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A butterfly feeding on a co**se is a biological fact. In Miantanzhou’s art, it becomes an image of beauty with a cruel h...
25/09/2026

A butterfly feeding on a co**se is a biological fact. In Miantanzhou’s art, it becomes an image of beauty with a cruel heart.

Based in Chengdu, the artist has developed a hand-drawn practice shaped by Chinese and Japanese folklore, ghost stories and Buddhist philosophy. His figures can be unsettling, but they also carry tenderness: beauty and decay share the same frame.

Miantanzhou calls himself a “darkist.” In an upcoming comic, a Clam Spirit lures sinners into a Buddhist hell and turns them into pearls. The world around her is filled with resentment, fading beauty and fear of death.

His work invites a feeling beyond horror. It asks us to look at suffering, and at the empathy we may find in recognizing it.

Art by 面瘫粥

‘Man and Woman’ by Gustav Vigeland (1908) in Ekebergparken in Oslo, Norway.
25/09/2026

‘Man and Woman’ by Gustav Vigeland (1908) in Ekebergparken in Oslo, Norway.

25/09/2026

C2C at the DMC World DJ Championships, 2005.

Four DJs, four turntables, one tightly coordinated performance. Scratches, cuts and beat juggling become a track built live, with each member adding a part at exactly the right moment.

The French group won the DMC World Team Championship four years in a row, from 2003 to 2006. They later brought that same approach to their recorded music. This 2005 set shows the craft behind it: the turntables are their instruments.

25/09/2026

Bacall to Arms (1946) turns a night at the movies into a joke about Hollywood itself.

The Warner Bros. short takes place inside a cinema, where the audience’s antics compete with the film on screen: a parody of To Have and Have Not featuring caricatures of Humphrey Bogart and Lauren Bacall. Even the title plays on Bacall’s name and the phrase “a call to arms.”

It’s a glimpse of how quickly 1940s animation could turn the era’s biggest stars into part of the joke.

25/09/2026

Ralph Bakshi’s Coonskin (1975) follows Brother Rabbit, Brother Bear and Preacher Fox through a surreal Harlem shaped by mobsters, corrupt officials and competing claims to power. Their animated story unfolds inside a live action frame featuring Barry White as a prisoner planning an escape.

Bakshi uses caricature, blaxploitation and abrasive satire to examine racism and the stereotypes imposed on Black Americans. The same imagery sparked fierce controversy on release and remains difficult to watch today.

That tension is central to the film’s legacy. Coonskin asks whether stereotypes can be dismantled by exaggerating them, and leaves viewers to reckon with what happens when satire uses the images it means to challenge.

Many GTA VI fans have created a contract for their partners to sign before the game has even been released, the game doe...
25/09/2026

Many GTA VI fans have created a contract for their partners to sign before the game has even been released, the game doesn’t come out until November and people are already negotiating.

This fan made contract is currently going super viral after a couple agreed that, from November 19–29, the player can enjoy GTA 6 “as much as they want” without disturbance. The fine print includes that if your partner bought the game or contributed to the game, they can even remove one of the rules.

And with Lucia already becoming one of the most talked about characters in the game, fans have started running with the joke. It is also worth knowing that Rockstar has no involvement or endorsement of these contracts whatsoever. It’s purely a fan made trend but considering how long people have waited for GTA 6, some couples are clearly taking launch week very seriously.

Kissing by Alex Grey, 1983.Alex Grey painted himself and Allyson after eight years together, making their bodies translu...
25/09/2026

Kissing by Alex Grey, 1983.

Alex Grey painted himself and Allyson after eight years together, making their bodies translucent to show what lies beneath a kiss. Their nerves, blood vessels and hearts meet beneath looping bands of infinity.

It was his first oil painting to depict two interconnected figures with full translucency, turning an intimate portrait into a vision of love that reaches beyond the body.

Source: Alex Grey

25/09/2026

Monica Bellucci and Vincent Cassel in Irréversible (2002).

Gaspar Noé tells the story in reverse, beginning with the aftermath of a brutal crime and moving backward toward the moments before it. Bellucci and Cassel, who were married at the time, play a couple whose ordinary moments together take on a different weight as the film unfolds.

“Irréversible” is difficult to watch, particularly because of its depiction of sexual violence. Its final scenes leave you with the tenderness that existed before everything changed.

“Time destroys everything.”

During WWI, an estimated 500,000 cats served alongside soldiers in trenches and aboard ships. Their primary role was to ...
25/09/2026

During WWI, an estimated 500,000 cats served alongside soldiers in trenches and aboard ships. Their primary role was to control rodents and protect vital food supplies, but their contribution went far beyond pest control. They became mascots, companions, and a source of comfort and morale amid the horrors of war. Some were even believed to have helped detect poisonous gas because of their sensitive noses.

These cats also served as invaluable moral boosters and mascots, offering a sense of home and comfort to soldiers living in brutal conditions. There are even documented instances of cats carrying messages in their collars during truces. Their service was so highly valued that the British government even “drafted” hundreds of cats specifically for frontline duty, cementing their status as unsung heroes of the Great War.

Robert Pattinson appears almost unrecognizable in Jack Bridgland’s portraits for GQ’s March 2022 issue.Published ahead o...
25/09/2026

Robert Pattinson appears almost unrecognizable in Jack Bridgland’s portraits for GQ’s March 2022 issue.

Published ahead of The Batman, the editorial moves between chaotic streetwear, industrial details and high fashion. Heavy makeup and shifting looks make each image feel like a different version of Pattinson.

In the accompanying interview with Daniel Riley, he reflects on filming during the pandemic and the way he approaches a role. The portraits give that conversation a visual form: an actor whose appearance seems to change every time we see him.

Photography by Jack Bridgland. Interview by Daniel Riley.

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