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Third Eye Cinema the only page you need. Be sure to follow us directly at http://thirdeyecinema.wordpress.com/ to avoid FB post choking.

your source for in depth discussion of cult cinema (and music), with a focus on film that matters: cult, grindhouse, drive-in, independent and underground film from the dawn of the talkies through the early nineties. We focus on the glory days of independent cinema, from all over the US, Canada, Italy, France, Spain, Germany, Indonesia, India, the Phillipines, Japan, Hong Kong or any of the hotbed

s of obscure, oddball, or generally wild cinema available on DVD from the dawn of the medium to this very day. Just don't blame us if we focus on those filmmakers who are still going strong in the field of independent cult film as well! Email: thirdeyecinema (at) hotmail.com

30/12/2025

Someone posted this in response to yet another knee jerk bit of cancel culture.

News flash: the only thing I despise more than identitarianism ("identity politics") is cancel culture.

Oh, boo hoo. All our heroes were just as human as you and I. Idols always come with feet of clay.

Grow the f**k up. I celebrate the lives and work of many a person whose eventual politics, views or personal choices I stand in diametrical opposition to. I reject their stances, their statements in support of same or thoughts about contemporary society.

But I still enjoy the hell out of, say, early Woody Allen. Roman Polanski. Stallone. Kelsey Grammar. F**k, I'm the first to admit that the only decent black metal always comes from guys with EXTREMELY oppositional views to mine, spiritually and especially politically. I've interviewed one guy whose metaphysical awareness I respect, but whose interest in, as he put it on the show, "populism" I obviously stand diametrically opposed to.

So when I express my lifelong admiration for Brigitte Bardot, how I found a woman just like her in so many ways, I refer to the natural beauty, the unaffected nature, the primal, animalistic existential authenticity to simply BE, without even knowing (much less bending the knee to) the ridiculous "rules of social engagement" or prudish "societal mores" that ruin people's personal and s*x lives. Bardot in her prime simply WAS, and the fact that this bothered anyone surrounding remained a subject of bafflement and unconcern to her. Know anyone else like that? (Cough)

I by no means refer to, celebrate or even accept the woman she apparently became under the influence of her last husband Bernard d'Ormale. In fact, I choose to ignore the aged Bardot per se. But this was a given, not an expression of acceptance for cancel culture. I often signed off podcasts about flawed figures with a quick caveat of acknowledgement. That Michael Caine became a supporter of Brexit, for example.

Because I've met too many of my musical, televised and cinematic idols to hold anyone in such high regard that I cannot adore what they have given to us in art, what they represented to culture in their day, and the flawed, distasteful human being they have become or may have been all along. Even David Carradine gave us Kung Fu, one of many series that broke through an unshakably white culture to ignite an honest fascination and appreciation of Eastern culture and beliefs (for me personally, as well as to the world per se.)

I present the below commenter's own words in affirmation. And as ever, I fall back on the words of one of my personal heroes, Pontius Pilate. Because the truth is not up for public debate. It simply IS.

"What I have writ, I have writ."

the commenter:

"I truly despise today’s culture because it’s addicted to moral grandstanding, zero-sum thinking, and performative outrage. A public figure dies quietly of old age, and within minutes their entire life is reduced to a purity test run by people who’ve done nothing worth remembering. History is dragged through present-day optics by the most sanctimonious voices in the room, not to understand it, but to posture over it.

If this reflex ever turns back on them, there will be no body of work, no legacy, no contribution to temper the judgment, only a record of sneering, small-minded certainty. That’s the irony they never grasp. They erase others to feel righteous, but there’s nothing about them worth preserving in the first place.

Take, for example, Brigitte Bardot. When people talk about her today, it’s almost always about her controversial statements or accusations of racism. That’s a small part of who she was, but it’s treated like it defines her entire life. What gets ignored is the decades she spent fighting for animal welfare, founding the Brigitte Bardot Foundation, campaigning against seal hunting, animal testing, and cruelty in factory farming, and using her fame to actually make a difference.

Her critics focus on her flaws because it’s easier to tear someone down than to acknowledge the real, lasting good they did. But that good is still there. The shelters, the laws, the awareness she raised, all of that survived her imperfections. And that’s the point: the people who spend their lives pointing fingers often leave nothing worth remembering, while those who take action, even if flawed, leave a mark that lasts."

Looks like they may have a new singer, but... unexpected return of the decade (literally, it's been that long...)
19/10/2025

Looks like they may have a new singer, but... unexpected return of the decade (literally, it's been that long...)

Provided to YouTube by recordJetA New Dawn · KrypteriaA New Dawn℗ 2025 siemons-musicReleased on: 2025-10-16Band: KrypteriaProducer: Christoph SiemonsComposer...

New Roundup Reviews are here... including a controversial internet lodestone...
17/10/2025

New Roundup Reviews are here... including a controversial internet lodestone...

Once again, we found ourselves moved to comment on a handful of reviewables, solely based on their sheer merit and/or points of interest…so here we go, enjoy! Sad – Fullmoon Be***al Awa…

30/07/2025

Why are all of Cobra Spell's EPs like, a thousand times better than their sole Na**lm release? And why aren't they on CD?

Yeah, a wildly overpriced version of Venomous Hearts exists, but we're talking rational, here...

You know...having listened to as much old school French power metal as I have?  This is pretty dead on, and a lot more s...
29/07/2025

You know...having listened to as much old school French power metal as I have? This is pretty dead on, and a lot more solid than their status as "rehearsal joke song takes" would ever properly convey.

Picture this done by early Nightmare or High Power, and you'll see just how good this really is...

This is just a joke track from the second disc of the Spiritual Healing re-issue.take 2 0:00take 3 3:06take 4 6:13take 5 7:42take 6 9:17

Wherein much ado is made about Jem and the Holograms.  And GI Joe.New review is live!
27/07/2025

Wherein much ado is made about Jem and the Holograms. And GI Joe.

New review is live!

Cold SlitherReigning Phoenix MusicJuly 25My wife is a huge Jem fan.

01/07/2025

Looks like Jim Shooter just passed.

Controversial does not begin to describe this man's legacy and tenure, but it's unquestionable that he presided over a handful of the greatest and still most discussed runs in comic history: Miller's Daredevil, Simonson's Thor, the Dark Phoenix saga, Sienkewicz' New Mutants.

He was there for Marshall Rogers Doctor Strange, Paul Smiths x-Men, John Romita Jr and Bob Layton's Iron Man and my second favorite comics run of all time, the Moench-Gene Day Master of Kung Fu.

(Hell, he was even there for the John Byrne and Mike Zeck Captain America, both under Roger Stern.)

Yes, he was there for the dawn of the Image guys, gimmick covers, was huge on toy tie-ins and probably singlehandedly created all these embarrassing multi-title crossover events and miniseries that made the 80s and 90s mostly unreadable dreck (Mutant Massacre, anyone? The Scourge? Secret Wars, poorly scripted like a juvenile with zero comprehension of the characters and backstories involved by the man himself?)

He scared off some of the best writers and artists in the medium with his unreasonable hands on edits and ridiculous bowlderizations, and filled the void he alone created with subpar artists like Al Milgrom and Don Perlin, seemingly exclusively across multiple lines and titles. And Milgrom used to do a fair Jim Starlin back in his Captain Marvel days! Go ahead, take a look at his Spiderman run(s) then come back. It was pretty bad.

He also elevated editors to full script duties, producing some of the worst runs of the era - Ann Nocenti and Louise Simonson, whatever their merits as editors or on a personal level, kind of stand out in this respect, though they were far from alone. I recall a Danny Bulandi trying his hand at a few runs...all pretty much quarter bin fodder to this day.

And he was HIGHLY opinionated and involved in fan circles, as well as playing micromanager to staff and spending an inordinate amount of energy on reframing his legacy as hero, rather than, as fandom would have it, the great Boogeyman of the era.

But I will be the first to say, his takes were intelligent, possibly insightful and definitely possessed of a concrete rationale for his actions and decisions. You may not agree with the man, but he certainly knew how to build a good case for what he had done, and I found myself reassessing it on a recurrent basis.

Now he is gone, and much like the monolithic force that was Stanley Leiber - who you likely know better as Stan Lee - remains one of the handful of most significant figures ever involved in the medium, for better or worse.

Stan, I regularly defend and stand by. Shooter, by contrast, remains controversial.

But taken all in all, he was a man, and if for nothing more than his long ago rehabilitation of the Legion, setting the stage for the later improvements of Cockrum, Grell, Levitz and Giffen? He remains a giant among them, if only in terms of his own rather formidable height!

I met the man, trust me. He was tall...

It is only explicable by my sheer indifference (at best) for the remainder of their recorded output that Suffocation's H...
24/06/2025

It is only explicable by my sheer indifference (at best) for the remainder of their recorded output that Suffocation's Human Waste has escaped my attention for all these years.

By far their one shining moment, smacking very much of Penance to Consuming Impulse era Pestilence (just with far more generic vocals.)

Terrible artwork, though.

Provided to YouTube by The Orchard EnterprisesMass Obliteration · SuffocationHuman Waste℗ 1991, 2000 Relapse Records, Inc.Released on: 1991-10-01Auto-generat...

Yes, we're still here, still ankle deep in other trenches...but among many other things (80s and 90s wave goth, The Cure...
04/06/2025

Yes, we're still here, still ankle deep in other trenches...but among many other things (80s and 90s wave goth, The Cure, The Fall, old Shrapnel shred albums and the expected assortment of (largely Finnish and French) black metal), we have been playing the living S**T out of this one, from the former Necronimidol diva Himari Tsukishino.

Black, Euro-power/symphonic and an eerie Japanese folk all blend into one top tier confection, and f**k you if you're too self-styled 'grim' to appreciate just what's been pulled off here.

The full album for 月虹創聖記 / Music by Isiliel playlist Isiliel - 月虹創聖記 / Isiliel Full Album 月虹創聖記 tracklist (Isiliel): Isiliel - Genesis 光明生死 聖暗顕現 月蝕戦歌 浄土独唱 鬼哭...

18/05/2025

Still here, still taking reviewables.

Unfortunately, also still underwater with other projects.

Stay tuned!

10/02/2025

Yep, we're still here and taking submissions for review.

Other projects have taken priority, however, and those seeking our podcast /interview archives are directed to Weird Scenes Inside the Goldmine for information and access.

We still intend to get some Roundup Reviews up when time permits.

Hails!

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The podcast: your source for in depth discussion of cult cinema (and music), with a focus on film that matters: cult, grindhouse, drive-in, independent and underground film from the dawn of the talkies through the early nineties. We focus on the glory days of independent cinema, from all over the globe and any of the hotbeds of obscure, oddball, or generally wild cinema available on DVD or Blu from the dawn of the medium to this very day. We also cover all the best in cult and underground music, with a focus on only the best in global metal, gothic rock and punk, digging deep into band histories and discography to address those unanswered questions and put to bed some longstanding rumors, assumptions and dirt in conversations with the men and women who were there to know what really went down. The website:


  • Music Review – Print reviews and discussion relating to music that happens to come across my desk. Our Monthly Roundup covers all the music releases fit to hear from the many arenas of metal, punk, goth, electronic and neo-folk revivalists. And a few concert reviews or music-related book reviews to boot.

  • Film Review – DVD and Blu-ray print reviews.

  • Literary – Print reviews and discussion relating to literature, worthwhile and obscure. Don’t expect your mother’s crappy paperback romances or Barnes Ignoble “bestsellers”.