thrived on tourism and trade. Stabiae, by contrast, was a secluded enclave of opulent villas belonging to Rome’s elite.

The refined artistry and recurring depictions of women reflect how these villas served as lavish retreats for the wives and families of Rome’s most powerful men. Nearby Oplontis, home to Nero’s second wife Poppaea, echoes this tradition of aristocratic luxury.

Peshwaz: A Garment with a Past, Reimagined by Umar SayeedThis peshwaz by Umar Sayeed—worn with effortless grace by Mahir...
11/06/2025

Peshwaz: A Garment with a Past, Reimagined by Umar Sayeed

This peshwaz by Umar Sayeed—worn with effortless grace by Mahira Khan—carries within its folds the whispered history of the 16th century Mughal courts. Rooted in a silhouette that dates back centuries, the peshwaz is a testament to South Asian heritage: Originally, the term peshwaz—derived from Persian—literally means “front-opening dress,” highlighting its distinctive construction: a floor-length, full-skirted, panelled gown with a front-opening bodice.

During the 18th and 19th centuries, the peshwaz underwent regional variations in different princely states, with subtle shifts in sleeve styles, embellishments, and fabrics reflecting local tastes. In Rajasthan and Punjab, for instance, the peshwaz often featured bold prints and heavy gota work, while in Lucknow of the Awadh it retained the delicate elegance of chikan embroidery and fine muslins. Here, Sayeed retains the historical integrity of this silhouette, but elevates it with a contemporary eye—honoring tradition while pushing its boundaries.

Each kali is stitched together with gum silai—hidden stitches that preserve the seamless flow of the fabric, echoing the ancient techniques practiced in the ateliers of Mughal artisans. The hidden seams, almost invisible to the eye, speak to a dedication to craft that goes beyond mere ornamentation.

On the sleeves, a crescent moon motif—once a regal emblem in Awadhi Muslim culture—adds a layer of narrative, a nod to centuries of symbolism and royal insignias. Sayeed’s interpretation of zardozi here is restrained yet evocative: threads of gold and silver applied with a modern hand, creating an embroidery that feels both precious and contemporary.

🇵🇰

Cynthia Erivo’s 2025 Tony Awards Look: Schiaparelli Haute Couture Spring 2025 look 25 For the 2025 Tony Awards, Cynthia ...
08/06/2025

Cynthia Erivo’s 2025 Tony Awards Look: Schiaparelli Haute Couture Spring 2025 look 25

For the 2025 Tony Awards, Cynthia Erivo lit up the red carpet in a breathtaking look from Schiaparelli’s Haute Couture Spring 2025 collection, a perfect marriage of craftsmanship and elegance.

This gown is a masterclass in construction, featuring a dramatically structured off-shoulder corset that references 18th-century silhouettes while remaining strikingly modern. The corset is expertly tailored in a plush, champagne-toned velvet that skims the body, accentuating Cynthia’s statuesque figure.

What truly elevates the look is its intricate embroidery — a testament to Schiaparelli’s commitment to couture excellence. The embroidery work is inspired by zardozi, a traditional South Asian technique known for its opulent metallic threadwork. Here, zardozi is reimagined in shimmering silver and champagne tones, creating an ethereal surface texture. The design is further enriched with clusters of hand-sewn pearls that cascade down the bodice, their placement echoing the organic flow of vines and blossoms.

The gown’s embellishments—pearls, beads, and metallic threads—create a tapestry-like effect, catching the light at every angle and lending an almost sculptural quality to the garment. The overall impact is both regal and avant-garde, a fitting tribute to Schiaparelli’s surrealist roots and Cynthia Erivo’s fearless style.



#2025

A stroll through art history at Alte Pinakothek:Pic 1-4: Water Lilies (1915) — Claude MonetPic 5-10: Sunflowers (1888) —...
31/05/2025

A stroll through art history at Alte Pinakothek:

Pic 1-4: Water Lilies (1915) — Claude Monet
Pic 5-10: Sunflowers (1888) — Vincent van Gogh
Pic 12: Margaret Stonborough Wittgenstein (1905) — Gustav Klimt
Pic 13-19: Madonna of the Carnation (1475) — Leonardo da Vinci

Ofcourse I felt like a walking art in stunning look 🫶

Elizabeth Taylor at 1957 Academy Awards wearing a stunning Christian Dior dress with a beautiful tiara 👑      #1957
30/04/2025

Elizabeth Taylor at 1957 Academy Awards wearing a stunning Christian Dior dress with a beautiful tiara 👑

#1957

Krishna Applies Kohl (Kajal) to the Eyes of Radha c. 1840-50 The painting titled “Krishna Applies Kohl to the Eyes of Ra...
20/04/2025

Krishna Applies Kohl (Kajal) to the Eyes of Radha c. 1840-50

The painting titled “Krishna Applies Kohl to the Eyes of Radha” is a captivating example of mid-19th century Indian miniature art from Mandi, a princely state in the Punjab Hills.

Created around 1840–1850 using opaque watercolor on paper, this artwork portrays an intimate moment where Lord Krishna delicately applies kajal (kohl) to Radha’s eyes. This tender gesture not only highlights their deep affection but also reflects the devotional themes prevalent in Vaishnavism, emphasizing the divine love between Krishna and Radha. The painting’s intricate details and romantic symbolism are characteristic of the Pahari painting tradition. Currently, this piece is part of the Virginia Museum of Fine Arts’ South Asian Art collection, though it is not on public display.

Antique 20th century Silk Zardozi Dupatta with Lampi Gota Panels from the wardrobe of south Asian textile connoisseur .r...
12/04/2025

Antique 20th century Silk Zardozi Dupatta with Lampi Gota Panels from the wardrobe of south Asian textile connoisseur .revanth.o

This piece began its journey as an antique silk chaadar, intricately embroidered with a traditional form of Zardozi known as Khasab. Khasab is one among several refined styles of metallic thread embroidery that fall under the broader classification of Zardozi—a rich and historic craft that has adorned South Asian textiles for centuries. The original silk base had aged and deteriorated over time. In a heartfelt attempt to preserve the exquisite embroidery, the entire work was carefully transferred onto a new silk base, matched precisely to the original colour.

To extend the length of the piece and elevate its grandeur, I drew inspiration from vintage Patkas—ornamental sashes historically worn by nobility—and decided to add Gota panels to both ends. Being from Hyderabad, my first choice was naturally Lampi Gota: a rare, hand-embossed variant of Gota work unique to the Deccan. Known for its luxurious texture and delicate craftsmanship, Lampi Gota was once coveted by the Nizams of Hyderabad and continues to inspire many leading designers.

Sadly, much of this art form has faded with the rise of inexpensive, machine-made alternatives. However, artisans like those at Afzal Miyan’s workshop have preserved Lampi Gota in its authentic form, ensuring that this unique legacy endures.

🐅 by Jean Paul Gaultier This breathtaking look from Jean Paul Gaultier’s Haute Couture Fall/Winter 1997 collection, worn...
06/04/2025

🐅 by Jean Paul Gaultier

This breathtaking look from Jean Paul Gaultier’s Haute Couture Fall/Winter 1997 collection, worn by the iconic Yasmeen Ghauri, is a masterclass in opulence, craftsmanship, and theatrical fashion.

At first glance, it appears to be an actual leopard skin draped over a silk skirt, but on closer inspection, every detail — from the fur texture to the piercing eyes and even the claws — is entirely hand-beaded. The claws themselves are crafted from crystals, and the dense embroidery creates a hyperreal illusion of the animal’s body wrapped around the torso, morphing couture into high art.

This piece encapsulates Gaultier’s fascination with shock, surrealism, and meticulous technique — challenging the boundaries between fashion, fantasy, and ethical statement. Yasmeen Ghauri’s commanding presence on the runway gave the look its legendary status, blending ferocity and elegance in equal measure.

#1997

The Rabari men of Rajasthan and Gujarat are traditionally nomadic pastoralists known for their distinctive attire, which...
03/04/2025

The Rabari men of Rajasthan and Gujarat are traditionally nomadic pastoralists known for their distinctive attire, which reflects both functionality and cultural identity. Their clothing is primarily designed to withstand the harsh desert climate while maintaining symbolic significance. They typically wear a white cotton angarkha or short kurta, paired with a dhoti, both of which provide comfort and ease of movement. A turban (pagri), often in shades of red, saffron, or white, is an essential part of their attire, serving as protection from the sun while also signifying status and identity. Additionally, Rabari men commonly drape a black woolen shawl (khes) over their shoulders, particularly in colder months. Accessories such as silver earrings, rings, and bracelets are also worn, often as a symbol of wealth and tradition. A wooden staff (lathi) is another defining element, used both for herding livestock and as a walking aid.

Historically, the Rabari community is believed to have migrated from regions as far as Persia, serving as camel herders for Rajput rulers and continuing their pastoral lifestyle for centuries. Their traditional attire has remained largely unchanged, emphasizing simplicity, durability, and symbolism, with white representing purity and red or saffron symbolizing bravery and spirituality. However, with modernization and migration to urban areas, younger Rabari men are increasingly adopting Western-style clothing, though they still wear their traditional garments during festivals, weddings, and religious ceremonies. Despite these changes, their attire remains an enduring symbol of their rich cultural heritage and nomadic legacy, reflecting their deep connection to the land and their way of life.

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