South African Musicians - Hall of Fame

27/12/2024

This is what Google says.

08/11/2024

https://singersroom.com/famous-south-african-musicians/

South Africa is a country known for its rich cultural heritage and diverse music scene. From traditional African rhythms to

28/09/2024

https://en.wikipedia.org/wiki/List_of_South_African_musicians

This list of South African musicians includes notable individual musicians as well as musical ensembles whose members are South African by birth or nationality.

21/06/2024

There is an interesting FB group that has funny exclusive rules but is worth a visit.

09/03/2024

OK what do you think?

In this blog post, we will take a look at 15 of the most famous South African musicians and their accomplishments. 

24/12/2023

SAMRO is saddened by the passing of Carlos Djedje, Africa's reggae pioneer and songwriter. We express heartfelt condolences to his family, friends and the broader music industry.

24/12/2023

📸 Look at this post on Facebook
https://www.facebook.com/100045061847833/posts/903015944543792/

Morocko's Musical Odyssey: A Journey to Creativity and Change

In the intriguing world of the South African supergroup Morocko, 1981 marked a significant milestone as they unveiled their musical prowess on the popular television program POPSHOP. The performance of "Bowtie Boogaloo," the A-side single from their debut album, captivated audiences nationwide, prompting an outpouring of fan letters. Seeking insights into the band's achievements and recording experiences, Billy Forrest engaged in a conversation with some members of Morocko. The essence of their conversation is summarised below:

One notable aspect of Morocko's debut album, titled simply "Morocko," was the band's decision to travel to the United States for its recording. When questioned about the rationale behind this choice, Morocko attributed it to the quest for a fresh and inspiring atmosphere. Immersed in studio session work in Johannesburg, the band sought a complete change of environment, believing it would elevate their creative output—a theory seemingly validated by the success of "Morocko."

The recording of the album took place on a farm outside the quaint town of Modesto, located approximately a hundred kilometers east of San Francisco. The selection of this particular studio was not arbitrary; it resulted from a previous encounter between Morocko's Cedric Samson and Doby Gray's manager, who strongly recommended the facility. Don, Gray's manager, played a pivotal role in facilitating the recording dates for Morocko.

As the conversation delved into the financial aspects of recording, Morocko emphasized that the studio rates in the United States were comparable to those in South Africa. The studio boasted equipment akin to SATBEL in Johannesburg, with a Trident desk and a twenty-four-track tape recorder running at thirty inches per second for noise reduction. However, the true distinction lay in the setting—a picturesque hundred-acre farm with on-site accommodation, providing a conducive and refreshing environment.

Shifting gears, the interview touched upon a recent change in Morocko's lineup, with Tim H***e stepping in as the new keyboardist. Responding to queries about the departure of John Galanakis, Morocko acknowledged his songwriting prowess but emphasised the inevitability of progressive change, a theme echoed in the band's evolution.

The discussion also unveiled the involvement of Emil Zoghby, known for his work with Ballyhoo, as the producer of Morocko's album. Zoghby's role was pivotal in providing objectivity to the creative process, a necessity when band members were individually responsible for crafting and shaping songs.

Addressing the crucial topic of live performances, Morocko approached it cautiously, recognizing the potential risks. Despite the importance of live shows as a promotional tool, the band expressed a need to be selective, aligning their performances more with concert venues than clubs.

In conclusion, Morocko's journey to America for the recording of "Morocko" encapsulated not only a quest for musical innovation but also a deliberate choice to immerse themselves in a transformative environment. As the band navigated changes in lineup and sought collaboration with an experienced producer, their cautious approach to live performances reflected a strategic vision for their musical future. Morocko emerged as not just a ‘supergroup’ but a dynamic force navigating the evolving landscape of the South African music scene.

(Source: “Morocko In America”, Top Twenty Magazine, July 1981)
Team SAMA

24/12/2023

https://sisgwenjazz.wordpress.com/

2023 in review: it’s not about the music December 10, 2023 ~ sisgwen ~ Leave a comment The things that really mattered in 2023 happened outside music. The ongoing commission of war crimes by every state that can get away with it (ie most of them), the shift to the xenophobic right in politics, th...

11/11/2023

https://mg.co.za/politics/2023-10-25-kzn-drops-controversial-r28m-sama-awards-plan/

MEC Siboniso Duma wanted to move funds from other departments to pay for the glitzy event