Australian Television Archive

  • Home
  • Australian Television Archive

Australian Television Archive Australian Television Archive, provides preservation grade archival film and video digitisation.

Valuable material deserves more than the cheapest transfer.For rare, ageing and obsolete formats, the Australian Televis...
31/08/2026

Valuable material deserves more than the cheapest transfer.

For rare, ageing and obsolete formats, the Australian Television Archive uses properly maintained professional equipment and specialist recovery methods to recover the best signal still left on the tape.

Cheap or DIY attempts can cost far more when they fail. If the material truly matters, do it properly the first time.

Specialist film and video digitisation: [email protected]

Still holding 3/4-inch U-matic videotapes?The Australian Television Archive provides specialist digitisation for all U-m...
30/08/2026

Still holding 3/4-inch U-matic videotapes?

The Australian Television Archive provides specialist digitisation for all U-matic variants, using properly maintained broadcast equipment.

These tapes are now decades old. The longer they sit, the greater the risk of deterioration and loss.

Do you have U-matic tapes needing safe, professional recovery? Contact: [email protected]

These photos were taken some years back during the refurbishment of 6x Sony BVH-3100 1-inch videotape machinesOld capaci...
29/08/2026

These photos were taken some years back during the refurbishment of 6x Sony BVH-3100 1-inch videotape machines

Old capacitors can leak corrosive liquid onto circuit boards, damaging tracks and components. In many cases, the only reliable solution is to replace them one by one.

This is the level of maintenance needed to keep obsolete videotape formats recoverable.

Do you have material on an obsolete videotape format that needs recovering?

Contact: [email protected]

LEGACY FORMATS. CRITICAL HOLDINGS. A SHRINKING PRESERVATION WINDOW.Many professional videotape formats are now 30, 40 an...
29/08/2026

LEGACY FORMATS. CRITICAL HOLDINGS. A SHRINKING PRESERVATION WINDOW.

Many professional videotape formats are now 30, 40 and 50+ years old, while reliable playback equipment and specialist technical knowledge become increasingly scarce.

Australian Television Archive provides professional digitisation, recovery and preservation services for broadcast and institutional archives, helping preserve legacy collections before access becomes more difficult.

To discuss your archive’s preservation requirements, contact:
📧 [email protected]

This Sony BVW-75 Betacam SP machine had completely lost the luminance part of its picture. I traced the fault to a damag...
28/08/2026

This Sony BVW-75 Betacam SP machine had completely lost the luminance part of its picture. I traced the fault to a damaged analogue-to-digital chip, recovered a replacement from a spare board and carefully soldered it into place.

The result—a normal colour picture and another specialist videotape machine returned to service.

This component-level knowledge helps the Australian Television Archive achieve the best possible recovery from obsolete videotape formats.

Do you have Betacam or another obsolete videotape format that needs professional recovery?

Contact me today: [email protected]

This Sony SLV-X325 VHS VCR kept randomly losing its picture.The fault was a broken solder joint on the RCA video-output ...
27/08/2026

This Sony SLV-X325 VHS VCR kept randomly losing its picture.

The fault was a broken solder joint on the RCA video-output connection, but almost the entire machine had to be dismantled to reach it.

Old VCRs often need careful maintenance before they can reliably recover the recordings they hold.

Do you have VHS tapes or another home-video format that needs professional digitisation? Contact: [email protected]

This is what poor storage can do to videotape.Mould can begin at the tape edges and work its way into the recorded surfa...
26/08/2026

This is what poor storage can do to videotape.

Mould can begin at the tape edges and work its way into the recorded surface. Garages and sheds are especially risky because rapid temperature changes can create condensation—even inside a closed cassette case.

Playing a mouldy tape can spread contamination through the machine and permanently affect the picture. It should be assessed and cleaned before anyone attempts playback.

If you have tapes that smell musty, show visible mould or have been stored in a garage or shed, send me a clear photograph of the cassette, label and tape edge. I can advise whether recovery is possible.

contact: [email protected]

# AustralianTelevisionArchive

Looking for archive footage that is not easily found online?The Australian Television Archive specialises in supplying h...
25/08/2026

Looking for archive footage that is not easily found online?

The Australian Television Archive specialises in supplying hard-to-find television material and stock footage not normally available through other collections.

With many years of archive-research experience, I can help locate that specific piece of footage you are seeking.



Lodge a footage request today: [email protected]

The soundtrack in this photograph is literally recorded as light.This is a 16mm BBC telerecording of Women at Work from ...
24/08/2026

The soundtrack in this photograph is literally recorded as light.

This is a 16mm BBC telerecording of Women at Work from 1973, held by the Australian Television Archive. The original programme was recorded on colour videotape, but this surviving copy was printed onto black-and-white film.

The optical soundtrack can be seen running down the side of the film.

Many television programmes survive today only because film copies like this escaped being wiped.

WHY “FOUND” DOESN’T ALWAYS MEAN “SAVED” FOR AUSTRALIAN TELEVISIONLet me put this scenario to you:A television program ha...
23/08/2026

WHY “FOUND” DOESN’T ALWAYS MEAN “SAVED” FOR AUSTRALIAN TELEVISION

Let me put this scenario to you:

A television program has been lost for decades. Then, unexpectedly, by pure luck, the original tapes turn up here at the Australian Television Archive.

For me, that is the exciting part, everyone loves this part! Something considered gone forever has somehow survived.

But before we can celebrate, I contact the content or rights holder.

They are thrilled to hear of the good news and they would love to have copies returned to their collection.

Then reality enters the conversation: (Money!)

The material did not simply appear because the tapes magically materialised in front of me. Nor will it convert itself into a digital file. Ageing videotape has to be assessed, often cleaned or treated, played on increasingly specialist equipment, recovered, digitised, checked and stored long term as a data file, backed up with a whole IT infrastructure and servers. This costs enormous sums of money.

More often than not, once real world costs are discussed, the interest the rights holder originally showed rapidly deteriorates.

They politely decline and that's where it ends.

Since the content holder still owns the rights to the program, the Archive cannot take a gamble and cover the recovery costs itself by using the footage commercially to earn that investment back.

As much as it would like to the Archive can’t keep absorbing those costs indefinitely simply because the public believes the material deserves to survive. The Archive is a business, and like any other business it has to remain financially sustainable.

Eventually, if no one is prepared to fund its preservation, and the archive cannot actually do anything else with it. The difficult decision is before me...

The items have to be disposed of.

And this is the part I HATE!

I KNOW the story behind how it survived, we should be celebrating, but no, that was not enough. Like many things in life it does all come down to money

Finding lost television is not enough. Good intentions are not enough. Being excited that something survives is not enough.

Sometimes in a bad month, the ratio of disposal overtakes the ratio of preserving.

The public often asks why broadcasters, production companies and archives threw so much television away in the past. They think this was something that "only happened back then", but the very real truth is that it still happens today!

If we genuinely want more of our television history to survive, independent archives such as the Australian Television Archive need practical financial support to make that possible.

Because without the resources to preserve it, even something found will inevitably become lost once again.

Address


Alerts

Be the first to know and let us send you an email when Australian Television Archive posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Shortcuts

  • Want your business to be the top-listed Media Company?

Share