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DADDY Magazine Berlin DADDY is a Black-owned magazine and platform with a focus on diversifying the media landscape. We ar

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“It is about creating “home” in the diaspora, and thriving together — finding belonging in unexpected places.” — Hanna B...
18/12/2025

“It is about creating “home” in the diaspora, and thriving together — finding belonging in unexpected places.” — Hanna Begić

Explore more photographs from Hanna Begić’s “Belonging” in our Power Issue or on our website.

Link in our bio to get yourself a copy 📖

“The men that took this land scream at us to keep toiling. Even when they’re not in the home, they’re in the mortgage, t...
17/12/2025

“The men that took this land scream at us to keep toiling. Even when they’re not in the home, they’re in the mortgage, the insulation spilling out the side of the house, the dandelion breaking out of the driveway.“ — Zymbul Fkara

Zymbul Fkara’s “Two Weeks Late Forever” unravels inner power, woven with the love, memory, and resistance that shape their Black working-class family.

Find it in the Power Issue. Link in bio to get a copy!


Celina Baljeet Basra’s short story “Come Ye Daughters” traverses labour, politics, violence, and the silences of power ...
16/12/2025

Celina Baljeet Basra’s short story “Come Ye Daughters” traverses labour, politics, violence, and the silences of power from the perspective of a taxi driver.

Celina has been awarded residencies with the Shanghai Biennale and Kochi Biennale , and she has received both curatorial and literary research stipends of the Berlin senate.

She is part of several juries for public art funding, and appointed member of the Berlin Atelierbeirat. She is currently working on her second novel.

Illustration by

“Cloaked in cover. I am invisible, never. A Beret on. A Hijab off.” – Karini VirannaKarini Viranna reflects on belonging...
15/12/2025

“Cloaked in cover. I am invisible, never. A Beret on. A Hijab off.” – Karini Viranna

Karini Viranna reflects on belonging and identity vs societal expectations in “blue moon hijab”.

After a decade of working with European brands, Karini occasionally works as a features journalist for the Special Olympics , with previous pieces in First Page Literature , Sunday Mornings At The River , and Coffee People Zine .

This past year, Karini founded the production collective SOMEDAY PRODUCTIONS. Together with co-director Wibke Deschamps-Lange , their upcoming docuseries, “Mom, I Am A Rich Man” follows four FLINTA artists redefining success and selfhood in Berlin’s creative ecosystem.


’Tis the season of giving and can get a discount when you shop our new Power Issue and the DADDY x Refuge Worldwide Tote...
12/12/2025

’Tis the season of giving and can get a discount when you shop our new Power Issue and the DADDY x Refuge Worldwide Tote Bag in our online shop this holiday season. That means you pay only €25 for the bundle!

Gift yourself or surprise someone you think would love them. 100% of proceeds from every tote bag sold will be donated to Refuge Worldwide , to help keep their platform running and accessible.

We’re shipping worldwide until December 19th and will resume again on January 6th, so order soon to arrive in time for the holidays!

🛒 http://bit.ly/3Yq2ACU

Through collage and photography, Flor Khan .relic constructs textured, intimate landscapes that hold space for both frag...
12/12/2025

Through collage and photography, Flor Khan .relic constructs textured, intimate landscapes that hold space for both fragmentation and repair, recasting memory as a living archive and a site for re-envisioning life, loss, and belonging.

Flor’s work lives in the generative tension between grief and renewal, using storytelling to excavate and heal. Rooted in third-culture experiences, her writing and visual art trace journeys across borders and histories, gathering images that speak to resilience, longing, and radical reimaginings of home.

This collage is part of Flor’s series “Where We Land” — published in the Power Issue.

“Grave Robbers” is a poem by Zeinab Fakih that exposes the illusion of power as a binary concept by telling the story o...
11/12/2025

“Grave Robbers” is a poem by Zeinab Fakih that exposes the illusion of power as a binary concept by telling the story of an unnamed narrator whose land and identity are stolen by a hostile power.

In the piece STILL(I)EBEN, Emmanuel Amoako-Jansen reflects on his debut feature film “Stilllieben,” touching on toxic m...
10/12/2025

In the piece STILL(I)EBEN, Emmanuel Amoako-Jansen reflects on his debut feature film “Stilllieben,” touching on toxic masculinity, the depth of love, and his cancer journey.

Credit: Still of .film

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09/12/2025

✨GIVEAWAY✨

If you’re looking for a holiday gift for your loved ones or a nice treat for yourself, we’ve got just the right thing for you 🎁

We’re giving away 3 bundles including a copy of our Power Issue and one of our DADDY X Refuge Worldwide tote bags!

Here’s how you can participate:

1. Follow .berlin
2. Tag 3 friends in the comments who you think would love DADDY Magazine

In the poem “dirt between our fingers,” Janice Faith .in.my.veins digs into their connection with the land, the guidance...
08/12/2025

In the poem “dirt between our fingers,” Janice Faith .in.my.veins digs into their connection with the land, the guidance of our plantcestors and the vision of a future where blackness can thrive.

Janice joined DADDY Magazine as a Features Editor, Social Media Content Creator, DE&I consultant and most recently as a Production Assistant for DADDY’s short documentary BLACK JOY. Their writing has also been published in Magazine of Color, Majin Magazine and Gay Times and they’ve begun sharing more of their poetry.

’sNewRelease

Janice Faith .in.my.veins and our cover photographer talk childhood cameras, the influence of an image, and his debut no...
05/12/2025

Janice Faith .in.my.veins and our cover photographer talk childhood cameras, the influence of an image, and his debut novel, “Sometime In May.”

Immerse yourself in the timeless beauty photographed by Muhammad-Taha Ibrahim .elevene and learn about his creative journey in the interview, “On the Quiet Revolutions of the Everyday.”

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In “The Body Problem,” Alissa Rubinstein examines the power dynamics of pregnancy, from the medical system to the workp...
04/12/2025

In “The Body Problem,” Alissa Rubinstein examines the power dynamics of pregnancy, from the medical system to the workplace to the individual mind.

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