Bhojpuri Film Academy Awards

21/08/2024

Meet Sarkata, aka who had us laughing and screaming in ! 💯👉🏼

21/08/2024

24/06/2024

"My cinematographer, Gary Long, and I knew that the ALEXA Mini LF was the perfect choice for 'Steal, Kill, and Destroy.' This camera delivers the most gorgeous color and tonality in digital cinematography. Some scenes needed to be shot on the dimly lit streets of Los Angeles, and the ALEXA's exceptional low-light capability made this possible with our small crew.
Gary and I aimed to make the film feel immersive, throwing the audience into the chaotic life of a police officer. The expanded frame size of the LF does an excellent job of placing the viewer right in the action. Combined with the DNA lenses, the result was truly breathtaking visuals.
ARRI's passion for independent filmmakers is undeniable. It made a profound difference on the quality of our film, and we continue to feel its impact today. We are forever grateful for their team’s support.” -- writer, producer, director Darron Savage

21/06/2024

“The ALEXA Mini was the perfect choice for us, providing an out-of-the-box organic feel with superior skin tone fidelity. Given our limited crew, the small, lightweight Mini was essential for capturing the shots we needed within our compressed shooting schedule.
ARRI consistently produces world-class cameras, and the ALEXA family is no exception. Working within a limited budget was tricky, but our top priority was telling this story right. Selecting the ALEXA Mini was an easy decision for us." -- DP Zakaree Sandberg

21/06/2024

"The new ARRI ALEXA 35 camera has three features that caught my curiosity: an s16mm recording mode that crops the sensor to use the size of a frame of that format, its new technology for adding textures to the image, and its new dynamic range.
For my in-camera process, I used the S16 Zeiss Super Speed lenses with the S16 mode of the ALEXA 35 and a Soft Nostalgic texture. Once the filming and editing were completed, we moved on to the color correction of the video in DaVinci Resolve, applying a film emulsion and adding more film grain texture.
It was projected in a 4K cinema after a 4K blow-up. The attendees of the screening—mostly cinematographers—thought the images were filmed on S16mm.
This procedure is an alternative to shooting on film, where I make no compromises and will use it again when I have a project where I cannot afford any margin of error from technical issues in the lab, light leaks, scratches, etc.
I thank colorist Leo Fallas who helped me develop this entire process to achieve the best result, and the entire technical team who collaborated on the project." -- Director/DP Alfredo Altamirano AMC

21/06/2024

DP Silviu Stavila shares insights into capturing "Three Kilometres to the End of the World" ("Trei kilometri până la capătul lumii") with ALEXA Mini LF: "The shooting took place in the Danube Delta, a remote location, in hot weather and high humidity, far away from any rental house or any technical support. We chose ALEXA Mini LF for its reliability, versatility, and compact size. The maximum aperture of the lenses and ALEXA’s highest dynamic range were extremely helpful for interior shots."

07/02/2024

MAA meri Maa.