f11 Magazine

f11 Magazine f11 Magazine for photographers and aficionados. www.f11magazine.com www.f11magazine.com

f11 is a FREE online magazine presented in a page flip format.

Produced in New Zealand, the magazine boasts strong readership from Australia, New Zealand, the USA, UK and Canada as it's core constituency but enjoys fans and subscribers from 60+ other countries around the world. f11 is aimed directly at professional and enthusiast photographers, designers and creative people working with images, and collectors of photography and ephemera. It is deliberately pi

tched high-end at a knowledgeable and discerning audience, rather than the complete beginner. f11 contributors shoot, collect, live, eat and breathe pictures. They are also astute observers and experienced commentators on the imaging business. The magazine showcases images from a wide range of photographers and shares their ideas, opinions and techniques. Readers can expect images of every type and origin, silver and pixels, wet and dry, dark and light, Polaroid and iPhone! f11 is completely technology agnostic, the pictures rule. f11 is also available on the website as a PDF download for iPad users, or those wishing to read the magazine at the beach, on a plane, or offline. All this and more - free to read online 11 times each year! Every issue is archived online in both page flip and PDF formats so new readers can enjoy everything we've produced since issue 1 in July 2011. Join our community, you're very welcome here.

Come on photographers, if the NIK Collection is part of your workflow then now is your chance to stand up and tell Googl...
04/06/2017

Come on photographers, if the NIK Collection is part of your workflow then now is your chance to stand up and tell Google not to kill off this valuable post processing tool! Sign the petition NOW!

In 2012, google bought Nik Software,bringing the Nik Collection and the popular photo editing app Snapseed into their portfolio. Snapseed had become one of the most popular photo editing apps in the iTunes App Store. Whereas the Nik Collection was an important tool for photographers, especially for....

Issue 66, June 2017 is online now! Features photographers from New Zealand, the United Kingdom and Switzerland. Chris Mc...
31/05/2017

Issue 66, June 2017 is online now!

Features photographers from New Zealand, the United Kingdom and Switzerland. Chris McLennan is a New Zealand photographer who shoots all around the world, mainly capturing travel and tourism, wildlife and culture. We’re sharing images from some of his global roaming, with particular emphasis on his lifestyle and adventure work. Englishman Peter Davidson is a former commercial photographer who now shoots for himself, favouring the power of monochrome and delighting in relatively simple kit. He’s enjoying the freedom and autonomy of being his own client. Finally, Gabriel Hill is a Swiss photographer who works commercially, specialising in the portraiture and editorial sectors. The work he’s sharing with us is highly personal, as his ImPortraits series documents the plight of refugees living in Switzerland.
Cover of our June 2017 issue. Image © Chris McLennan http://www.cmphoto.co.nz

Issue 65, May 2017 is online now!This issue features three photographers – two from Australia and one from Japan. Stepha...
30/04/2017

Issue 65, May 2017 is online now!

This issue features three photographers – two from Australia and one from Japan. Stephanie Bowers is an Australian photographer who calls Queensland her home. Hers is the genre known as bo***ir photography, and we’ve curated our own collection entirely from the monochrome section of her stunning portfolio. Joel Strickland hails from Tasmania, Australia and shoots cars and motorsport for manufacturers, dealers and publications. Finally, Kai Nagayama is a fine art photographer currently based in New York City. Originally from Kyoto in Japan, he moved to the United States when he was 18 years old. He works as a freelance photo retoucher in the city and creates his own black and white photography projects in his free time.

Cover image © Stephanie Bowers
http://www.stephaniebowers.com

Provocative? Certainly. Informative? Assuredly. Conclusive? Less so...What do you think?
13/04/2017

Provocative? Certainly. Informative? Assuredly.
Conclusive? Less so...
What do you think?

As camera makers struggle to innovate, consumers are finding little need to upgrade. The market is slowing to the point of inertia—manufacturers need to ta

Yet another highly progressive move by the Australian Institute of Professional Photography (AIPP). John will no doubt c...
09/04/2017

Yet another highly progressive move by the Australian Institute of Professional Photography (AIPP). John will no doubt contribute in countless ways, as he has always done within the Australian photo industry. Kudos AIPP management team, and congrats John!

John Swainston has been co-opted by the AIPP board as a new board member with immediate effect. John was co-founder and managing director of then Nikon distributor, Maxwell for 24 years, prior to Nikon Australia forming in 2006. Until 2015, … Continue reading →

Issue 64, April 2017 is online now! This issue features three photographers, two from New Zealand and one from Canada. P...
31/03/2017

Issue 64, April 2017 is online now!

This issue features three photographers, two from New Zealand and one from Canada. Petr Hlavacek, a native Czech who settled in New Zealand in 2005 now bases himself on the West Coast, and shoots his great loves - landscape and wilderness. A Canadian, Christopher Gentile is a former film director turned commercial photographer based in Toronto. We’re featuring a portfolio of his portraiture, and this man can really direct talent. Finally, Lynn Clayton is a freelance photographer based in Auckland, New Zealand. Lynn shoots a variety of subjects but we’ve opted for an eclectic collection from her archive, much of this travel based.

Cover of our April 2017 issue. Image © Petr Hlavacek
www.nzicescapes.com

No doubt fans will flock there to capture the most famous willow in New Zealand in a new light. Just a phase of course, ...
28/03/2017

No doubt fans will flock there to capture the most famous willow in New Zealand in a new light. Just a phase of course, so you'll need to be quick...

Usually surrounded by water, the willow tree has become one of the must-see spots for tourists in the town and its image has been used to promote Wanaka around the world.

Issue 63, March 2017 is online now! www.f11magazine.comFeatures  three photographers. – two from the southern hemisphere...
28/02/2017

Issue 63, March 2017 is online now! www.f11magazine.com

Features three photographers. – two from the southern hemisphere and one from the northern. Jon Davison, a New Zealander who bases himself in the south of France, shoots aircraft around the world, much of it done air-to-air and including everything from biplanes to the fastest and most modern military and corporate jets. Gary Cranitch is the resident photographer at the Queensland Museum in Brisbane, Australia. We’re featuring his work on the Great Barrier Reef, most of this captured using scuba gear, housed cameras and lighting. Finally, Abi Pym is an English textile designer who now integrates photography as one of the components of her fashion design process. Her interest lies in the world of macro photography. Subscribe now, it's free!

Cover of our March 2017 issue. Image © Jon Davison
www.eyeinthesky.com.au

Issue 62, February 2017 is online now! www.f11magazine.comFeatures  three photographers – two from the United Kingdom an...
31/01/2017

Issue 62, February 2017 is online now! www.f11magazine.com

Features three photographers – two from the United Kingdom and one from Australia. Matt Emmett is a graphic designer working in the toy industry in the UK. He’s also a passionate photographer involved in the field of urban exploration. Ian Kenins is a street photographer based in Melbourne, Australia. We’ve selected a sampling of black and white images from his recent book, ‘A Snapshot of Melbourne’. This collection of images was captured over 26 years using various film and digital cameras. Finally Howard Kingsnorth, a British commercial photographer, lives and works in London and shares a collection of cityscapes and structures, many captured from helicopters, and the story of his life as a journeyman in photography.

Cover of our February 2017 issue. Image © Matt Emmett
http://www.forgottenheritage.co.uk/

Photography in Australia - in grave danger of being a regulated and policed activity requiring a permit in many public p...
20/12/2016

Photography in Australia - in grave danger of being a regulated and policed activity requiring a permit in many public places? If you agree that this sounds an awful lot like insanity, then add your voice to those of outstanding and outspoken photographers like Ken Duncan in their quest for sanity and reason to prevail. Stand up all of you creatives, or your art form might be the next one in line...

Below is a photo of Peter Walton, a great Australian photographer, who joined with me and over a thousand other photographers in 2010 . We held a rally in Sydney to fight for photographers rights. This was one of the proudest moments for me, as an Australian photographer, but we need to keep fighting. So please read and spread this news update.
We need to be passionate about standing up for the rights of photographers - our freedom to take photos and to pursue our artistic rights.
As you are all aware, bureaucracy is getting out of hand. Increasingly photographers are being treated as criminals and even being threatened with arrest. This has happened to me on many occasions. On my last altercation in Barangaroo, Sydney, I posted on Facebook how outraged I was - it reached over 1.4 million people.
The response was so great that NSW Premier Mike Baird promised to try and do something. The NSW Premier Department was asked to conduct a review in order to return NSW to its former glory as a user-friendly Arts and I was asked to speak with them to enlighten to explain the issues and their effects on photographers, the Arts and NSW at large.
So after months of review and talking to all the different governing departments, the Premiers Department now realise how overly controlled and complex the process of people taking photos has become. Their basic recommendation was just to write a friendly directive and talk to all the departments and ask them to play nicely with photographers and artists. They still wanted all the different department regulations to stay in place. They realized it would be hard to change all the existing rules. So their initial solution was to try and put more red tape on something that was already out dated and broken. I said "This is unacceptable, we have to get our Premier to lead from the top on this issue. We need to return the rights and freedoms that have been lost - as long as a photographer or artist does not want more access to, or to create more impact on the environment than the average tourist/person, there should be no charges or permits required.
They said "but what about commercial artists or photographers?" I said "It shouldn't be about wether or not someone is hoping to make money from their artistic talent, it should be about the potential impact to an area".
I agreed that if some one is going to be doing a creative activity where there may be more than 3 people, or they may want access into special areas, or they may want to bring in big equipment, or props that may create potential traffic issues, then I understand that permits and fees could apply. The way it is now, with all the separate departments and their different domains with differing regulation, it's become a minefield. If a photographer wanted to do a Landscape book just from photos taken in NSW it would be an organizational and financial nightmare just to deal with all the different requirements of over zealous regulations. They think if anyone is potentially going to commercially make a gain, then they make it difficult. They want artist to fill out paper work, work out fees for shoot or telling exact dates of when they will be taking photos.
In the end all photographers get caught up in the process. Because what is deemed a commercial activity and who is at sometime going to make possible financial gain from their images?
The thing rangers and enforcers look for most in photographers as potential commercial targets is if they have expensive looking gear or God forbid a tripod. This surely means they are commercial. I said to the Premiers department "You can not tell if someone is shooting commercially or not by the size of their camera or tripod. It is possible now with technology to shoot commercial footage just using your smart phone or a small camera. Just recently, Apple promoted iPhone using a billboard campaign comprised solely of photos taken with their phones. I wonder if they paid location fees and filled out permits?
I also mentioned how ridiculous it is that most of the year it's a big issue taking photos of Sydney foreshore and then at events like New Years Eve or Sydney Vivid all photographers are encouraged to take as many photos as they want. So sometimes it's OK and sometimes not?
I said "At a time when there have never been more photos taken and photography is Australia's number one hobby, it is like standing under Niagara Falls and saying to the water stop. It's not a time to try and stop photography but embrace the medium and the exposure that images can bring.
These days with social media being so strong, people are even paid by the amount of likes they get. They are paid by companies and tourist organizations all over the world to help promote products and destinations. So what are all these regulatory bodies going to do? Troll the internet to arrest these potential criminals for promoting something? And then what? Potentially have them arrested or fined for promoting the country of "freedom" they love so much".
Who out there in the real world, if offered money for a photo they had taken, wouldn't jump at the opportunity? If it was an appropriate usage of that image, of course. Well if you would take the money, you would have just broken the law as you have now sold an image which you took with no commercial permit.
And if commercial activity is the criteria for fees and permits, then how come no one has taken action against Google as you can view anything you want on Google Maps even street view - which is just so cool, might I add.
So, after this and many more examples of why the rules and regulations of all the various department do not work any more in this modern, technological age, the Premiers Department asked "well what is it that photographers and artists want?"
My reply, "I believe we need our Premier to intervene and help create an arts policy that overrides all departments when it comes to low impact photography. It would allow our beautiful State, NSW, to become the first truly Arts Friendly State. (The existing rules and regulations for different departments will only apply when real impact from an artists activities could affect the area and its usage for future generations). When bureaucrats from all over Australia see how well this will work in promoting the beauty and creativity of our State. Hopefully they will also jump on the peace train with the photographers and artists".
PM Malcolm Turnbull talks about innovation but the thing that kills both that, and creativity, is bureaucracy.
Dear Mr Turnbull, you could really help Australia become the user friendly Arts country. Now
that would be truly innovative.
The NSW Premiers Department is now looking into how this could work, but it could be swiftly assisted by an overriding directive from the top to bring back sensibility and freedom of the arts.
The Premiers Department will be getting back to me in the New Year so let's keep our hopes high for sensibility!
Freedom would be one of the greatest gifts our leaders could return to us in the years ahead. If logic does not prevail then we will rally again - that our voices may be heard!
Regards,
Ken Duncan OAM

Mike Baird

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