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29/11/2025

Curso Elektron Model Cycles : diseñado para mejorar tu producción de música electrónica con un enfoque profesional, práctico y orientado a obtener resultados reales en tu sonido.

29/11/2025

Horarios para esta noche :

23:00h
01:30h live
03:00h
05:00h live

Últimos tickets en el link de la bio.

29/11/2025
28/11/2025
28/11/2025

Thanks k92label and Saule for making such a great atmosphere

28/11/2025

Máquinas, ritmo y una estética que golpea sin adornos.
Un directo construido con la crudeza y la precisión del mejor techno.

El sello , referente en la escena eslovaca por su enfoque oscuro y directo, encuentra en Christian Wünsch una afinidad natural: fuerza rítmica, tensión y una visión propia del techno más serio.

Este sábado, dentro del showcase, Christian Wünsch presenta su live en Lanna Club.
Una actuación de presión sonora y carácter.

Entradas en el link de la bio.



Machines, rhythm, and an aesthetic that hits without embellishment.
A live performance built on the rawness and precision of true industrial techno.

The Palicavonzvreca label — a reference in the Slovak scene for its dark, direct approach — finds a natural connection in Christian Wünsch: rhythmic force, tension, and a singular vision of serious techno.

This Saturday, as part of the showcase, Christian Wünsch brings his live performance to Lanna Club.
A night of pressure, texture, and pure sound.

Tickets available through the link in our bio.

26/11/2025

Axis Alert > NEXT DATE 12/4 and 12/5 Paris, France. Jeff Mills celebrates Jeff Mills Live At The Liquid Room 30th anniversary at FVTVR.

26/11/2025

Lady Bo’s story feels like something the universe left tucked in a guitar case — a legend hiding in plain sight, waiting for someone to open it and let the sound out.

She was born Peggy Jones, a Harlem girl who studied classical music long before she ever plugged into an amp. That mix of discipline and danger shaped everything she became. She wasn’t supposed to enter rock and roll. Black women weren’t invited, encouraged, or expected to pick up electric guitars. But she picked one up anyway — and changed the room.

When she joined Bo Diddley’s band in the late 1950s, the audience didn’t know what hit them. She didn’t stand quietly in the background. She stepped forward, matching Bo step for step, sometimes outplaying him, always bringing a crackling voltage to the stage. She moved with choreography she created. She played riffs she arranged. She helped shape the band’s signature sound, even though history rarely bothered to put her name on it.

People nicknamed her Lady Bo, but the truth is she earned that title. She wasn’t his shadow. She was the architect behind some of his most unforgettable performances.

And hidden inside her story is the detail that reshapes everything:
She built her own guitars — custom electronics and all — at a time when women weren’t even encouraged to play them.

She would leave the tours, form her own band, The Jewels, arrange for other artists, then return and electrify the stage like she never left. Fans still remember the way she attacked the rhythm, the way she could turn a single chord into a warning shot.

Rock and roll didn’t give her flowers. It barely gave her credit.
But the truth stands:
A Black woman from Harlem helped carve the sound that generations built their dreams on.

Lady Bo broke the rules before the world even realized there were rules to break.

26/11/2025

Axis Alert > Jeff Mills brings Live At Liquid Room to the Knockdown Center. 3/14/2026.

23/11/2025

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