United Notions Film

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United Notions Film Create. Inspire. Change. United Notions Film develops and produces thought-provoking films and media.

Our driving force is to create experiential films with challenging ideas that push boundaries, to make sense of a world where we are bombarded by information. Our films stimulate debate, compel people to form an opinion and inspire them to take a stand. We believe in humanity and the possibility for change to make this world a fairer place. Founded in 2006 by filmmakers Violeta Ayala and Dan Falls

haw, UNF's last feature film STOLEN premiered at the Toronto Film Festival 2009, screened at more than 80 film festivals worldwide winning 14 international awards. The company works with high profile co-production partners from the US, France, Germany and Norway. United Notions Film is currently producing two feature documentaries; CO***NE PRISON and THE BOLIVIAN CASE. We stand by our motto of making films with people, not about people.

Antes de presentar  en , estoy orgullosa de compartir que ha recibido una impresionante calificación promedio de 4 sobre...
07/12/2023

Antes de presentar en , estoy orgullosa de compartir que ha recibido una impresionante calificación promedio de 4 sobre 5 en varios criterios, incluyendo relevancia, novedad, innovación técnica, creatividad y calidad. Habiendo ya sido estrenada en eventos prestigiosos como Sundance 2021, Cannes XR, Games For Change, Forum Des Images), Galería Olido y SXSW Sídney, Prison X continúa teniendo un impacto significativo.



Antes de la presentación de Prison X en Siggraph Asia, me estoy convirtiendo en una autora publicada por la ACM - Associ...
02/12/2023

Antes de la presentación de Prison X en Siggraph Asia, me estoy convirtiendo en una autora publicada por la ACM - Association for Computing Machinery (Association for Computing Machinery - Asociación de Maquinaria Computacional. Esta asociación fue fundada en 1947 como la primera sociedad científica y educativa en el campo de la Computación.)

Quisiera extender mi más profundo agradecimiento a Dan Fallshaw y a todos aquellos que contribuyeron al proyecto Prison X, incluyendo a Alap Parikh, Roly Elias, Rilda Paco Alvarado, María Corvera Vargas, entre otres.

Un agradecimiento especial a Lauren Pabst, Katerina Cizek, Mark Atkin, Ingrid Kopp, Zeina Abi Assy, Opeyemi Olukemi , Ruthie Doyle por haber creido en este proyecto desde el principio. Esto no podría haberse logrado sin el apoyo de Screen Australia, Screen NSW, Sundance Film Festival, MacArthur Foundation.

Prison X es una experiencia innovadora en realidad virtual que transporta a las audiencias a un inframundo Neo-Andino mitológico. Como parte fundamental del Metaverso Neo-Andino, traduce perspectivas andinas sobre el tiempo, el espacio, la filosofía y la mitología en un mundo inmersivo 3D. Este proyecto colaborativo de artistas indígenas recupera su estética utilizando tecnología pionera. El ambiente de la prisión fue creada a través de fotogrametría y pintado a mano en Tilt Brush, luego importado a Unity. Los personajes representan el futurismo andino, diseñados en base a la cultura pop y el folclore. La animación utiliza captura de movimiento mientras que el audio espacial y la interactividad mejoran la inmersión. Estrenada en Sundance, Prison X combina narración, inmersión e interactividad para innovar en el futurismo cinematográfico emergente. Explora narrativas anticoloniales, desafiando nociones de identidad y realidad. La diversidad de perspectivas expande las posibilidades para XR como una herramienta de empoderamiento. Prison X apunta a un futuro creativo inclusivo, pionero apostando a un nuevo lenguaje visual y narrativo.

abstract Free Access Share on Prison X Author: Violeta Ayala United Notions Film, Australia United Notions Film, Australia 0009-0003-5452-1151Search about this author Authors Info & Claims SA '23: SIGGRAPH Asia 2023 XRNovember 2023Article No.: 25Pages 1–2https://doi.org/10.1145/3610549.3614614Publ...

I arrived in Asuncion this Tuesday, after a 24-hour journey from Sydney, to co-lead an XR lab with Nicolas Merens. We’re...
16/11/2023

I arrived in Asuncion this Tuesday, after a 24-hour journey from Sydney, to co-lead an XR lab with Nicolas Merens. We’re working with over 20 participants on six projects, with a clear focus: to build six prototypes that include VR, AR, and an installation. Expylab won the Meta community grant last year, which has been pivotal for our work. I’ll keep you posted on our developments. This technological revolution must be intersectional and open doors for creators from the Global South – that’s the only way it will truly make an impact.

By the time PrisonX made its way to SXSW Sydney, its reputation had preceded it - The youth maneuvered through the exper...
04/11/2023

By the time PrisonX made its way to SXSW Sydney, its reputation had preceded it - The youth maneuvered through the experience with a kind of instinctual grace, while the older generations—those who have been consumers of a more passive entertainment regime—found themselves literally going in circles. It wasn’t just the unfamiliarity with VR headsets; it was as if their minds were trying to walk a new path, but their feet kept tracing the old, well-worn tracks.

This isn't a mere tech gap we're talking about. It's a creativity chasm. The Gen Z crowd doesn't just absorb content; they want to play with it, twist it, and understand it from the inside out. In contrast, the older viewers, so used to a world where stories are told to them, found themselves lost when asked to step into the story themselves.

PrisonX isn’t merely an experience; it’s where the Gen Z’s instinctual navigation contrasts starkly with older generations’ hesitance, spotlighting a profound shift in content interaction and storytelling engagement.

Join us for the Australian premiere of our feature doc La Lucha, a sequel to the Walkley award-winning The Fight, and th...
28/09/2023

Join us for the Australian premiere of our feature doc La Lucha, a sequel to the Walkley award-winning The Fight, and the Sydney premiere of the critically acclaimed VR animation, PrisonX, both directed by award-winning filmmaker Violeta Ayala and produced by unitednotions.film.

Step into new realms of cinematic exploration at SXSW Sydney. Witness the Australian premiere of “La Lucha,” Violeta Ayala’s gripping documentary that chronicles the extraordinary protest by Bolivians with disabilities. Follow their journey through the Andes as they demand their pensions in a ...

Dropping a playlist curated during a swift London visit in 2023. Teaming up with three brilliant minds under KCL, we’re ...
19/09/2023

Dropping a playlist curated during a swift London visit in 2023. Teaming up with three brilliant minds under KCL, we’re crafting a grand phygital exhibition for The Strand in 2024. Drawing inspiration from The Burnt City’s immersive theatre, London’s vibrant streets, my first taste of 3D printed food, musing over lenticular printing, admiring the city’s design, analyzing its architecture, and observing the dynamic pulse of its inhabitants. Dive in!

Playlist · 22 Songs

🌟 Exciting Update! 🌟We’ve just submitted our policy recommendations, “FutureVision: Shaping Inclusive and Innovative Pol...
02/09/2023

🌟 Exciting Update! 🌟

We’ve just submitted our policy recommendations, “FutureVision: Shaping Inclusive and Innovative Policies for NSW’s Arts, Culture, and Creative Industries,” to the NSW Government.

🎨 Why This Submission Matters 🎭

We’re at a pivotal moment where art, culture, and technology intersect. Our submission addresses this convergence, advocating for interdisciplinary initiatives, social equity, and tech innovation in the arts sector.

💡 Key Focus Areas:

1️⃣ Interdisciplinary Programs: Merging art, film, and technology for a holistic creative experience.

2️⃣ Social Equity: Valuing the diversity of our cultural tapestry, including Indigenous and multicultural communities.

3️⃣ Tech Innovation: Harnessing AI and emerging tech to bolster human creativity.

🤖 Experience It Differently With Our Digital Avatars 🤖

To better articulate these ideas, we’ve developed digital avatars that will guide you through the key sections of our submission. It’s an immersive experience you won’t want to miss.

Create NSW Screen NSW

💬 We’d love to hear your thoughts. The future of NSW’s arts, culture, and creative industries is a collective endeavor.

Explore our comprehensive policy recommendations aimed at redefining New South Wales’ arts, culture, and creative industries. We delve into interdisciplinary programs, social equity, and tech innovation, making a case for a future where creativity and technology converge to uplift all communities.

Exciting and nerve-racking news to share. La Lucha, our feature documentary, is set to premiere at BlackStarin Philadelp...
23/06/2023

Exciting and nerve-racking news to share. La Lucha, our feature documentary, is set to premiere at BlackStarin Philadelphia. This project is the fruit of our labor with my community in Bolivia - years of screenings, discussions, and deep collaboration with Rose Mery, Feliza and Marcelo. It's humbling to witness the impact of our work, from securing a pension for people with disabilities to fuelling the momentum of the social movement. In Bolivia, 2016, a six months saga of resistance was written...

Filmmakers Violeta Blue Ayala & Dan Fallshaw...Time travel from   with STOLEN to   with Co***ne Prison
14/09/2018

Filmmakers Violeta Blue Ayala & Dan Fallshaw...Time travel from with STOLEN to with Co***ne Prison

Filmmakers Violeta Ayala and Dan Fallshaw talked to Christiane Amanpour about their latest film The Fight about the stru...
26/11/2017

Filmmakers Violeta Ayala and Dan Fallshaw talked to Christiane Amanpour about their latest film The Fight about the struggle of people with disabilities in Bolivia. has been nominated for an International Documentary Association award for best short, the Walkley Awards and a Rory Peck Award.

It's an incredible sight -- disabled protesters hanging from a bridge, in Bolivia. What was going on? Filmmakers Violeta Ayala and Dan Fallshaw decided to find out.

Last year a group of people with disabilities in Bolivia took their fight to the government in La Paz asking for a pensi...
14/11/2017

Last year a group of people with disabilities in Bolivia took their fight to the government in La Paz asking for a pension of $70 a month. We were there with our cameras and you can watch their story online at TheGuardian.com. But there's another problem! One of the leaders of the protest, Miguel better know as Micky is really sick and needs our help. He's in critical condition with complications from bed sores that have led to a serious bone and blood infection. Please read about the campaign and help save Micky's life.

In October this year, Mickey Mamani, a 24-year old leader for people with disabilities in Bolivia came to a point where his life is hanging by a thread; a bedsore has opened up into as open wound and has become infected, it’s eating his muscle and the infection has spread to his bones and blood....

The Fight has been selected for the IFP SPOTLIGHT ON DOCUMENTARIES with so many cool projects from equally cool filmmake...
20/07/2017

The Fight has been selected for the IFP SPOTLIGHT ON DOCUMENTARIES with so many cool projects from equally cool filmmakers. We are super proud of United Notions Film Kick Ass Producer Redelia Shaw who has two projects selected.

IFP (Independent Filmmaker Project), Filmmaker‘s parent organization, today announced its 2017 IFP Week feature film slate, highlighting over 110 narrative and documentary projects in development from over 15 countries. This follows the earlier announcement of 37 television, digital and web series i...

Our latest, The Fight will be released on The Guardian on 05/05/2017. A film about the strength of the most vulnerable f...
02/05/2017

Our latest, The Fight will be released on The Guardian on 05/05/2017. A film about the strength of the most vulnerable fighting the most powerful.
"People with disabilities are among the most discriminated against in Bolivia. Fed up of being ignored, a group of them marched across the Andes to the seat of the Government in La Paz, asking to speak with President Evo Morales. They are met with riot police, barricades, tear gas and water cannons."

Recognition is a white word for white Australia.The constitution of Australia is the most racist, white supremacist foun...
20/02/2017

Recognition is a white word for white Australia.

The constitution of Australia is the most racist, white supremacist founding document in the world and we’re glad we’ve refused to be part of that.

This constitution is our proof that we never ceded our sovereignty to the white trespassers.

The Australian government is a signatory to the UN declaration that relates to First Nations People’s. We demand they comply with the document they signed under international law in 2009.

Without first having land rights, we can’t have human rights.

We can’t close the gap we didn’t create. We demand our land back so we can control it; our future rests on this, securing the future for our grandchildren’s children.
Today, white Australians are guilty of receiving stolen goods, a criminal offense under their own law, aiding and abetting is their way of life. Today white Australians have 8 generations of wealth to hand down from father to son; land, houses, businesses, mines and money. All of it thanks to our land.

We were considered flora and fauna until 27 May 1967. On 28 May we stopped being animals under white law and as you’d conclude, animals don’t own land or houses. This is the root of our dispossession. White Australians stole our land; if it wasn’t stolen, then white man show me your deeds from the traditional custodians who belong to this land.

Generational trauma isn’t only a problem for us, it’s also a problem for white Australians. I wonder how they sleep at night with their ancestral conscience.

We can’t accept recognition without talking about restitution, treaties, self-determination and sovereignty.

This comes first.

Recognition is something that white Australians need more than anything. They’re in a hurry to change the constitution, however we don’t have to play by their rules. We’ve lived here for more than 60,000 years; we have a different concept of time. If the government wants legitimacy they need to recognise each sovereign nation of this land, their languages and totems.

If we go along with the recognition deal and accept the changes they propose, we will be giving the white government consent to take our land.

For 228 years our people have been killed, mutilated and imprisoned, our children are kidnapped and our waters are poisoned, however we’ve survived the genocide. They buried our kids in the ground up to their necks and kicked their heads off to put fear into us, they put ground glass in sugar and arsenic in flour and left it on the wood heaps to be taken and eaten. But they didn’t succeed because we’re the living proof, we’re still here and we still have no fear.

We’ve given our land the best sportspeople, Olympic athletes, artists, writers, politicians, the best and the brightest, despite their attempts to wipe us out.

They need to change their racist, white supremacist, and disgraceful constitution, not us. They need recognition to be here, not us.

I love my children and my grandchildren and I will fight until my last breath to give them back what is rightfully theirs.

On January 26th at the aboriginal tent embassy in Canberra, I met a strong, black man with a wide smile and weathered face. “When are we meeting again?” ...

There couldn’t be a better title to depict Australia. Mundine, the Aboriginal from Sydney is the man, Green the white ma...
03/02/2017

There couldn’t be a better title to depict Australia. Mundine, the Aboriginal from Sydney is the man, Green the white man from Perth is the machine. Mundine and Green, come from two different worlds inside the same country, a country divided by skin colour and race...So, I ask you, how can someone in their right mind question Anthony Mundine’s decision to not stand for a national anthem that embodies hatred, exclusion and racism? An anthem that erases the genocide endured by the oldest living culture in the world, the Aboriginal people, an anthem that misleadingly calls Australia a young, free and fair nation...Let me ask you a question. Would you expect a Jewish person to stand during the German national anthem after the Second World War? It is a matter of dignity for Mundine not to stand for the Australian national anthem.

"I can't stand for something that's racist. Advance Australia Fair, when it's really Advance Australia White." Said Anthony Mundine, ahead of hi...

I met Austin in 2012 when he was still inmate  . He was an imposing guy, but very polite and well spoken. He seemed real...
13/12/2016

I met Austin in 2012 when he was still inmate . He was an imposing guy, but very polite and well spoken. He seemed really nice. When he told me he was in for second-degree murder, I literally backed away. I wasn’t afraid of him, but I was definitely put off. He was not threatening, but I had never to my knowledge spoken with someone who had taken a life. He disarmed me by openly talking about his crime and that you “couldn’t take away from the seriousness” of some of the San Quentin inmates’ crimes, then impressed me with his cogent statement about how nevertheless there were abuses going on in the prison system. Then he said he needed a piano, and I felt like I was being conned, but really he was just saying he needed a piano and probably thought I could help.

Violeta Ayala's last article at the The Huffington Post "There has been no running water for three weeks. This is happen...
29/11/2016

Violeta Ayala's last article at the The Huffington Post "There has been no running water for three weeks. This is happening in La Paz, the capital of my country Bolivia. Hospitals are in emergency, schools have cancelled classes, food factories have stopped manufacturing. Since there’s no water, there’s no bread, the staple food for Bolivians. Last week the rubbish collectors went on strike and the electricity was out. Scenes in La Paz look more like the opening of a post apocalyptic science fiction film, but unfortunately this is real. La Paz, home to 2 million people, might be the first capital city to have a very serious water crisis, but I doubt it will be the last."

The Bolivian Case is coming up in Sweden...
02/11/2016

The Bolivian Case is coming up in Sweden...

Flying out of Bolivia, three Norwegian teenaged girls are arrested with 22 kg of co***ne in their luggage. Thrown in jail, the young, beautiful girls immediately…

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