16/10/2025
This brass throne stool, made for Oba Eresoyen of the Benin Kingdom (present-day Edo State, Nigeria) between 1735 and 1750, shows the expertise and symbolic complexity of royal regalia in Benin’s court tradition. Modeled after the throne of the 16th-century Oba Esigie, it honours a lineage of powerful rulers while asserting Eresoyen’s authority as a key patron of brass casting.
The design is rich in layered meaning: entwined pythons link the divine order, which is represented by the upper seat, with the natural world at the base. At the top, symbols of the sun, moon, and cross represent cosmic balance and creation. Ceremonial swords emphasize royal authority, while blacksmith tools (anvil, bellows, tongs, and hammer) evoke the shaping of civilization. The base features motifs from the natural and spiritual realms: monkeys, used in sacrificial rites, and the “trunk hand” (an elephant’s trunk ending in a human hand) symbolize Ọṣun’s hidden power within the forests. Frogs, representing water, allude to the marine deity Olókun, further anchoring the throne in the spiritual cosmology of the Edo people.