Skwert

Skwert skwɜrt: a youngster, especially a meddlesome or impudent one. a short person. an insignificant, self-assertive person.

One of the best Simply Jeff tracks you never heard.
11/07/2025

One of the best Simply Jeff tracks you never heard.

Clash Of The Titans Playing With The Trigger X Calibur Dub

Crash Test, Electro Punk, 11, 2024"If you cant beat 'em, kill 'em. If you can't kill 'em, f**k 'em. If you can't f**k 'e...
09/07/2025

Crash Test, Electro Punk, 11, 2024

"If you cant beat 'em, kill 'em. If you can't kill 'em, f**k 'em. If you can't f**k 'em, kill 'em. If you can't do it good, do it hard!"

Listen to Crash Test [11.2024] by Skwert on

Sonoran Silence [12.2024]
24/06/2025

Sonoran Silence [12.2024]

Desert Breaks.

"I think I just came in my panties!" Cervantes (DJ) 😅
29/05/2025

"I think I just came in my panties!"

Cervantes (DJ) 😅

Girl REALLY loves bass, as you can tell by her facial expression.

Saturday Night, Live Music, Downtown Gilbert, AZ 🤠
24/03/2025

Saturday Night, Live Music,
Downtown Gilbert, AZ 🤠

01/03/2025
Z-Trip on how Phoenix helped prepare him for DJ stardom. Plus, the turntablist and mashup king discusses being on nation...
17/12/2024

Z-Trip on how Phoenix helped prepare him for DJ stardom. Plus, the turntablist and mashup king discusses being on national TV with LL Cool J and whether the Bombshelter DJs will ever reunite.

[excerpts]:
Every time Z-Trip returns to the Valley, it's more than just an opportunity to revisit his old stomping grounds.

Back in the '90s, the Queens-born and Phoenix-raised superstar DJ, turntablist and mashup king made his bones in the local scene. Z-Trip regularly performed at Valley clubs and raves as a solo artist or member of the renowned Bombshelter DJs — the influential turntablism trio that also featured Emile and Radar.

Z-Trip says his connections with Phoenix have helped drive him creatively every time he’s come back to town.

“The thing that's amazing about playing in Phoenix is it gives me the ability to stretch since the people there know my roots and give me a certain allowance to dig in, come up with more interesting stuff and push boundaries more, because those guys were there in the old days for all the trials,” Z-Trip says. “So when I come home, I get to dig into my bag a bit more than I would if I were somewhere else.”

How did your years in Phoenix help prepare you for everything that came after?
I think the thing that's interesting about Phoenix is I had this symbiotic relationship between New York and Arizona because I was between both places through my teens because of my parents’ divorce. I’d go back to New York and absorb all this music and bring it back in physical form on 12-inch records and then play this music in Phoenix for people who weren't necessarily exposed to it. And it was incredible because I got to see people experience this stuff in a way.

And we got to build a scene and become part of a scene of people that were really into different music and different tastes. And they were curious about these new things that were happening around the planet, different scenes, different sounds, whether it was hip-hop, drum ‘n’ bass, house music or rave music at the time. And the thing that was really great about Phoenix was because we were pretty void of cutting-edge musical connection, the people that had a finger on that pulse, there was a group of us, and we weren't really broken into factions so much as we were part of a collective of people who were moving and shaking in Phoenix’s (scene).

What was that like?
We’d all go to each other's parties and support each other. And so the house (music) guys knew the techno guys who knew the hip-hop guys who knew the drum ‘n’ bass guys and it was like everybody was connected and knew each other. And that to me was a thing where I think it helped shape the sound of being all-inclusive and being open-minded to other styles and figuring out how to blend and mix and live. For me, it was about saying “How can I DJ at all the parties? How can I bring some of my flavor to the rave? How can I bring some of my flavor to the hip-hop clubs? Better yet, how can I bring some hip-hop to the rave? How can I bring some rave to the hip-hop world?” Just mixing and matching the things I felt were some of the better songs or styles within each genre, and then trying to figure out how to incorporate them into any capacity.

So there was a lot of cross-pollination. And because the Phoenix scene wasn't huge, we just really tapped into being a collective and supported each other. And there were only small outlets: Swell Records, Zia Records, Stinkweeds and Eastside Records. There were only a couple of spots at the time where you could go and get these independent records or that would bring out independent artists. And I remember going and picking up Moby at the airport to go play at a rave or whatever those things were.

By Benjamin Leatherman
March 1, 2024

Plus, the turntablist and mashup king discusses being on national TV with LL Cool J and whether the Bombshelter DJs will ever reunite.

A Swell History ~ excerpts;If you happened to be a member of the Valley's old school DJ/rave scene back in the mid-1990s...
16/12/2024

A Swell History ~

excerpts;
If you happened to be a member of the Valley's old school DJ/rave scene back in the mid-1990s, there was one place where you almost always hit up for both your music and gear: Swell Records.

First opening in 1993, it's where a stomping ground and gathering spot for a "who's who" of the biggest names in the Phoenix scene. Former Scottsdale club favorite Markus Schulz was a regular there, as were the infamous Bombshelter DJs, Pete "SuperMix" Salaz, Robbie Rob, Pablo Gomez, and dozens of others.

Swell not only sold vinyl, rave wear, and a variety of turntable gear, it also functioned as label (producing mixtapes and CDs by local artists) and put on some blockbuster dance events (including its annual Musik parties). Heck, Ramirez was even known to work the turntables himself, both at those parties or at the store.

So back in the day, Swell was the epicenter of DJ culture in the Valley, correct? Yeah. I mean there was us and then later other stores opened up, but we were there first. And, for the most part, the longest.

Based on the number of high-profile DJs that were associated with Swell, its easy to see how the store earned its reputation. Yeah. We tried. We lived it, you know. We had fun.

What were the Bombshelter crew like in those early days? Radar was this young kid when the three of them -- Z-Trip, Radar, and Emile -- started hanging out. They were playing any kind of music. And I think that was another thing that we did, we didn't just do electronic music or just hip-hop, we did everything. And Emile and Z-Trip and Radar were perfect for that because they incorporated all that. I remember giving Z-Trip a Richie Hawtin remix of The Funk Mob and then he played it at every single show. I'd hand them anything, they all had open minds. It didn't matter what it was.

You guys were an epicenter for not just music but DJ/EDM culture as well, correct? Yeah. We sold clothing and records mainly, but we also had pro audio stuff and turntables. We sold thousands of turntables, fixed thousands of turntables, you name it. Anything that had to do with DJing.

Swell largely dealt with vinyl, correct? We had CDs, for the people who didn't play records or people who made mix CDs or mix tapes. But it was predominantly vinyl. At our top, we were doing $65,000 a month in vinyl. When we closed the store, we were still doing like $11,000 a month in vinyl. We had everything: Hip-hop, techno, house, electro, breakbeat, hardcore, drum 'n' bass...everything.

Swell was also a place to find out about all the underground parties and raves. I mean, your flyer rack was legendary. Yeah. Not to be arrogant, but we were the center of our scene that we created. We wanted everybody to come there and get their flyers, get their music, and get their clothes. Hang out, talk to each other, meet new friends, find other DJs to collaborate with...everything. That was the business model.

Y'all threw some major parties back in the day. Our biggest parties were called Musik where there were four rooms of DJs. There was the main room, with the biggest underground talent, and then we had a hip-hop room and maybe a drum 'n' bass or a trance room. We always had four subcultures of the electronic music scene.

By Benjamin Leatherman
October 19, 2012

If you happened to be a member of the Valley's old school DJ/rave scene back in the mid-1990s, there was one place where you almost always hit up for both your music and gear: Swell Records. Without getting too overly hyperbolic, the music and clothing emporium owned by Russel Ramirez...

Hip Hop Electronic Limited Edition 12" Vinyl!A vinyl pressing of all 6 tracks from the album Spacerider Jamz with a spec...
11/12/2024

Hip Hop Electronic Limited Edition 12" Vinyl!

A vinyl pressing of all 6 tracks from the album Spacerider Jamz with a specially designed cover by Hip Hop Electronic!

"Hip Hop Electronic says peace out to cousin Franky and departs from planet Miami-Max. It knows of a nearby nebula to cruise through and crank the newest of its sound discoveries. Also, every spacerider owner knows the most delightful place to use your jet suspension is amongst a bunch of cosmic dust and gas! Kick back and cruise the Fuzzy Dice Nebula with Hip Hop Electronic and these breakbeat tracks under 130 BPM. This way, you'll never be alien to getting down."

6 track album

Mmminty 😊
09/12/2024

Mmminty 😊

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30/11/2024

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