Providing trusted reviews for indy filmmakers around the world.
29/08/2025
Make sure you check out Moons of Cavia this weekend if you get the chance!
The 2025 edition of Moons of Cavia sees the historic cinema delve into its archives to show what makes it such a special institution. But alongside its classic screening of Bride of Frankenstein, i…
26/08/2025
The Guardian has not defined the most unsettling question of our time. It is not even close. There are many, many beings in this world who we know can suffer - and are suffering. Children are being starved and obliterated in schools and hospitals; and for the best part of two years, politicians and the media have tried to make that seem normal, deserved even. A better question would be, why are some people more concerned with the hypothetical 'feelings' of a machine than the endless, well-documented agony which our current economic and political systems inflict on human beings every day?
22/08/2025
If you value that work, we would like to invite you to nominate us for the Indie Media Maverick Awards.
The Indie Media Maverick Awards, organised by the new organisation Independent Communications Network (ICN) and supported by Impress, have been created to recognise and reward outstanding independe…
20/08/2025
Our 2025 Experimental Showcase is live. You can see all the films for free, and vote for your favourites, right here!
From 09:00 CET on Wednesday 20th of August 2025, Indy Film Library is hosting a two-week online showcase, streaming some of the best short experimental films we have received over the pre…
15/08/2025
The right score makes or breaks a movie: it can build tension, emphasise a punchline, and elevate a good scene to an iconic moment. As Jaws turns 50, IFL contributors pick their favourite soundtracks that have taken their favourite films to another level, and examine what makes them so special.
Duh-duh… duh-duh… The right score makes or breaks a movie: it can build tension, emphasise a punchline, and elevate a good scene to an iconic moment. As Jaws turns 50, IFL contributors pick their f…
15/08/2025
There are many things which make Red Letter Media one of the best sources of film criticism on the internet. But, while its cynicism-fuelled early successes might have you believe otherwise, the team’s latest hour-long review underlines the brand’s true x-factor: friendship.
There are many things which make Red Letter Media one of the best sources of film criticism on the internet. But, while its cynicism-fuelled early successes might have you believe otherwise, the te…
01/08/2025
DIG IT! We are back with our annual SummerSlam special. OH YEAAAAH.
WELCOME BACK TO THE TUBE RATS SUMMERSLAM SPECIAL BROTHER. STAY TUNED FOR ANOTHER STUPENDOUS 90+ MINUTES OF SHOW-STOPPING PULSE-POUNDING FOUR-WAY ACTION. WHAT YOU GONNA DO WHEN THESE PYTHONS RUN WIL…
28/06/2025
"Créche and Burn offers short-but-sweet, absurdist skewering of the collective recall to the British office space – in spite of all the risks."
Director: Frank O’Neil Writer: Frank O’Neil Cast: Jacob Cunningham & Libby Dyer Douglas Running time: 4mins In George A. Romero’s genre-defining Dawn of the Dead, a band of bedraggl…
24/06/2025
" is a wonderfully interwoven mass of intertextual paranoia, obsessed with pushing itself beyond its previously established boundaries, it manages to both imagine a Britain that is somehow bleaker than reality; and use that to argue that even in the darkest of days, there may still be hope for a kinder tomorrow."
After a few years of playing it safe, 28 Years Later is remarkable return of the pioneering, adrenaline-fuelled Danny Boyle of old. A wonderfully interwoven mass of intertextual paranoia, obsessed …
09/06/2025
Houses and films all come together in the edit!
After her slow-moving documentary A Mano triumphed in the International Film category at Indy Film Library’s annual awards, filmmaker Angelina Fernandez speaks to Jack about taking audien…
04/06/2025
We put together a little list of films about culture and resistance for Boom Saloon. You should check their website out, it's a great project, exploring the UN’s Sustainable Development Goals through the lens of creativity.
A selection of curated media lists from our global community
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Why we do what we do
One of the things I found hardest during my own ill-fated spell as an independent filmmaker, was finding impartial feedback. I know I am not alone in this, and many directors I have met in the years since, running film festivals in England and the Netherlands, is that outside of the industry, finding out what went well, or what could be improved, in a project is nigh on impossible.
Your film will unsurprisingly draw praise from friends and family who have seen the film – no matter how confusing they found the experience – or it will find itself at the mercy of the trolls who patrol the aggregatory arenas of Rotten Tomatoes, IMDB or Metacritic. You are caught between the proverbial rock of unconditional love and the hard place consisting of n00bpwner123 and his army of sock-puppets looking to drag down your average score with aimless one-star reviews.
The only other way a would-be indy auteur can get feedback is via a public screening, and to be accepted by a festival worth its salt and receive a decent examination, your filmmaking practices will likely need to iron out some bugs which only constructive feedback before submitting can really yield.
That’s where Indy Film Library comes in. I founded this platform as a means to providing professional public reviews to independent filmmakers, and something which can help them take their career to the next level. Every film submitted to us will be featured in an article of at least 100 words (most will receive longer, but I once received a 16 second video clip of an ant walking on concrete as a “film”, and really, what can you say to that?) which will include a constructive element.
At the same time as providing the – shall we say – less polished filmmakers received with an insight into how they can rise from the ashes for their next project, this review platform will also provide the next generation of talent with an inroads to making waves in the industry. Alongside the benefits of being able to fix a stellar review to your promotional material, Indy Film Library will also contain a data-base of contact details, through which film festivals and industry figures can reach out and scout content for their organisations.
A word to the wise though; we’re supplying professional feedback here, so your films will be held to a professional standard. It will not be mollycoddled (and really what would the point of that be if you genuinely want to improve enough to be screening in Berlin or LA), so if you take offence to being told you have birthed an ugly baby, maybe you shouldn’t be sharing your films publicly. At the same time, we can teach you to get the most from your unsightly sprog, and take your craft to the next level. If that sounds like it’s an experience for you, then show us what you’ve got!