Hungarian Cultural Studies

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Hungarian Cultural Studies Journal of the American Hungarian Educators Association.

It took some seventy years after World War II for the educated part of the Hungarian public to obtain comprehensive info...
03/06/2024

It took some seventy years after World War II for the educated part of the Hungarian public to obtain comprehensive information on the double tragedy of Hungary’s participation in the German military campaign against the Soviet Union. Not only was the army’s defeat at the Don River in the winter of 1942/43 an unmitigated catastrophe, but as Krisztián Ungváry demonstrates, the Hungarian honvéd forces, performing occupation duty in Ukraine and a part of Belorussia, committed atrocities against the civilian population which nearly equaled those of the German occupiers. Moreover, the ill-equipped Hungarians’ main dilemma was a nefarious entanglement in local ethnic and nationalist conflicts, in which the Soviet Partisans played only a limited role.

Read the full article here: https://ahea.pitt.edu/ojs/ahea/article/view/326

07/05/2024
This article focuses on the English translation and reception of a major contemporary Hungarian novel, Ádám Bodor’s The ...
07/05/2024

This article focuses on the English translation and reception of a major contemporary Hungarian novel, Ádám Bodor’s The Sinistra Zone. A fairly slim book, The Sinistra Zone was first published in 1992, established Bodor as a major writer and inspired a considerable amount of critical literature in Hungary. The article first gives an overview of the position of The Sinistra Zone in contemporary Hungarian literature and highlights some issues discussed by critics that are relevant for the discussion of the English translation and reception. After reviewing the American reception of the book, Orzóy examines how specific features of Bodor’s prose are rendered in Paul Olchváry’s English translation by discussing some translational choices and analyzing how these choices may modify possible interpretations of the novel. It is also suggested that besides the interpretive potential of the English translation, expectations towards translated novels may be a reason for the divergence of opinion between Hungarian and American reviewers and critics.

Read the full article here: https://ahea.pitt.edu/ojs/ahea/article/view/325

04/05/2024

10 new items added to shared album

This study explores popular responses to communist rule in Hungary and the role of Western media in the years leading up...
03/05/2024

This study explores popular responses to communist rule in Hungary and the role of Western media in the years leading up to the Hungarian Revolution of 1956. Most scholars to date have focused on the guiding role of the intelligentsia and the influence of Radio Free Europe. While these were indeed necessary ingredients in the revolutionary stew, Brown argues that the roots of the revolution are more complex. Hungarians from all social strata listened to many Western radio stations; as a result, many of them adopted critical and informed perspectives on the propaganda directed at them from both Moscow and Washington. As Hungarians listened in on the West, their discussion of news and politics generated a shadow public sphere, in which Radio Free Europe came to occupy a preeminent role despite its biased and propagandistic tone. The shadow public sphere incubated the postwar dream of an egalitarian and democratic Hungary until open political discourse became possible once more in October 1956.

Read the full article here: https://ahea.pitt.edu/ojs/ahea/article/view/324

This article elaborates on Herta Müller’s Gulag novel, Atemschaukel"" (2009; published in English under the title of "Th...
01/05/2024

This article elaborates on Herta Müller’s Gulag novel, Atemschaukel"" (2009; published in English under the title of "The Hunger Angel" in 2012), in the historical, political and ethical contexts of twentieth-century forced migrations by placing the novel among those exodus narratives that have unfolded the parallel history of Romanian-German and Jewish communities during and after the Second World War. Given the fact that the memory of forced migrations and of the Gulag is a “soft memory” (Etkind 2004), there are no consensual remembrance policies in any concerned East or East-Central European country regarding their history. In the absence of official ownership, the legacies of these colletive and individual traumas became predominantly text-based (rather than image- or monument-based). One must therefore study those aesthetical forms by which literature is able to encode the physical, psychological, moral, social-political conditions of any totalitarian rule—and thus, attempt to establish the perceptional and sensational frames on which the universe of the Gulag can be re-constructed. Accordingly, this paper gives an amplifying view of the tendencies by which Müller’s Atemschaukel both preserves and subtly re-orchestrates the conventions of the genre of the Gulag novel. One of the main achievements of her (politics of) aesthetics consists in re-creating the image of the labor camp through an ethically grounded conception of literary testimony, which, at the same time, gains and fulfills a mediative (mimetic) function.

Read the full article here: https://ahea.pitt.edu/ojs/ahea/article/view/323

Two Hungarian authors, Sándor Márai and Péter Nádas, seem to have one thing in common: their attraction to triangular re...
29/04/2024

Two Hungarian authors, Sándor Márai and Péter Nádas, seem to have one thing in common: their attraction to triangular relationships. Written between 1935 and 1942 and portraying human relations in pre-World War II Hungary, Márai’s two novels and one drama all turn on a very specific triangular structure between two close friends and the woman whom they both love(d). Now they conduct a painful tête-à-tête to decide on the final ownership (or simply fate) of the woman. Written in 1979 and portraying human relations in communist Hungary, Nádas’s play has only two actors on stage, a woman of aristocratic descent and a young man, the son of a high-ranking communist official, the woman’s long dead lover. This exchange between the two characters opens into an encounter of three, where the woman and the young man each use the other as a mediator to reach the third, the lover/father. Bollobás argues that the triangles displayed by the two authors represent two distinct types: the former is informed by fixed, hierarchical, subject-object power relations, while the latter by fluid, non-hierarchical, subject-subject relations.

Read the full article here: https://ahea.pitt.edu/ojs/ahea/article/view/321

26/04/2024

The 48th Annual AHEA Conference is going to be held in-person between May 2-4, 2024 at Rutgers University. For updated program, venue, registration please check out the conference website at https://sites.google.com/stmarys-ca.edu/2024-ahea-rutgers/2024
Visitors are welcome!
DAY PASS for VISITORS only: $25/DAY (lunches and Saturday Ball not included)

The Hungarian populist writers Gyula Illyés and Lajos Nagy visited the Soviet Union together during the summer of 1934 a...
26/04/2024

The Hungarian populist writers Gyula Illyés and Lajos Nagy visited the Soviet Union together during the summer of 1934 as guests of the Union of Soviet Writers. Upon their return to Hungary, Illyés and Nagy published their impressions in separate travelogues. Although they both stressed that they strived for objectivity in their travel reports, they did not fully succeed in their efforts. Their perspectives were colored by a feeling of cultural superiority carried over from their experiences in the Hungary of the 1930s. Their writing was also tainted with anti-Semitism, as evidenced by their reflections on the life of Jews in Russia and Ukraine. Although their hosts took them to model institutions on a government-designed grand tour, they were not won over to the communist cause and failed to become fellow travelers.

Read the full article here: https://ahea.pitt.edu/ojs/ahea/article/view/320

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