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Traditional recipe traced back to grandmaster from LingNan region in China, boiled fresh daily. Stall is open every day ...
20/06/2025

Traditional recipe traced back to grandmaster from LingNan region in China, boiled fresh daily. Stall is open every day regardless of weather, and has been in Section 17, Petaling Jaya for over four decades.

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13/06/2025

A few decades ago, there was a Sentosa Cinema in Section 17, Petaling Jaya. In its immediate surroundings, there were plenty of roadside stalls, a wet market by day and a food court by night, fulfilling the community’s living needs. After the cinema burned down in 1997, the site became a carpark, until Seventeen residence and mall was constructed in 2014. Beside the building, Petaling Jaya city council offered a sheltered space for the hawkers, many of whom had been there for over four decades, standing witness to the changes in the neighbourhood, and frequented by local residents. Among them is Chinese Herbal Tea.

The stall owner, Uncle Ngui Pong, is in his seventies. Hailing from Bukit Kepong in Johor, at 17 years old he moved to Selangor to learn martial arts and Tit Tar from Master Chow Tin Sang in SEA Park. Master Chow sold herbal tea for a living, and taught Uncle Ngui the traditional recipes for him to start his own business at the neighbouring Section 17. There are a few types of herbal teas: Five Flower Tea, monk fruit tea, Prunella vulgaris tea, and bitter tea (also known as “Wong Lo Kat”). One may opt to add Chinese medicine powder to bitter tea, to help relieve bodily discomforts. Later on, Uncle Ngui studied Traditional Chinese Medicine, and made minor adjustments to the recipes according to the therapeutic properties of medicinal herbs.

Selling herbal tea is a tedious task that takes up the entire day. At 8AM, Uncle Ngui starts preparing to boil herbal teas in the kitchen at the rear of the house, one large pot of each type. In the past, he used charcoal stoves, the heat was not stable, hence requiring close attention and the need to add firewood. Now that he uses gas stoves, the heat is stable, and Uncle Ngui is able to make time throughout the several hours of boiling to attend to patients who visit his Tit Tar clinic. Around 3PM to 4PM, the herbal teas are ready, and it is time to set up the stall. He travels back and forth between the food court and his house to bring the herbal teas, tables and chairs, and the stall itself. His wife also helps him to set up and do sales. Meanwhile, if there are patients, he returns to the clinic at home to attend to them. The herbal teas are prepared fresh daily and sell out. Uncle Ngui used to sell until late night, but in recent years he closes around 10PM.

Uncle Ngui usually sports white attire, the signboard of his stall is written in red on a white background, such is his appearance from youth to elderly. Day in, day out, he set up his stall in Section 17 regardless of the weather, the local residents drop by for herbal tea whenever they feel “heaty”. Many of his regular customers used to study at Universiti Malaya, and have been supporting him since they were students. Whenever they meet Uncle Ngui and his wife, they greet them with respect. The city council did not provide a dining area in the sheltered space for hawkers, therefore Uncle Ngui and his wife bought dozens of tables and chairs with their own money, providing convenience to fellow hawkers as well as customers, without demanding any return for their extra efforts. It would be great if customers could order a cup of herbal tea priced at RM2.50 as a gesture of appreciation.

Despite always looking serious, Uncle Ngui is honest and selfless, his herbal teas are authentic and priced reasonably, enabling him to blend into an unfamiliar neighbourhood and stay for decades. Each cup of herbal tea not only helps promote health, but also acts as a relationship bond between Uncle Ngui and the local community, a sweet sight in this Chinese new village within the city.

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【About Herbal Tea】

Herbal tea originated from LingNan, which encompassed the modern regions of Guangdong, Guangxi, Hainan, Hong Kong, and Macau. Due to being located in the subtropical monsoon climate zone, the combination of humidity and heat causes discomforts to the human body. Herbal tea is a herb-based healthy drink based on Traditional Chinese Medicine knowledge to relieve such discomforts. Herbal tea formulas can be divided into single and compound formulas, namely utilising a single type of medicinal herb and multiple types of medicinal herbs, which have therapeutic properties, such as honeysuckle and Prunella vulgaris.

Boiling herbal tea requires careful control of heat and time. The herbs need to be boiled just right, neither overboiled and lose all efficacy, nor underboiled and less efficient. Put the herbs and water into a pot, bring to a boil, then simmer over low heat for at least three hours. After that, it is left to stand for a period of time, to enrich both the flavor and the color of the herbal tea, before it is considered done.

Herbal tea is not only a drink, but a health-preserving wisdom based on Traditional Chinese Medicine originating from the general public and passed down over thousands of years. Drinking herbal tea to stay healthy is a major feature of LingNan folk culture. As our forebearers migrated to tropical Southeast Asia, herbal tea became widely popular due to its remarkable efficacy, and people of all nationalities and ethnicities could drink it. Herbal teas may be light or dark in color, and sweet or bitter in taste, yet each offers benefits that support one’s well-being.


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Family-run Tit Tar (Traditional Chinese Medicine Orthopaedics and Traumatology) clinic, the master being a certified Tra...
07/06/2025

Family-run Tit Tar (Traditional Chinese Medicine Orthopaedics and Traumatology) clinic, the master being a certified Traditional Chinese Medicine (TCM) practitioner, with a kind and honest personality. The Tit Tar clinic flourished for over 40 years. Together, members of the family carry on the traditional method for treating musculoskeletal injuries which originated among the common folk.

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10/05/2025

Teochew iron-rod puppetry originated from Chinese shadow puppetry, where puppeteers animate paper cut-out figures on a translucent screen with the aid of an illuminated background. To adapt for daytime performances, the puppets were refashioned: using tightly packed bundles of hay to form the torso, moulded clay for the head, paper and wood for the limbs, dressed in costumes, with iron rods attached to the back and limbs. The translucent screen was replaced by a glass screen. The stage structure was then changed to mimic the Teochew opera stage, complete with bamboo curtains and miniature props, and the puppeteers remain behind the curtains while manipulating the puppets to perform onstage. Those working in this line of industry are usually referred to as “Maestro of Paper Shadows”. Madam Toh Ai Hwa (a.k.a. “Zha Bor Jie”), now in her 70s, is well-known in the Teochew Puppet Opera industry in Malaysia. The special stage performance entitled “Maestro of Paper Shadows” is organized by her daughter to mark Toh Ai Hwa’s 61 years of dedication in her career.

Toh Ai Hwa is born into a family of Teochew opera performers. Her maternal grandfather, Yeoh Beng Kim, migrated to Malaya in the 19th century with his Teochew opera troupe “Lao Sai Yong Hong”; her maternal grandmother, Lee Gek Hong, was an accomplished actress playing Lady roles in the 1920s; her mother, Yeoh Cheng Im, was an accomplished actress playing Young Man roles in the 1940s; her third elder brother, Toh Ah Hock, is famous for playing Old Man roles. Traditional perceptions of opera performers were negative and disdainful. Yeoh Cheng Im did not want her children to suffer the same fate, therefore her husband brought up Toh Ai Hwa outside of the troupe, but the Teochew opera genes run deep.

By chance, Toh Ai Hwa joined “Lao Rong Xiu Chun” Teochew puppet troupe at 12 years old. Due to the puppets being too heavy for her to handle, she poured her heart into learning the musical instruments instead, and became the lead percussionist and chief conductor at the tender age of 15, which is a rare feat especially for females at the time. Besides playing percussion instruments, Toh Ai Hwa also did double duty to recite and sing the lines of various roles. As she was familiarized with Teochew opera since her childhood, she recited and sang brilliantly, having been blessed with a warm and rich voice. Being illiterate, she was unable to read manuscripts, yet she managed to memorize the lines of all the roles as well as the drum parts of nearly a hundred different Teochew operas.

In 1989, Toh Ai Hwa took over the Teochew puppet troupe as the manager retired, and rebranded as “Kim Giak Low Choon”. Her unwavering strength and determination, with assistance from her husband and four children, improved the business of the troupe, and secured plenty of performance bookings. Later on, Toh Ai Hwa’s daughter-in-law and grandchildren also joined the troupe, committed to uphold the family legacy for the fifth generation. As the rhymed spoken parts in “Emperor Ming of Tang cleanse the theatre” goes: The high platform is elaborately decorated, the number of opera performers are countless, each sentence is written by imperial scholars, singing about the vicissitudes of life – may the art pass down through the ages.

Teochew iron-rod puppetry is usually performed during traditional rituals or to honour deities. In a time when entertainment was scarce, it was also widely enjoyed by the general public. The seventh month of the lunar calendar is the busiest month for the puppet troupe, in conjunction with the Zhongyuan festival, community groups and temples would host streetside puppetry performances to pay respects to spirits. As times change, so did social perception, puppetry is no longer a performance carried out in temples but rather a form of performing arts. The puppet troupe gained opportunities to perform and share their experiences abroad. Although Toh Ai Hwa mostly stayed behind the scenes, she played an important role in passing on the legacy of Teochew opera and puppetry, and she was awarded the title of "Penang Intangible Cultural Heritage Inheritor" in 2008 and received the "George Town Knowledge Contribution and Heritage Award" from the George Town World Heritage Incorporated in 2020.

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18/04/2025

Fish wrapped in aluminium foil packets are neatly arranged on the brick stove, getting licked by bright flames from the charcoal fire. The chef is unable to see through the packet, and therefore can only determine whether or not the fish is fully cooked from the duration and degree of heating. When deemed ready, the foil packets are transferred to stainless steel oval plates and served to customers. Upon ripping open the steaming hot packets, one is greeted by the mouthwatering aroma and the delicate, tender flesh of a whole fish. The freshwater Tilapia fish takes about six months to grow from fish seeds to about one kilogram in weight, yet was caught, gutted and scaled, then cooked and served in the blink of an eye.

The grilled fish restaurant founded by Kok Sack Swee is situated within the hilly countryside of Broga, surrounded by verdant greenery, where one can listen to chirping birds and insects, view glimmering ponds, and embrace the tranquility and serenity. Uncle Kok lives in a small cottage on the plantation grounds. Early in the morning, he busied himself tending various fruit trees and medicinal herbs, as well as feeding the fish in the ponds. Although the work is tedious, he finds enjoyment in it.

Ancestors of the Kok family migrated from HuiZhou in GuangDong, China to Broga in the 1910s. Kok Sack Swee was a Broga lad born and bred. In his youth, he started his career in the agricultural sector, including a stint in oil palm cultivation at Kuantan, which he afterwards returned to Broga and developed fruit plantations. In the mid-90s, he started a fish pond in his durian plantation, and opened it to recreational fishing. As a way to attract more customers, Uncle Kok and his wife decided to offer cooking services.

Inspired by the relaxed charm of picnics, the freshly-caught fish are gutted and scaled, coated in homemade paste, wrapped in an aluminium foil packet, and grilled on a charcoal fire. Due to foil packets absorb heat relatively quick and distribute it evenly, as well as effectively retaining the food’s moisture, lending the grilled fish a delicate and tender texture. Captivating the customers’ taste buds with fresh ingredients, and charging a fair price, Uncle Kok gradually gained popularity. He is the first in Broga to offer grilled fish in aluminium foil packets, attracting foodies from near and far.

In 2000, Uncle Kok shifted to the current premises inside a rubber plantation, built additional fish ponds, and established a grilled fish restaurant. His wife, sister-in-law, son, daughter-in-law, and daughter readily help with operations. The entire family work together to serve up the freshest delicacies. Earlier on, while at the old premises, his son, Kok Chee Yee, used to only help out during weekends. Upon Uncle Kok founded the restaurant in his 60s, Kok Chee Yee decided to stay home to help, and took over the reins shortly after.

Now aged 81, Uncle Kok is no longer in charge of the grill, but he is still actively helping in the restaurant. From time to time, he worked in the fruit orchard behind the restaurant, tending various fruit trees and medicinal herbs. Whenever regular customers visit, he would converse with them in the Hakka dialect. Sometimes he would help to gut and scale fish, chop vegetables, and wash the dishes. In the evening, after business hours, is his time to relax and play with his grandchildren.

Kok Sack Swee leads an idyllic lifestyle in the countryside, Kok Chee Yee also shares his father’s sentiments, keeping a distance from the hustle and bustle of city life, relishing in the natural environment and his culinary pursuits. Living a simple life, surrounded by beloved family members, is the epitome of happiness.
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Situated at Broga, across the states of Negeri Sembilan and Selangor, Sak Dato Temple is not only a place of worship, it...
02/04/2025

Situated at Broga, across the states of Negeri Sembilan and Selangor, Sak Dato Temple is not only a place of worship, it also functions as a recreational and cultural landmark, at the same time contributing to social welfare.

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25/03/2025

Broga, which spans the states of Selangor and Negeri Sembilan, possesses a refreshing hilly natural landscape, as well as captivating local myths and legends that gave birth to a localized folk religion – Sak Dato.

In the mid-19th century, a batch of Hakkanese from HuiZhou in GuangDong, China, left their beloved hometown to become tin miners at Broga, which was still wilderness at the time. Upon settling down, due to being unaccustomed to the climate, along with poor living conditions, they suffer from illness. An indigenous man named Aman, who was warm-hearted and compassionate, always gathered medicinal herbs to help cure the miners’ illness. He lived in a stone cave along the path leading to the mining area, hence the miners refer to him as Sak Man. Word has it Sak Man vanished one day, and visited the miners’ dreams to inform them he had ascended to heaven, and was appointed by the Jade Emperor to safeguard the region. The miners went to investigate the stone cave, and found Sak Man’s remains in a termite nest. They buried him on the spot and erected a temple to pay respects to him.

Over the years, whenever confronted with difficulties, Broga villagers sought advice or herbal remedies from Sak Dato. Sak Dato is very efficacious, therefore villagers would send wooden plaques as a token of appreciation. In the early days, the temple was merely a shabby zinc hut, visited by local villagers. In 1991, FengShui master Chen WenGuo chanced to visit, and found that the temple was facing the wrong direction. After gaining Sak Dato’s approval, he reconstructed the temple into an auspicious facing direction. Master Chen offered help free of charge, under one condition: the temple committee must utilize money received from devotees for charity. The following year, upon completion of rebuilding works, the temple became popular and devotees flocked to visit.

As the number of devotees increases, 30% of donations to the temple are allocated to charity; the rest are used for beautifying the temple grounds, administration and maintenance purposes. The “Garden of Virtuous Deeds” Foundation was established in 1992, distributing relief funds to the poor and the ill in Negeri Sembilan, Selangor, and Kuala Lumpur on a monthly basis, consecutively up to the 400th session at present. Thanks to the continual generous support of devotees, there were no interruptions even during the Movement Control Order. At the same time, the temple committee also sponsors Home for the Angels Care Centre, which takes in orphans and children from dysfunctional families.

In 2012, the Sak Dato Cultural Museum was established to preserve historical relics of the Chinese community, and spread awareness to the public about the hardships and struggles of the development of Chinese education in Malaysia. The statues of the three key figures of Chinese education in Malaysia (Lim Lian Geok, Sim Mow Yu, and Lok Ting Yee) on exhibition are from The Four Houses Of Red in Gemas.

Initially, upon construction of the Sak Dato Temple, the British colonial government allocated 1.7 acres of land. Over the years, the temple committee gradually purchased neighbouring plots of land, expanding and beautifying the temple grounds so that people not only come to worship, but also to exercise and relax. The temple also attracted tourists near and far, boosting local economic activities. To date, the temple spans 38 acres, with 10 acres pending development.

Sak Dato Temple plays an important role in the Broga neighbourhood; not only a place of worship, it is also a place for healthy recreational activities, a cultural centre passing on the historical heritage, and at the same time contributing to social welfare and helping the needy.

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12/02/2025

“Lift the pot lid!” Upon lifting the lid of the steamer, scorching hot gusts of steam escape. Smoke from the woodfire and the steam create a misty cloud-like effect, filled with the sweet aroma of glutinous rice and sugar. Fresh from the pot, glutinous rice cakes have a dark caramel surface while the inner layer is golden in colour, with a smooth and soft texture. Stir using a chopstick, curl up a morsel, take an eager bite despite its high temperature, a pleasant sweetness lingers on the palate.

Glutinous rice cakes are a must-have for Chinese New Year celebration, used for prayers or gifting among family and friends. In the past, almost every family will make glutinous rice cakes before Chinese New Year. In Hakkanese it is called Tài Lǒng Cí (big basket glutinous treat), because it is contained within a bamboo basket that is one foot in diameter. Line the bamboo basket with heat-treated banana leaves, mill the glutinous rice into semi-liquid form, add equal parts of sugar and mix evenly, then pour the mixture into the container and steam for at least 18 to 20 hours.After the steamed glutinous rice cakes cooled down, cut into long strips and put into a tiered bamboo basket alongside other festive gifts, to bring along when visiting family and friends.

49-year-old Lim Swee Lin, whose ancestry is traced back to HeXi Hakkanese village in southern China, is a fourth-generation immigrant, born and bred in Kepong, Kuala Lumpur. His mother, who learned to make traditional treats from both his maternal grandmother (from JiaYing, MeiXian) and his paternal grandmother (from HeXi), ran a wholesale business in Kepong from the 70s to the 90s. As he grew up, he would help out after school. Glutinous rice cake making starts from one month before Chinese New Year, in Lim’s teenage years, he would stay up throughout the night to help tend the fire, adding firewood or water when necessary. Under a subtle influence, he gained glutinous rice cake making skills.

Now a maker of micro landscapes, Lim frequently participate in artisan markets. In conjunction with the Chinese New Year themed You Ni Market 18.0, he decided to share the taste of Chinese New Year he experienced while growing up, replicating the hard and weary process of making traditional glutinous rice cakes to acquaint market-goers with authentic Tài Lǒng Cí. Lim insists on sourcing natural ingredients, using untreated wood (rubber and acacia) for firewood, opting to use bamboo tubes from edible species as containers, which he also line with banana leaves. Lim’s glutinous rice cake mixture is not made from commercially available glutinous rice flour and refined sugar, instead glutinous rice is soaked overnight and ground into semi-liquid form, and then add raw cane sugar which is rich in nutrients and minerals.

Piling firewood, starting a fire, and building a simple red brick stove are all muscle memory to Lim. Boil water in a large iron-cast pot, layer some wood in the pot and arrange the bamboo tubes filled with glutinous rice cake mixture on it, then close the lid. During the cooking process, it is crucial to maintain a burning fire, making sure that the fire does not die out as the weather changes. After steaming for eight to twelve consecutive hours, the glutinous rice and raw cane sugar mixture became fully incorporated and caramelization took place. The aromas of the bamboo tubes and banana leaves became infused into the glutinous rice cakes as well. Consuming while hot, sweetness is at its prime, yet more complex flavours may develop after cooling down.

As Lim takes up the challenge of making glutinous rice cakes on-site, to ensure that things go well, he sought advice from his mother, and engaged his son’s help while providing him with hands-on training. The making of traditional Tài Lǒng Cí passed over four generations, not only strengthening family bonds, but also a continuation of Chinese New Year celebration, wisdom and cultural heritage.

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10/04/2024

At 4.30AM, night owls have not yet fallen asleep, the city has not yet woken up, street lights illuminate dust that has not yet been kicked up by traffic. A MPV drove slowly into the dark alley behind the Public Bank building on Jalan Tun HS Lee and pulled over aside. Uncle Wong Hoong Hon got out of the car and unlocked the fence of "Wong Mee Coffee Stall". This small plot accommodated his daily necessities. Uncle Wong turned on the lights, washed the cups and plates, boiled the drinking water, and then set up tables and chairs on the roadside. With everything in place, he sat on the stool in front of the stall, looking at the brightening sky and waiting for customers.

The rosy morning glow peeked out shyly from behind the tall buildings, and the alleys began to crowd with people. Around 7.30AM, customers flock in, filling the empty seats. Neighbourhood residents came for their daily drinks, office workers hurriedly left after eating, and travellers from afar took a rest. Long-term close friends with graying hair on their temples gathered here as usual. Everyone smoked, chatted, and spent the morning laughing and joking. When Uncle Wong's finally made it through the morning rush, he joined them until other customers show up.

The rich coffee and tea has maintained the livelihood of Uncle Wong Hoong Hon and his father Wong Mee for two generations, and the fragrant aroma lingers in their ordinary lives. Wong Mee started a coffee and tea-making business decades ago in a small shack not far from the current location, and his wife and children helped deliver it to customers in nearby shops. The busiest times every day were the tea breaks at 10AM and 3PM. Wong Hoong Hon, who was still young at that time, had to bring a tray laden with drinks and send to a dozen shops. When he grew up, he went out to work, but when his father passed away in 1987, he resigned and returned home to run the coffee stall with his mother.

Despite having relocated about 30 years ago, Wong Mee Coffee Stall has always been tucked in the alley, just a stone's throw away from the bustling streets. The current location of the stall was provided by a regular customer, who hopes that Uncle Wong Hoong Hon will continue to operate the coffee stall as a gathering place for the neighbourhood community. The signboard handwritten by his father on red paper was damaged by rain, but he kept his father's name and printed it on an acrylic signboard. At this point, Uncle Wong was running the business alone. Due to lack of manpower, he could not continue to deliver, so customers had to dine in. He also sells some light bites, such as bread, eggs, bao and dimsum. Earlier on, the menu included chee cheong fun and fried noodles homecooked by his wife, but was omitted after MCO.

Traditional coffee and tea making is not about technique, but achieving a balanced flavour between the base coffee or tea and condensed milk. This is what Uncle Wong surmised from decades of practical experience, and he can tell the difference at a glance. Cups of unpretentious fragrant coffee or tea capture the taste buds of customers and became a daily part of life, therefore customers willingly come back to Uncle Wong. He is reluctant to see his old friends break up, and he will continue to work until he is no longer able to.

As Uncle Wong Honghan is getting older and lacks physical strength, his operating hours from 5AM to 8PM were shortened to 12PM. Whenever passing by this alley in the afternoon, the space where the seats were placed is full of cars, and the stall is fenced up tightly. The scene in the morning is like a dream and a fantasy that has never really happened. Want to have a cup of tea in this alley? Please be early tomorrow.

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UNINESS

People and story, In between tale and tell. Not to be forgotten, unexaggerated. Authenticity is life. UNINESS, unfold stories within you.