Rupkatha Journal on Interdisciplinary Studies in Humanities

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Rupkatha Journal on Interdisciplinary Studies in Humanities Rupkatha Journal on Interdisciplinary Studies in Humanities The journal seeks to promote criticism of emerging literature, innovation and art.

Introduction
The Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) derives its name from ‘rup’ (form) and ‘katha’ (words), which, when combined, mean ‘myth’ in Bengali. The journal gets its inspiration from the etymology and follows the principle that anything which has a form, visual, aural or mental could be studied from interdisciplinary perspectives. One of its basic

objectives is to promote interdisciplinary research for the study of the human condition, culture and the elimination of discrimination in a globally connected world. History
Rupkatha was founded as a non-commercial open access initiative in India in 2008 by Tirtha Prasad Mukhopadhyay and Tarun Tapas Mukherjee. The journal incorporates technologically advanced formats of publications and maintains high standardization for diffusion and visibility of academic content. Since its inception, Rupkatha prioritized innovation and outreach in a global context. Open Access Statement
The journal continues to support and spread awareness about OA in India and abroad. We have a firm conviction in Open Access philosophy and strongly support Open Access Initiatives. Rupkatha signed the Budapest Open Access Initiative. In conformity to this, the content of publications is primarily guided by possibilities of the open nature of knowledge, and freedom of access for all. Content Licensing
The journal allows readers to freely read, download, copy, distribute, print, search, or link full texts of articles and use them for other lawful purposes. Articles, book reviews and other published items are licensed under the Creative Commons Attribution-NonCommercial 4.0 International License. Scope
Why Interdisciplinary Studies in Humanities? The fundamental idea for interdisciplinarity derives from an evolutionary necessity; namely the need to confront and interpret complex systems. An entity that is studied can no longer be analyzed in terms of its singular objectivity but as a contending hierarchy of discourses emerging from multiple or variable branches of knowledge. We encourage authors to engage in inter political and intercultural discussion involving interdisciplinary perspectives from areas within and beyond humanities and the humanist sciences, wherever applicable. Authors must be first sure of the high value of their papers in their comparison to international standards and then submit their papers. Submission areas include but are not limited to the following

Aesthetic Studies: critical discussion, case study, computational analysis
Animal Studies: Ethics, Aesthetics, Sports, Civilization and Biodiversity
Cultural Studies, Critical Religion
Consciousness and Intelligence
Digital Humanities: Arts, Literature and the Digital Media
Education Psychology, Applied Psychology
Emerging Critical Theories involving Interdisciplinary Studies
Environmental Studies and the theories of Evolution
Ethnography, Ethnomusicology
Fine Arts and Visual Studies
Gender Studies: critical discussion, case study, survey
Health Humanities
Historiography, Memory, History of Emotions
History of Science
Human Rights Studies in Arts and Literature
Interdisciplinary Approaches to Literature and Arts
Linguistics and Language Teaching
Film & Media Studies
Performance Studies
Sci-Fi: the aesthetics of science, the science of aesthetics
Scientific Philosophy: Artificial Intelligence, Biology, Economics, Neuroscience, and Psychology
World History of Literature and Art
World literatures and indigenous studies
Frequency
Quarterly with themed issues. Peer Review
All materials submitted to Rupkatha go through Editorial screening and a Double-Blind Peer Review Process. Submission Schedule
Authors are asked to look for appropriate CFPs and submit accordingly. Call for Papers
Calls for publications are advertised on all international CFP sites. Rupkatha CFPs can be posted, reposted, forwarded and advertised by anybody on any form on the media. For getting CFPs automatically to your mailbox, subscribe with us for free. Contact us for any advice or help regarding the submission of articles at [email protected]. Publisher
Aesthetics Media Services

📢Just published!A translation of Dr Parwati Tirkey’s Sahitya Akademi Award-winning book फिर उगना / Bloom Again.Translate...
20/09/2025

📢Just published!
A translation of Dr Parwati Tirkey’s Sahitya Akademi Award-winning book फिर उगना / Bloom Again.
Translated by Dr Pragya Shukla
Edited & Cover design by Dr Tarun Tapas Mukherjee
Access for free athttps://rupkatha.com/rtp/Bloom-Again.pdf
Dr Parwati Tirkey’s (b. 1994, Gumla, Jharkhand) creative and scholarly pursuits centre around Indigenous voices and lived realities of the Chota Nagpur Plateau region. A postgraduate of Banaras Hindu University, Varanasi, she holds a PhD in Hindi from the Department of Hindi for her research, "Kuduk Adivasi Songs: Life Rhythm and Life Struggles." Her debut poetry collection, Phir Ugna (2023), explores the resonances of folk tradition and the inner resilience of the tribal people. The book has won the Sahitya Akademi Yuva Puraskar in 2025. Her writings—ranging from poems to short stories—have appeared in prominent journals like Alochna, Tadbhav, Kathadesh, Vanmali Katha and on several digital platforms. Currently, she serves as an Assistant Professor in the Department of Hindi at Ram Lakhan Singh Yadav College, Ranchi University. Email: [email protected]

Dr Pragya Shukla is an Assistant Professor in the Department of English Studies at the Central University of Jharkhand. Her areas of interest include Gender Studies and Tribal Literature. Her doctoral thesis focused on "A Comparative Study of the Fictional Works of Githa Hariharan and Shashi Deshpande." In addition to research papers, she is also involved in translation and writing poetry and short stories. Email: [email protected]

New Article Published | Employ(ability), ESP, and Psychological Well-being at the CrossroadsBy Swati Basu & Dr Bhavya, D...
18/09/2025

New Article Published | Employ(ability), ESP, and Psychological Well-being at the Crossroads
By Swati Basu & Dr Bhavya, Dept of Applied Sciences and Humanities (English), IGDTUW, Delhi.
Read at https://rupkatha.com/v17n302g/.

New Article Published | timepass : Protima Bedi’s Memoir as a Rebuttal to MediaBy Ramya M. H. & Dr. Shashikantha Koudur,...
18/09/2025

New Article Published | timepass : Protima Bedi’s Memoir as a Rebuttal to Media
By Ramya M. H. & Dr. Shashikantha Koudur, NIT Karnataka.
Read at https://rupkatha.com/v17n301g/

📢IMPORTANT WBSSC SLST: We will be providing Complete Coaching with study materials for SLST English IX-X & XI-XII for FR...
31/05/2025

📢IMPORTANT WBSSC SLST: We will be providing Complete Coaching with study materials for SLST English IX-X & XI-XII for FREE at www.how.rupkatha.com

📢 Exciting Conversation on Arts Management! 🎭Join Dr. Ritesh Ranjan, Head of School at Jagran School of Design, Jagran L...
22/05/2025

📢 Exciting Conversation on Arts Management! 🎭

Join Dr. Ritesh Ranjan, Head of School at Jagran School of Design, Jagran Lakecity University, Bhopal, India, and Chief Editor of Chitrolekha Journal, in a thought-provoking discussion with Prof. François Colbert on the evolving landscape of Arts Management.

This insightful exchange, featured in Chitrolekha Journal (Vol. 9, Issue 2, 2025), offers valuable perspectives for artists, managers, and cultural enthusiasts.

📖 Read the conversation here: https://chitrolekha.com/v9n202/ 🔗 DOI: https://doi.org/10.21659/cjad.92.v9n202

🎙️ Explore the Future of Art & Technology with Prof. James Hutson🎭Read the fascinating conversation on art, design, arti...
22/05/2025

🎙️ Explore the Future of Art & Technology with Prof. James Hutson
🎭Read the fascinating conversation on art, design, artificial intelligence, neuroaesthetics, and immersive technologies with Prof. James Hutson, PhD, Lead XR Disruptor and Department Head of Art History, AI, and Visual Culture at Lindenwood University, USA.

Dr. Ritesh Ranjan, Head of School at Jagran School of Design, Jagran Lakecity University, Bhopal, India, and Chief Editor of Chitrolekha Journal, leads this insightful dialogue that uncovers groundbreaking ideas shaping the creative world.
📖 Read the conversation here: https://chitrolekha.com/v9n201/ 🔗 DOI: https://doi.org/10.21659/cjad.92.v9n201

Just published || Representing Desire in Minor Literature: Characterisation in The White TigerBy Farooq Ahmad SheikhThe ...
21/05/2025

Just published || Representing Desire in Minor Literature: Characterisation in The White Tiger
By Farooq Ahmad Sheikh
The Lacanian subject has two distinct aspects: one corresponds to the structural subject shaped by the symbolic order. At the same time, the other transcends symbolisation or coding, referred to by Lacan as the subject of desire or the Real. Minor literature, defined as the literature of minorities expressed in a major language, also seeks to disrupt dominant codifications and convey the flow of pure desire. Viewed through a Lacanian lens, minor literature primarily engages with the Real. This paper examines The White Tiger as an example of minor literature, with a particular emphasis on its characterisation. The central argument is that the novel’s characters do not conform to traditional types, identities, or subject positions. Instead, they embody pure desire and are better understood as Lacanian subjects of desire/Real, rather than as ideological constructs within a discourse. The primary focus of the novel is to represent the reverse side of the subject or the desire rather than the discursive formation.
Read more>>

Indexed in the Web of Science Core Collection™ Emerging Sources Citation Index (ESCI) | ERIH PLUS | DOAJ | EBSCO Journal Impact Factor (JIF)™ 2023: 0.2 | 5 Year JIF: 0.2 | Category Quartile: Q2 | Journal Citation Indicator (JCI): 0.41 | Source: Journal Citation Report™ 2023

Just published || Posthuman Aesthetics: A Postscript on Decadent NaturalismBy Armando Perez Crespo Posthumanism does not...
21/05/2025

Just published || Posthuman Aesthetics: A Postscript on Decadent Naturalism
By Armando Perez Crespo
Posthumanism does not exist as a human reality at any tangible level whatsoever, except insofar as there are some very elementary robotic and self-regulatory applications of that technology in the real world, such as in interactive robotic scenarios of offices and restaurants or Robotic Cafes of Tokyo city. Thus, posthumanism remains an imagined terminology, based on cybernetic theorizing with no directly available experiences, nor repercussions, of that imagination in the technosphere. The originary meaning of a cultural posthumanism must be traced to Ihab Hassan’s script for the University of Wisconsin skit, which was designed essentially as an explicatory, parodic drama on the figure of Prometheus as a symbol of ‘humanism.’ Unfortunately, the current literature on posthuman aesthetics has not denounced neoliberal variations of the concept of body and the Self. What are the prototypes on which posthumanism might evolve in the global South? If an erroneous version of posthumanism is discarded, other values of primitive human naturalism may be sought in the new art.
Read more>>https://rupkatha.com/v17n201g/

Just published || Common Spirit of Customary Law: Long-standing Practice of Ethnic Community in BangladeshBy Parimal Kum...
21/05/2025

Just published || Common Spirit of Customary Law: Long-standing Practice of Ethnic Community in Bangladesh
By Parimal Kumar Roy, Mash*tah Hamidi, Haris Abd Wahab & Sanjay Krishno Biswas
This paper examines the customary law of the Bangladeshi Santals, an ethnic community. From an anthropological perspective, the authors searched the literature on customary law and applied the concepts to the Santal community within the relevant local, regional, and international contexts of indigenous rights. Methodologically, this article follows the post-positivist paradigm and ‘capability approach’ to explore the gaps between mainstream and indigenous communities, such as the Santals. Consequently, the identified issue is that the Santals of Bangladesh errantly uphold the Sustainable Development Goals to establish their rights-based society. This has led to community tension in Bangladesh, as is frequently the case both there and in India. The tensions between ethnic and mainstream communities create hurdles to human rights and produce externalities in national development within the global context. This study recommends a sustainable community development framework due to the lack of ratified international documents regarding customary structure.
Read more>>https://rupkatha.com/v17n201/

Rupkatha is collaborating with the Institute of Chemical Technology (ICT), Marathwada Campus, Jalna & Siksha ‘O’ Anusand...
08/05/2025

Rupkatha is collaborating with the Institute of Chemical Technology (ICT), Marathwada Campus, Jalna & Siksha ‘O’ Anusandhan University, Bhubaneswar, as a publication partner for the Three-Day International Conference on "The Future of Humanities in an AI-Driven World"(Virtual mode, July 11-13, 2025).
Find details at https://marj.ictmumbai.edu.in/NewsFilesN.aspx?id=eacai&type=cn

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About the Journal

Introduction

The Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) derives its name from ‘rup’ (form) and ‘katha’ (words), which, when combined, mean ‘myth’ in Bengali. The journal gets its inspiration from the etymology and goes by the principle that anything which has a form, visual or mental, can come under focus.

History

Rupkatha was founded as a non-profit non-commercial open access initiative in India in 2008 by Tirtha Prasad Mukhopadhyay and Tarun Tapas Mukherjee. While Prof. Mukhopadhyay looked after the scholarly aspects, Prof. Mukherjee took care of the digital technological aspects of server configuration, hosting, web designing and journal management. The journal has a long history of technological experiments and innovations and standardization.