
24/10/2024
Perfect Days (Japan, Germany), (2023)
Directed by Wim Wenders
9/10
Can it take so little to make every day perfect?
2023 has been a busy year for movie buffs, and no doubt, many watchlists have grown significantly. Perfect Days is another gem I can now check off my bucket list, and while I might be a bit late to the party, it’s never too late to appreciate great cinema. So here we go!
Wim Wenders' Perfect Days is a kind of ode to small moments in life, light and overlooked, which then turn out to be vital. It shows how each day is spent in the life of Hirayama, a man with very simple characteristics, working as a cleaner of public toilets. The repetition in this film does not get tiring, even for his routine stuff. Herein lies Wenders' genius: to turn the most mundane into a deeply meditative exercise, inviting us to contemplate the tiny details of life and understand from where such contentment could be derived.
The story beautifully unfolds a subtle clash between past and present. In Hirayama’s quiet inaction, the film finds a delicate balance between time and space, as if we’re witnessing a wordless stream of consciousness. Time seems to stand still for him—there are no grand events because, in his world, everything has stopped. Despite his humble profession, I found the film refreshingly uplifting. Hirayama seems to have discovered the secret to peace and happiness in the simplicity of his unchanging routine, much like nature itself, symbolized by the recurring imagery of light and trees.
Hirayama wakes up every morning to begin a fresh new day, free of the worries of the previous day and at the end of every day, he goes to sleep without a care for the events that the next day will bring. Kōji Yakusho as Hirayama is truly exceptional. In the whole film he hardly speaks, yet there is so much in his face, posture, and even faint smile that communicates feelings. It’s in the final scene—accompanied by the unforgettable voice of Nina Simone—that we truly understand the depth of his character. That moment, with its powerful close-up, cements why Yakusho deserves every accolade he received at Cannes.
It’s no coincidence that Perfect Days is shot in a 4:3 format, perfectly mirroring Hirayama’s small, contained world. Wenders also uses rock songs from his youth, which coincide with the protagonist’s gaze toward a towering structure in the Tokyo sky, symbolizing how music intertwines with memory and perception.
Wenders has performed a remarkable analysis of the ordinariness within things and its resultant beauty in a small space inhabited by Hirayama. In this case, there exists a particular seamlessness between the music, the reading, the photography, the silences, the movements – every single aspect of the whole ensemble. Actions speak louder than words, motions engross us, and the camera stills the most delicate and tranquil scenes in impeccable detail. Perfect Days is such a piece of work – so effortlessly put together, so gorgeous and so well integrated.
~kscj for Movie Reviews LK - A Glimpse at the Cinephilic Universe