Film Matters

Film Matters The magazine for future film scholars. Film Matters is an exciting film magazine, celebrating the work of undergraduate film scholars.

It is published three times a year, by students and for students, and each issue contains feature articles, as well as a healthy reviews section. In addition, with an undergraduate audience in mind, Film Matters will include occasional service-oriented pieces, such as profiles of film studies departments, articles that engage the undergraduate film studies community and prepare students for gradua

te study in this field, and resources and opportunities that undergraduate scholars can pursue. In an effort to give undergraduate scholars real-world, applied-learning experiences, all Film Matters feature submissions will undergo a peer review process (typically managed by undergraduate film and media students). We strive for inclusivity in all areas of our operations. Broadly speaking, we seek to empower undergraduates from diverse backgrounds (race, ethnicity, gender/gender identity/gender expression, sexual orientation, national origin, disability, and economic status are our primary concerns), engaging our mentors/editors from varied experiences of academia (community colleges, private colleges, public universities, tenure track, non-tenure track, adjunct, graduate student, etc.). If you want to write or edit for us, we want to work with you. We feel, however, during these changemaking times, that it is particularly important to state that Black Lives Matter. The views and opinions of all posts, including reviews and interviews, are those of the authors and do not necessarily represent or reflect those of the editors, the editorial board, or the advisory board. Film Matters is published by Intellect with support from the University of North Carolina Wilmington.

On Film Matters, an interview with Tom Gunning by Dason Fuller:"Terrence Malick is probably the current filmmaker that I...
04/07/2025

On Film Matters, an interview with Tom Gunning by Dason Fuller:

"Terrence Malick is probably the current filmmaker that I most admire. He’s a perfect example of someone who, although he tells stories, more important to him is the world they take place in."

I had the opportunity to meet with Professor Tom Gunning—author of The Cinema of Attractions and the forthcoming anthology The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde—over Zoom. We had an intriguing conversation on his … Continue reading →

On Film Matters, an interview with FM 15.2 author Yixuan Ma:"One resistance point I encountered was grappling with confl...
27/06/2025

On Film Matters, an interview with FM 15.2 author Yixuan Ma:

"One resistance point I encountered was grappling with conflicting interpretations of certain themes in the film. To overcome this, I engaged in multiple rounds of conversations with peers and mentors, repetitively revisited primary sources, and ultimately, allowed for room for interpretation in my analysis while acknowledging differing perspectives."

Film Matters: What research and/or methodologies do you incorporate in your article? Yixuan Ma: In my article, I employ a combination of qualitative research methods and critical analysis. I draw upon existing literature on hypercapitalism, South Korean society, and film … Continue reading →

On Film Matters, an interview with FM 15.2 author Ciara Whelan:"I knew that I would have to select a film myself for thi...
20/06/2025

On Film Matters, an interview with FM 15.2 author Ciara Whelan:

"I knew that I would have to select a film myself for this article and, after some deliberation, I landed on Rocky IV. The film franchise was a big part of my childhood, and getting to watch the film again was something I really enjoyed. It was also really interesting to watch the film with a fresh and critical perspective; I got a lot more out of the film than I had previously as a result."

Film Matters: Please tell us about your article that is being published in Film Matters. Ciara Whelan: My article is analyzing and evaluating the ethnic whiteness represented in Rocky IV (1985). This film is selected as an apt example of … Continue reading →

On Film Matters, an interview with FM 15.2 author Vanessa Anzola Castellanos:"I hope more people get to know more about ...
13/06/2025

On Film Matters, an interview with FM 15.2 author Vanessa Anzola Castellanos:

"I hope more people get to know more about Colombian film history and how films can be used as an advocacy tool. More important, I hope that Marta Rodríguez serves as an example to understand how taking your time and being involved with the community you want to portray can be beneficial. I also hope people get the chance to watch her movies, and to understand how to be respectful with your subjects when making documentaries."

Film Matters: Please tell us about your article that is being published in Film Matters. Vanessa Anzola Castellanos: My article is about the Colombian documentarist Marta Rodríguez; she is one of the first documentary filmmakers in Colombia and her work … Continue reading →

Film Matters is pleased to announce CFP 17.3 -- undergraduates, dust off those film- and media-related papers from this ...
10/06/2025

Film Matters is pleased to announce CFP 17.3 -- undergraduates, dust off those film- and media-related papers from this past spring and submit today! Deadline is September 1, 2025.

We look forward to hearing from you!

Film Matters is pleased to announce an open call for papers from current undergraduates, authors who have been invited to revise and resubmit previous submissions (including authors who did not make it past our prescreening for a previous call), and recently … Continue reading →

On Film Matters, an interview with FM 15.2 author Ann Zhang:"Ever since watching The Parent Trap as a kid, I’ve wondered...
06/06/2025

On Film Matters, an interview with FM 15.2 author Ann Zhang:

"Ever since watching The Parent Trap as a kid, I’ve wondered how film technology can make the impossible (two Lindsay Lohans) appear so real. Writing this article was a fun opportunity to learn how decisions about visual effects reflect a filmmaker’s goals and attitudes toward the medium."

Film Matters: Please tell us about your article that is being published in Film Matters. Ann Zhang: My article is about the idea of character “doubles” and how they are represented in film. Developments in visual effects technology have diversified … Continue reading →

On Film Matters, an interview with FM 15.2 author Charlie Mc Evoy:"My article draws really heavily from disability studi...
23/05/2025

On Film Matters, an interview with FM 15.2 author Charlie Mc Evoy:

"My article draws really heavily from disability studies. The books, Narrative Prosthesis by Sharon Synder and David Mitchell and The Cinema of Isolation by Martin Norden, and the essay, 'The Cripple in Literature' by Leonard Kriegel, were really standout texts for me. I also drew from a number of primary sources in order to try and contextualize attitudes and conceptions of disability in midcentury America. The online library of the Disability History Museum was a great resource in this regard."

Film Matters: Please tell us about your article that is being published in Film Matters. Charlie Mc Evoy: My article discusses the 1955 film, The Man with the Golden Arm by Austrian director Otto Preminger. The Golden Arm is a … Continue reading →

Announcing the TOC for FM 15.3, our final issue of 2024!Here, you will find peer-reviewed features by:-Alice Alonso Limo...
21/05/2025

Announcing the TOC for FM 15.3, our final issue of 2024!

Here, you will find peer-reviewed features by:

-Alice Alonso Limongi (Emerson College)
-Sarah Dean (King’s College London)
-Eli Pallrand (Cornell University)
-Andrew Roberts (University of Toronto)

Book reviews by:

-Jay Burgart (University of North Carolina Wilmington)
-Maria Caravousano (University of Queensland)
-Sylvia Felice Docker (Sheridan College)
-Joseph Jasnoch (University of New Mexico)
-Anna Karnedy (University of Vermont)
-Oisín McGilloway (King’s College London)
-Maggie Norwine (University of North Carolina Wilmington)
-Marietta Smith (University of North Carolina Wilmington)
-Stella Sosa Wallace (University of North Carolina Wilmington)

A film review by:

-Ana Paula Rodriguez Ruiz (Jefferson Community and Technical College)

And DVD/Blu-ray reviews by:

-Brittany Utley (University of North Carolina Wilmington)
-John Droder (Denison University)
-Skye Foley (Denison University)
-Jack Lohman (Denison University)
-Miles Weiskopf (Denison University)
-Ruby Schweitzer (University of North Carolina Wilmington)
-Sam Bannasch (University of North Carolina Wilmington)
-Savannah Moriarty (University of North Carolina Wilmington)
-Austin Rambo (University of North Carolina Wilmington)
-Hannah Robinson (University of North Carolina Wilmington)

Congrats to our authors, their mentors, and their schools! And please think about becoming an FM author yourself! We would love to work with you.

Film Matters is pleased to announce the TOC of our latest issue, FM 15.3 (the final issue of 2024), which includes the following peer-reviewed features: A robust book review section! A timely film review: And these DVD/Blu-ray reviews: Congrats to … Continue reading →

On Film Matters, our last film-title poem for the season: "Endless Love" by Katie Arce. Please follow the link to read!
16/05/2025

On Film Matters, our last film-title poem for the season: "Endless Love" by Katie Arce. Please follow the link to read!

ElementalEntergalacticEternal Sunshine of the Spotless MindEnchantedEver After Author Biography Katie Arce is currently completing her senior year at the University of North Carolina Wilmington, in pursuit of a bachelor’s degree in film studies with a minor in business. After graduating, … Conti...

Writing Tip by Katie Acre.A good writer knows how to capture attention. Sam Leith in “Don’t Press Send…The New Rules for...
14/05/2025

Writing Tip by Katie Acre.

A good writer knows how to capture attention. Sam Leith in “Don’t Press Send…The New Rules for Good Writing in the 21st Century,” connects this to fishing, sharing that “[w]hen you go fishing, you bait the hook with what the fish likes, not with what you like.” Piquing a reader’s interest draws them within reach for you to hook. The key is understanding your audience’s appetite so that they’ll take the first bite and you can make them hungry for more.

https://www.theguardian.com/books/2017/oct/07/dont-press-send-new-rules-good-writing-sam-leith

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Film Matters is an exciting film magazine, celebrating the work of undergraduate film scholars. It is published three times a year, by students and for students, and each issue contains feature articles, as well as a healthy reviews section. In addition, with an undergraduate audience in mind, Film Matters will include occasional service-oriented pieces, such as profiles of film studies departments, articles that engage the undergraduate film studies community and prepare students for graduate study in this field, and resources and opportunities that undergraduate scholars can pursue. In an effort to give undergraduate scholars real-world, applied learning experiences, all Film Matters feature submissions will undergo a peer review process (typically managed by undergraduate film and media students).

We strive for inclusivity in all areas of our operations. Broadly speaking, we seek to empower undergraduates from diverse backgrounds (race, ethnicity, gender/gender identity/gender expression, sexual orientation, national origin, disability, and economic status are our primary concerns), engaging our mentors/editors from varied experiences of academia (community colleges, private colleges, public universities, tenure track, non-tenure track, adjunct, graduate student, etc.). If you want to write or edit for us, we want to work with you. We feel, however, during these changemaking times, that it is particularly important to state that Black Lives Matter.