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St Andrews Radio's own music magazine- in print and online STAR’s very own music magazine- in print and online. Get involved!

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http://www.hearingaidmagazine.com/

06/01/2026

"Over the past 40 years, music videos have evolved as their own art form, not neatly fitting into the confines of either the music or the film and television industry. While videos are centered around the work of musicians, they’re brought to life by directors and film teams, who often seem to be the ones pushing for music videos to still be made."

Lucy Kerr discusses MTV shutting down its channels and asks 'Has TikTok Killed the Video Star?'

Read the full article @ the link in bio

03/01/2026

"We are no longer satisfied by this, instead craving biopics that embellish and chart the rise or fall of an artist."

Lola Nam de Giorgio asks – what ever happened to the concert film?

Read the full article @ the link in bio

02/01/2026

"at twenty-seven years old, he has established himself as a prominent musician, a performer, a fashion designer, a model, and a philanthropist. And yet, despite his trademark versatility, he brings a quality to all his work which is immediately recognizable."

Aki Sanjay gets into the work of Kim Hongjoong in this month's edition of 'Producer's Cut'

Read the full article @ the link in bio

30/12/2025

"The soaring vocals, collaborative atmospheres, and contagious grooves have hooked me completely in the last couple of years"

Ian Glackin digs into Southern Rock

Read the full article @ the link in bio

27/12/2025

"Holo Boy is a creative representation of how artists can change a song’s instruments and vocals to alter the listeners interpretation. By breaking down and altering main components, Amos allows his past followers and newcomers to see the progress and change in his creative thinking."

Eva Sawdey reviews Holo Boy, the sophmore album from

Read the full article @ the link in bio

25/12/2025

"The depreciation of album tracklists and album concepts is how we ended up here, caring more about single tracks than albums as a body of work… "

Bailey Tolentino discusses the problem with shuffle in the latest edition of her column Pinpointed

Read the full article @ the link in bio

23/12/2025

"On a wintry New York evening, the frontman of Gen Z’s “first great rock band” Geese, made history as one of the youngest artists ever to take the stage at the storied Carnegie Hall."

Finn Wentz reports on 's sold out gig at Carnegie Hall on December 11th

Read the full article @ the link in bio

20/12/2025

"As the band left the stage we caught one last glimpse of the angel wings painted on the back of Rowsell’s leotard. Both aesthetically and musically, the concert felt like a dream."

Katlyn Mortimer takes us to Wolf Alice's gig at the OVO Hydro in Glasgow earlier this month

Read the full article @ the link in bio

16/12/2025

"Blizzard is a cosily haunting project that already showcases Ellis’ precise control of musical dynamics using restraint rather than excess to build tension and emotional weight."

Julius Swinfen-Cranney reviews 's debut album, 'Blizzard'

Read the full article @ the link in bio

11/12/2025

'Vitally, it wasn’t cacophony, but rather a transparent, albeit overbearingly loud mass of sound, in which the audience members could discern every single instrument’s performance and how it contributed to the overall effect.'

Jakub Brzozowski reviews Swans' performance at Electric Brixton on November 9th and 10th.

Read the full article @ the link in bio

09/12/2025

'Retiring one’s musical identity and retiring in full are two entirely different things. The former is similar to leaving a band; artists adopt an identity to help consolidate and express their ideas in the same way that one would join a band to seek creative facilitation.'

Ian Glackin discusses the concept of the 'stage name', and what it means for an artist like Childish Gambino, or Donald Glover, to outgrow it.

Read the full article @ the link in bio

08/12/2025

"What they enforce is a sense of rigidity amidst the chaos. Listening to Magma, one can feel like you’re witnessing an incomprehensible horror space opera, which seems chaotic and overwritten, but deep down you know that the writers know precisely what they’re doing."

Jakub Brzozowski digs into Zeuhl in the latest edition of his column, 'Genre-Wise: An Exhibition of Obscure Music'

Read the full article @ the link in bio

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