Holy Nation Studios

17/05/2022

Class!😍

15/02/2016

....In filmmaking and video production, pre-production formally begins once a
project has been greenlit. At this stage, finalizing preparations for production go into effect. Financing will generally
be confirmed and many of the key
elements such as principal cast members, director and cinematographer are set. By the end of pre-production, the screenplay is usually finalized and satisfactory to all
the financiers and other stakeholders. During pre-production, the script is broken down into individual scenes storyboards and all the locations, props, cast members, costumes,
special effects and visual effects are
identified. An extremely detailed schedule is produced and arrangements are made for the
necessary elements to be available to
the film-makers at the appropriate
times. Sets are constructed, the crew is
hired, financial arrangements are put in
place and a start date for the beginning of principal photography is set.

08/02/2016

3;Several American cinematographers
have become directors, including Barry Sonnenfeld, originally the Coen brothers DP; Jan de Bont, cinematographer on films as Die Hard and Basic Instinct, directed Speed and Twister. In 2014, Wally Pfister, cinematographer on Christopher Nolan's three Batman films, made his directorial debut with Transcendence.

08/02/2016

;2The cinematographer selects the
camera, film stock, lens, filters, etc., to realize the scene in accordance with
the intentions of the director. Relations between the cinematographer and
director vary; in some instances the
director will allow the cinematographer
complete independence; in others, the
director allows little to none, even
going so far as to specify exact camera placement and lens selection. Such a
level of involvement is not common
once the director and cinematographer
have become comfortable with each
other; the director will typically convey
to the cinematographer what is wanted from a scene visually, and allow the
cinematographer latitude in achieving
that effect.

08/02/2016

1;A cinematographer or director of photography (sometimes shortened to DP or DOP) is the chief over the camera crews working on a film, television production or other live
action piece and is responsible for
achieving artistic and technical
decisions related to the image. The
study and practice of this field is
referred to as cinematography. Some filmmakers say that the
cinematographer is just the chief over
the camera and lighting, and the
Director of Photography is the chief
over all the photography components
of film, including framing, costumes, makeup, and lighting, as well as the
assistant of the post producer for color
correction and grading.

06/02/2016

02/02/2016

Chroma key compositing, or chroma keying, is a special effects / post-production technique for compositing (layering) two images or video streams together based on color hues (chroma range). The technique has been used heavily in many fields to
remove a background from the subject of a photo or video – particularly the newscasting, motion picture and videogame industries. A color range in the top layer is made transparent,
revealing another image behind. The
chroma keying technique is commonly
used in video production and post- production. This technique is also
referred to as color keying, colour- separation overlay (CSO; primarily by the BBC[2]), or by various terms for specific color-related variants such as green screen, and blue screen – chroma keying can be done with
backgrounds of any color that are
uniform and distinct, but green and
blue backgrounds are more commonly
used because they differ most
distinctly in hue from most human skin colors. No part of the subject being filmed or photographed may duplicate a color used in the background.[3]

31/01/2016

Director;The director is responsible
for
overseeing the creative aspects of
a
film, including controlling the
content and flow of the film's plot, directing
the performances of actors,
organizing and selecting the
locations in which the film will be
shot, and managing technical
details such as the positioning of
cameras,
the use of lighting, and the timing
and content of the film's
soundtrack.
Though directors wield a great deal of power, they are ultimately
subordinate to the film's producer
or
producers. Some directors,
especially more established ones,
take on many of the roles of a producer, and the distinction
between the two roles is
sometimes blurred.

31/01/2016

invite friends and never miss to know films and its contents.Welcome to HNS

08/01/2016

Kutoka Tanzania wakiwa sambamba na ,kwa uswaiba wa wanakuletea mlangoni kwako kitu juu ya
kitu...filamu ya kwanza duniani kuwa na
mtu mmoja tu.

02/01/2016

12. Don’t shoot a western
if you hate horses. (But it’s
okay to not be fond of
cows.) 13. Think twice before you
write a scene with babies
or infants. 14. Never expect dogs,
cats, birds or any other
animals to do what you’d
like them to do. Keep your
shots loose. 15. Mistakes never get
fixed in post! 16. Final cut is overrated.
Only fools keep insisting on
always having the final
word. The wise swallow
their pride in order to get
to the best possible cut. 17. Other people have
great ideas, too. 18. The more money you
have the more you can do
with it, sure. But the less
you can say with it. 19. Never fall in love with
your temp music. 20. Never fall in love with
your leading lady! 21. If you love soccer,
don’t shoot your film during
the World Championship.
(Same goes for baseball
and the World Series, etc.) 22. Don’t quote other
movies unless you have to.
(But why would you have
to?) 23. Let other people cut
your trailer! 24. It’s always good to
make up for a lack of
(financial) means with an
increase in imagination. 25. Having a tight schedule
can be difficult. But having
too much time is worse. 26. Alright, so you’re
shooting with a storyboard.
Make sure you’re willing to
override it at any given
moment. 27. Less make-up is
better. 28. Fewer words are
always better! 29. Too much sugary stuff
on the craft table (or is it
Kraft?) can have a
disastrous effect on your
crew’s morale. 30. Film can reveal the
invisible, but you must be
willing to let it show.

02/01/2016

FOR FILM MAKERS 1. You have a choice of
being “in the business” or
of making movies. If you’d
rather do business, don’t
hesitate. You’ll get richer,
but you won’t have as much fun! 2. If you have nothing to
say, don’t feel obliged to
pretend you do. 3. If you do have
something to say, you’d
better stick to it. (But then
don’t give too many
interviews.) 4. Respect your actors.
Their job is 10 times more
dangerous than yours. 5. Don’t look at the
monitor. Watch the faces
in front of your camera!
Stand right next to it! You’ll
see infinitely more. You
can still check your monitor after the take. 6. Your continuity girl is
always right about screen
directions, jumping the axis
and that sort of stuff. Don’t
fight her. Bring her flowers. 7. Always remember:
Continuity is overrated! 8. Coverage is overrated,
too! 9. If you want to shoot day
for night, make sure the
sun is shining. 10. Before you say “cut,”
wait five more seconds. 11. Rain only shows on the
screen when you backlight
it.