Subito Music Corporation

12/17/2025

🎉🎉 Big week ahead at the Midwest Band & Orchestra Clinic! If you're in town, come visit us at Booth 1617!

12/05/2025

In 2004, composer Paul Moravec was awarded the Pulitzer Prize in Music for 𝑻𝒆𝒎𝒑𝒆𝒔𝒕 𝑭𝒂𝒏𝒕𝒂𝒔𝒚, his celebrated chamber work inspired by the characters, moods, and magical atmospheres of Shakespeare’s The Tempest. Over two decades later, the piece has secured a distinguished place as a modern classic in the contemporary chamber music repertoire and continues to captivate audiences worldwide.

Provided to YouTube by NAXOS of AmericaTempest Fantasy: II. Prospero · ALIAS Chamber EnsembleAmorisms: Music of Paul Moravec℗ 2016 DelosReleased on: 2016-01-...

12/05/2025

Congratulations, again to Roberto Sierra for this stand-out performance of his Concerto for Saxophones and Orchestra by the Boston Symphony Orchestra If you missed the concert in Boston, you can listen to the broadcast for free here!

Dima Slobodeniouk conducts the Boston Symphony in the highly anticipated world premiere of Tania León’s Time to Time, followed by Roberto Sierra’s Concerto for Saxophones and Orchestra featuring soloist James Carter, as well as Brahms’s lyrically pastoral Second Symphony.

12/04/2025

Congrats to Dan Locklair!!! Enjoy his wonderful music with the Phoenix Consort Choir here: https://www.youtube.com/watch?v=pEusc2qbhMk&list=RDpEusc2qbhMk&start_radio=1

💫 For release Friday 2 January 2026. Pre-order your digital download or CD with free shipping at https://conviviumrecords.co.uk/product/sing-to-the-worldThi...

12/01/2025

11/30/2025

Products Archive - Subito Music Corporation

11/26/2025

Congratulations to Dan Locklair for the recent description of 𝐀 𝐅𝐞𝐬𝐭𝐢𝐯𝐞 𝐏𝐫𝐨𝐜𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥 in The American Organist magazine.
"A Festive Processional (In Gold and Black), Dan Locklair. Subito Music Pub­lishing, 2025. Locklair composed the original version of this piece in 1993 for the convocations at Wake Forest Univer­sity, where he recently retired as composer in residence and professor of music. It was first titled In Gold and Black (A Festive
Piece for Organ), apparently named after the school's colors. In 2002 he revised the piece, "not planning for it to be published;' and then rediscovered it again in May of this year, when he made an "extensive re­vision;' resulting in the present publica­tion. It is stately and majestic, with the meter varying between 2/4 and 3/4, mostly fortissimo and fortississimo ( cer­tainly with the use of a large solo reed if available), going down to forte with warm foundations in the lyrical middle section. It has similarities to the Phoenix Proces­sional of 1996, in harmonie language and use of crisp 32nd-note figures on top of an underlying quarter-note rhythm (but, alas, there are no pedał glissandos at the end). A fair amount of the important melodie writing is above the staff, so you would want a registration with broad, high-qual­ity tone in that range. At about five min­utes long, the piece has provisions for adjusting the length if used as a proces­sional. It is moderately difficult and would work well as a big voluntary in a service or as a recital piece." THOMAS BOHLERT, FAGO, The American Organist